Young boy singing at the Britannia bar
The Britannia bar Costa Del silencio
Summer of 69' cover - Exiles Bar - Tenerife
Best live music from the midnight riders , Exiles Bar , Costa del Silencio , Tenerife ( Recorded - Dec 2015 )
APARTAMENTOS ATLANTICO II COSTA DEL SILENCIO HOLIDAYS
WWW.PEMARSERVICES.ES
Carolina Smith en Manhattan Fashion Café en costa del Silencio Tenerife sur 5 2 2015 Se nos Rompio
Espectaculo de Music-Hall y Animacion.
The Britannia Bar & Nightclub - Saturday Nights Promo (2013)
The Britannia Bar & Nightclub
@TheBritOnline
Resident VDJ
@RobMellor
Mad world, Tears for Fears ( Déjà Vu's cover)
It's a very very mad world...
Filmed in Costa del Silencio, Tenerife south, abandonned children's playground of Tenbel
Grabado en Costa del Silencio, Tenerife sur, parque abandonado de niños de Tenbel
Déjà Vu cover con ukulélé y guitarra 12 cuerdas
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Este es el barco más grande de la Historia
Julian Cavalero | El mundo entero y sus historias, caben en este pequeño rincón...
Este monstruo de acero navega desde que fue creado en 1979 en los astilleros de Oppama, en Japón por la Sumitomo Corporation. Pero como todo logro colosal, tuvo sus contratiempos, escenas que casi impiden que esta inmensa máquina pudiera zarpar algún día.
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Krautrock - The Rebirth of Germany (2009) [English / Spanish / Italian /Portugese subs] BBC 4
From 1968 - 77 German bands like Neu!, Can, Faust, Tangerine Dream and Kraftwerk looked beyond US/UK rock 'n roll to create some of the most original and uncompromising music ever heard.
They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.
Members of Can spotted Damo Suzuki behaving strangely in the street and hired him on the spot to be their vocalist, shoving him onstage the same evening with no rehearsals. Incredibly, actor David Niven came to hear them play, and they asked him what he thought of the music. It was great, he said, but I didn't know it was music. Suzuki doesn't remember, because at the time I was quite stoned.
This brilliant documentary examines how a radical generation of musicians created a new German musical identity out of the cultural ruins of war – and music which inspired Bowie, Eno, Iggy Pop and countless musicians today.
Hendrix's All Along the Watchtower has been removed due to copyright.
Video blocked in Austria, Germany & Switzerland due to inclusion of Hallogallo. Oh, the irony :)
If you love the music, support the artists and buy their music.
© BBC
Suspense: Mortmain / Quiet Desperation / Smiley
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
A Writer at Work / The Legend of Annie Christmas / When the Mountain Fell
Amanda Randolph (September 2, 1896 -- August 24, 1967) was an American actress and singer. She was a native of Louisville, Kentucky, and was the older sister of actress Lillian Randolph. She was the first African-American performer to star in a regularly scheduled network television show, appearing in DuMont's The Laytons. This short-lived program was on the air two months in 1948.
Her film career began in 1936 with Black Network. She went on to do several Oscar Micheaux films, among them: Swing, Lying Lips and The Notorious Elinor Lee. Broadway roles in The Male Animal and Harlem Cavalcade soon followed. Around the same time, Randolph broke into radio, helped by people she met at The Clam House, who got her a CBS audition. She began working on various radio shows: Young Dr. Malone, Romance of Helen Trent and Big Sister. Amanda went on to become a regular cast member on Abie's Irish Rose, Kitty Foyle, and Miss Hattie with Ethel Barrymore, where she had the role of Venus. Amanda also appeared on Rudy Vallée's radio show and on Grand Central Station.
She continued working in films to the 1960s, and was one of the first black women to become a comedy favorite on television. She briefly starred in her own daytime musical TV program for DuMont, Amanda, during the 1948 - 1949 season, making her the first African-American woman with her own show on daytime television.[55][56] Randolph did not settle in California until 1949, when she earned a role in Sidney Poitier's No Way Out. Even though she was working in New York and her younger sister, Lillian, had been working in Hollywood for some time, newspapers often got the two sisters mixed up, doing a story on Amanda but with a photo of Lillian and vice-versa. She then became a regular on the top early black TV show of the decade, Amos 'n' Andy, as Sapphire's mother, Ramona Smith, from 1951 to 1953; she also played the same role for the show's radio version from 1951 to 1954.[57] Amanda was now working with her sister, Lillian, who played Madame Queen on the radio and television shows.[15] She was the star and titular character in Beulah from 1953 to 1954, assuming the role from Lillian. Randolph also did some work for radio in 1956, playing the role of the folk heroine Annie Christmas in The Legend of Annie Christmas. She also had a recurring role as Louise the maid on CBS's The Danny Thomas Show and appeared in the show's 1967 reunion. (The show was aired shortly after her death.) She guest starred on the NBC anthology series, The Barbara Stanwyck Show. In 1955, Amanda opened a restaurant in Los Angeles called Mama's Place, where she did the cooking.
Despite all her film and television work, Amanda found herself slightly short of the requirements for a much-needed Screen Actors Guild pension at age 70; both sisters struggled for roles in the late 1930s. A role was written for her to gain eligibility.
Suspense: Lonely Road / Out of Control / Post Mortem
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Darkest Hour
Academy Award nominee Gary Oldman gives a towering performance (Richard Lawson, Vanity Fair ) in acclaimed director Joe Wright’s soaring drama DARKEST HOUR. As Hitler’s forces storm across the European landscape and close in on the United Kingdom, Winston Churchill (Oldman) is elected the new Prime Minister. With his party questioning his every move, and King George VI (Ben Mendelsohn) skeptical of his new political leader, it is up to Churchill to lead his nation and protect them from the most dangerous threat ever seen. Also starring Academy Award nominee Kristin Scott Thomas and Lily James, - ( Original Title - Darkest Hour )
Fim de Jogo, O Modelo para a Escravidão Global (2007) (Legendado PT-BR)
Alex Jones é um verdadeiro patriota, um verdadeiro herói. - Ator / diretor Charlie Sheen
Para a Nova Ordem Mundial, um governo mundial é apenas o começo. Uma vez no lugar eles podem exigir seu plano para acabar com 80% da população e ajudar os poucos escolhidos do planeta a viver para sempre com a ajuda de tecnologia avançada.
No “Fim de Jogo”, o documentarista Alex Jones narra a história da ascensão sangrenta da elite global ao poder e revela como eles financiaram ditadores e financiaram as guerras mais sangrentas usando ordem do caos para pavimentar o caminho para o primeiro e verdadeiro império mundial.
Veja como Jones e sua equipe acompanham o esquivo e secreto Grupo Bilderberg até Ottawa e Istambul para descobrir suas cúpulas secretas, permitindo que você testemunhe chefões globais definindo a agenda mundial e instigando a Terceira Guerra Mundial.
Saiba mais sobre a formação da grade de controle de transporte na América do Norte, que terminará com a soberania dos EUA para sempre.
Descubra como os praticantes da eugenia da pseudociência assumiram o controle dos governos em todo o mundo como um meio de realizar o despovoamento.
Veja o progresso do próximo colapso dos Estados Unidos e a formação da União Norte-Americana.
Nunca antes um documentário reuniu todas as peças da agenda sombria dos globalistas. O olhar convincente do “Fim de Jogo” contra as atrocidades cometidas por aqueles que tentam orientar o futuro, fornece informações que a mídia controladora censurou meticulosamente por mais de 60 anos, revelando plenamente a agenda da elite de dominar a Terra e realizar o plano mais perverso de toda a história da humanidade.
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Will New Technology Replace Jobs and Result in Greater Economic Freedom?
In the history of technology, emerging technologies are contemporary advances and innovation in various fields of technology. Various converging technologies have emerged in the technological convergence of different systems evolving towards similar goals. Convergence can refer to previously separate technologies such as voice (and telephony features), data (and productivity applications) and video that now share resources and interact with each other, creating new efficiencies.
Emerging technologies are those technical innovations which represent progressive developments within a field for competitive advantage; converging technologies represent previously distinct fields which are in some way moving towards stronger inter-connection and similar goals. However, the opinion on the degree of impact, status and economic viability of several emerging and converging technologies vary.
Many writers, including computer scientist Bill Joy, have identified clusters of technologies that they consider critical to humanity's future. Joy warns that the technology could be used by elites for good or evil. They could use it as good shepherds for the rest of humanity, or decide everyone else is superfluous and push for mass extinction of those made unnecessary by technology. Advocates of the benefits of technological change typically see emerging and converging technologies as offering hope for the betterment of the human condition. However, critics of the risks of technological change, and even some advocates such as transhumanist philosopher Nick Bostrom, warn that some of these technologies could pose dangers, perhaps even contribute to the extinction of humanity itself; i.e., some of them could involve existential risks.
Much ethical debate centers on issues of distributive justice in allocating access to beneficial forms of technology. Some thinkers, such as environmental ethicist Bill McKibben, oppose the continuing development of advanced technology partly out of fear that its benefits will be distributed unequally in ways that could worsen the plight of the poor. By contrast, inventor Ray Kurzweil is among techno-utopians who believe that emerging and converging technologies could and will eliminate poverty and abolish suffering.
Some analysts such as Martin Ford, author of The Lights in the Tunnel: Automation, Accelerating Technology and the Economy of the Future, argue that as information technology advances, robots and other forms of automation will ultimately result in significant unemployment as machines and software begin to match and exceed the capability of workers to perform most routine jobs.
As robotics and artificial intelligence develop further, even many skilled jobs may be threatened. Technologies such as machine learning may ultimately allow computers to do many knowledge-based jobs that require significant education. This may result in substantial unemployment at all skill levels, stagnant or falling wages for most workers, and increased concentration of income and wealth as the owners of capital capture an ever larger fraction of the economy. This in turn could lead to depressed consumer spending and economic growth as the bulk of the population lacks sufficient discretionary income to purchase the products and services produced by the economy.
On the Run from the CIA: The Experiences of a Central Intelligence Agency Case Officer
Agee stated that his Roman Catholic social conscience had made him increasingly uncomfortable with his work by the late 1960s leading to his disillusionment with the CIA and its support for authoritarian governments across Latin America. About the book:
He and other dissidents took encouragement in their stand from the Church Committee (1975-76), which cast a critical light on the role of the CIA in assassinations, domestic espionage, and other illegal activities.
In the book Agee condemned the 1968 Tlatelolco massacre in Mexico City and wrote that this was the immediate event precipitating his leaving the agency.
While Agee claimed that the CIA was very pleased with his work, offered him another promotion and his superior was startled when Agee told him about his plans to resign, the anti-communist journalist John Barron claims that Agee's resignation was forced for a variety of reasons, including his irresponsible drinking, continuous and vulgar propositioning of embassy wives, and inability to manage his finances.
Agee was accused by U.S. President George H. W. Bush of being responsible for the death of Richard Welch, a Harvard-educated classicist who was murdered by the Revolutionary Organization 17 November while heading the CIA Station in Athens. Bush had directed the CIA from 1976 to 1977.
Inside the Company identified 250 alleged CIA officers and agents. The officers and agents, all personally known to Agee, are listed in an appendix to the book. While written as a diary, it is actually a reconstruction of events based on Agee's memory and his subsequent research.
Agee writes that his first overseas assignment was in 1960 to Ecuador where his primary mission was to force a diplomatic break between Ecuador and Cuba, no matter what the cost to Ecuador's shaky stability, using bribery, intimidation, bugging, and forgery. Agee spent four years in Ecuador penetrating Ecuadorian politics. He states that his actions subverted and destroyed the political fabric of Ecuador.
Agee helped bug the United Arab Republic code room in Montevideo, Uruguay, with two contact microphones placed on the ceiling of the room below.
On December 12, 1965 Agee explains how he visited senior Uruguayan military and police officers at a Montevideo police headquarters. He realized that the screaming he heard from a nearby cell was the torturing of a Uruguayan, whose name he had given to the police as someone to watch. The Uruguayan senior officers simply turned up a radio report of a soccer game to drown out the screams.
Agee also ran CIA operations within the 1968 Mexico City Olympic Games and he witnessed the events of the Tlatelolco massacre.
Agee stated that President José Figueres Ferrer of Costa Rica, President Luis Echeverría Álvarez (1970--1976) of Mexico and President Alfonso López Michelsen (1974--1978) of Colombia were CIA collaborators or agents.
Following this he details how he resigned from the CIA and began writing the book, conducting research in Cuba, London and Paris. During this time he alleges he was being spied on by the CIA.
Our Miss Brooks: First Day / Weekend at Crystal Lake / Surprise Birthday Party / Football Game
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Governors, Senators, Diplomats, Jurists, Vice President of the United States (1950s Interviews)
Interviewees:
John Sherman Cooper, politician, jurist, and diplomat from the U.S. state of Kentucky
Herbert O'Conor, a Democrat, was the 51st Governor of Maryland in the United States from 1939 to 1947. He also served in the United States Senate, representing Maryland from 1947 to 1953.
Homer S. Ferguson, United States Senator from Michigan
Hubert Humphrey, served under President Lyndon B. Johnson as the 38th Vice President of the United States. Humphrey twice served as a United States Senator from Minnesota, and served as Democratic Majority Whip. He was a founder of the Minnesota Democratic-Farmer-Labor Party and Americans for Democratic Action. He also served as Mayor of Minneapolis, Minnesota from 1945 to 1948. Humphrey was the nominee of the Democratic Party in the 1968 presidential election but lost to the Republican nominee, Richard Nixon.
Irving Ives, American politician. A member of the Republican Party, he served as a United States Senator from New York from 1947 to 1959. He was previously a member of the New York State Assembly for sixteen years, serving as Minority Leader (1935), Speaker (1936), and Majority Leader (1937--1946). A moderate Republican, he was known as a specialist in labor and civil rights legislation.
John Sparkman, American politician from the U.S. state of Alabama. A Southern Democrat, Sparkman served in the U.S. House of Representatives and the U.S. Senate from 1937 until 1979. He was the Democratic Party's nominee for Vice President as Adlai Stevenson's running mate in the 1952 U.S. presidential election.
Joseph McCarthy, American politician
Joseph Raymond Joe McCarthy (November 14, 1908 -- May 2, 1957) was an American politician who served as a Republican U.S. Senator from the state of Wisconsin from 1947 until his death in 1957. Beginning in 1950, McCarthy became the most visible public face of a period in which Cold War tensions fueled fears of widespread Communist subversion. He was noted for making claims that there were large numbers of Communists and Soviet spies and sympathizers inside the United States federal government and elsewhere. Ultimately, his tactics and inability to substantiate his claims led him to be censured by the United States Senate.
The term McCarthyism, coined in 1950 in reference to McCarthy's practices, was soon applied to similar anti-communist activities. Today the term is used more generally in reference to demagogic, reckless, and unsubstantiated accusations, as well as public attacks on the character and/or patriotism of political opponents.
Born and raised on a Wisconsin farm, McCarthy earned a law degree at Marquette University in 1935 and was elected as a circuit judge in 1939, the youngest in state history. At age 33, McCarthy volunteered for the United States Marine Corps and served during World War II. He successfully ran for the United States Senate in 1946, defeating Robert M. La Follette, Jr. After three largely undistinguished years in the Senate, McCarthy rose suddenly to national fame in February 1950 when he asserted in a speech that he had a list of members of the Communist Party and members of a spy ring who were employed in the State Department. McCarthy was never able to prove his sensational charge.
In succeeding years, McCarthy made additional accusations of Communist infiltration into the State Department, the administration of President Harry S. Truman, Voice of America, and the United States Army. He also used charges of communism, communist sympathies, or disloyalty to attack a number of politicians and other individuals inside and outside of government. With the highly publicized Army--McCarthy hearings of 1954, McCarthy's support and popularity faded. On December 2, 1954, the Senate voted to censure Senator McCarthy by a vote of 67 to 22, making him one of the few senators ever to be disciplined in this fashion. McCarthy died in Bethesda Naval Hospital on May 2, 1957, at the age of 48. The official cause of death was acute hepatitis; it is widely accepted that this was caused, or at least exacerbated, by alcoholism.