Thomas Hart Benton State Historic Site
Visit the home and studio of Missouri artist Thomas Hart Benton! Located in Kansas City, Missouri
Thomas Hart Benton history:
Thomas Hart Benton Home And Studio State Historic Site:
“Independence and the Opening of the West” mural at the Harry S. Truman Presidential Library:
Thomas Hart Benton (politician) | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Thomas Hart Benton (politician)
00:02:21 1 Early life
00:05:39 2 United States Senate career
00:05:49 2.1 Early Senate career
00:07:23 2.2 Jacksonian democracy
00:11:14 2.3 Later Senate career and tension
00:12:26 3 Later life
00:13:57 4 Family connections
00:14:47 5 Legacy
00:15:49 6 See also
00:16:03 7 Footnotes
00:16:12 8 Bibliography
00:16:21 8.1 Secondary sources
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Thomas Hart Benton (March 14, 1782 – April 10, 1858), nicknamed Old Bullion, was a United States Senator from Missouri. A member of the Democratic Party, he was an architect and champion of westward expansion by the United States, a cause that became known as Manifest Destiny. Benton served in the Senate from 1821 to 1851, becoming the first member of that body to serve five terms.
Benton was born in Harts Mill, North Carolina. After graduating from the University of North Carolina, he established a law practice and plantation near Nashville, Tennessee. He served as an aide to General Andrew Jackson during the War of 1812 and settled in St. Louis, Missouri, after the war. Missouri became a state in 1821 and Benton won election as one of its inaugural pair of United States Senators. The Democratic-Republican Party fractured after the 1824 and Benton became a Democratic leader in the Senate, serving as an important ally of President Jackson and President Martin Van Buren. He supported Jackson during the Bank War and proposed a land payment law that inspired Jackson's Specie Circular executive order.
Benton's prime concern was the westward expansion of the United States. He called for the annexation of the Republic of Texas, which was accomplished in 1845. He pushed for compromise in the partition of Oregon Country with the British and supported the 1846 Oregon Treaty, which divided the territory along the 49th parallel. He also authored the first Homestead Act, which granted land to settlers willing to farm it.
Though he owned slaves, Benton came to oppose the institution of slavery after the Mexican–American War, and he opposed the Compromise of 1850 as too favorable to pro-slavery interests. This stance damaged Benton's popularity in Missouri, and the state legislature denied him re-election in 1851. Benton won election to the United States House of Representatives in 1852 but was defeated for re-election in 1854 after he opposed the Kansas–Nebraska Act. Benton's son-in-law, John C. Frémont, won the 1856 Republican Party nomination for president, but Benton voted for James Buchanan and remained a loyal Democrat until his death in 1858.
The Indiana Murals of Thomas Hart Benton (2001) CLIP
What do eggs, the 1933 World's Fair and the history of Indiana have in common? They are all a part of the story of the famous artwork known as, The Indiana Murals of Thomas Hart Benton. This documentary produced in 2001 tells the story of a mural cycle by 20th century American artist, Thomas Hart Benton. You learn about the colorful history of the murals, the technique of one of America's most renown 20th century painters, and the restoration of the murals in the 1990's. I was producer and scriptwriter for this program. It won a CINE Golden Eagle Award in 2002. Recorded in standard definition video, Running time: 2:45 THIS WORK IS THE PROPERTY OF THE TRUSTEES OF INDIANA UNIVERSITY, NO DUPLICATION WITHOUT PERMISSION
藝苑掇英 Thomas Hart Benton 托馬斯·哈特·本頓 (1889-1975) Regionalism Synchromism American
tonykwk39@gmail.com
Thomas Hart Benton was an American artist whose paintings, lithographs, and murals contributed to the Regionalist movement. Along with John Steuart Curry and Grant Wood, Benton captured rural American life during the 1920s and 1930s. His large-scale works functioned as commentaries on societal injustices. Reflecting the values of the working class, the artist often focused his attention on the plight of farmers in the Industrial Age. “I have a sort of inner conviction that for all the possible limitations of my mind,” he reflected. “I have come to something that is in the image of America and the American people of my time.” Born on April 15, 1889 in Neosho, MO, Benton started his career as a commercial illustrator before enrolling at the Art Institute of Chicago in 1907. Moving to Paris a year later, he studied at the Académie Julian where he met and fell under the influence of the Mexican artist Diego Rivera. Returning to the United States during World War I, by the early 1920s he had distinguished himself as an outspoken opponent to abstraction. This change in attitude was inspired by a reappraisal of his Midwestern roots and a desire to make work that everyday people could appreciate. He went on to teach at the Art Students League in New York, where one of his pupils included the young Jackson Pollock. The artist died on January 19, 1975 in Kansas City, MO, where his former home and studio are currently a historic site and museum honoring his legacy. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the National Gallery of Art in Washington, D.C.
托馬斯哈特本頓是一位美國藝術家，他的繪畫，石版畫和壁畫為地區主義運動做出了貢獻。與約翰斯圖爾特庫里和格蘭特伍德一起，本頓在20世紀20年代和30年代捕捉了美國鄉村生活。他的大型作品起到了社會不公正的評論作用。為了反映工人階級的價值觀，藝術家經常將注意力集中在工業時代農民的困境上。 “我有一種內心的信念，即我心中可能存在的局限性，”他反思道。 “我已經達到了美國和我那個時代的美國人形象。”Benton於1889年4月15日出生在密蘇里州Neosho，他的職業生涯開始於商業插畫師，之後進入芝加哥藝術學院。 1907.一年後搬到巴黎，他在AcadémieJulian學習，在墨西哥藝術家Diego Rivera的影響下遇到並摔倒。在第一次世界大戰期間回到美國，到20世紀20年代早期，他已經成為一個直言不諱的抽像對手。這種態度的改變受到了對他的中西部根源的重新評價以及日常生活中可以欣賞的工作的渴望的啟發。他繼續在紐約藝術學生聯盟任教，其中一名學生包括年輕的傑克遜波洛克。這位藝術家於1975年1月19日在密蘇里州堪薩斯城去世，他的故居和工作室目前是一個歷史遺址和博物館，以紀念他的遺產。今天，他的作品在芝加哥藝術學院，紐約現代藝術博物館和華盛頓特區的國家美術館收藏。
Antiques Roadshow A Laurel and Hardy Swiss Miss horn; silver presentation cup....
Ruckus - July 25, 2019
Mike Shanin talks to Missouri State Senator Mike Cierpiot about the last legislative session. Danedri Herbert, Patrick McInerney, Crosby Kemper III and Terry Riley discuss the expectations and top priorities for the new Kansas City mayor and city council, the Kansas City Police Department's reluctance to invest in body cameras and Emanuel Cleaver's remarks about the deterioration of civility.
Kansas City PBS - KCPT, Kansas City
Celebrating the East Building Twentieth-Century Art Series, Part 9: Abstract Expressionism
David Gariff, senior lecturer, National Gallery of Art. From the mid-1940s through the 1950s painters in New York imbued their work with a heady new confidence, scale, and energy. Before and during World War II European émigrés poured into New York, including artists Max Ernst, Fernand Léger, Piet Mondrian, and the writer and surrealist leader André Breton. Their influence led to the exploration of biomorphic forms, archaic themes, and accidental processes designed to unleash the unconscious, like dripping and scraping. It is in the large canvases of the 1950s, by Jackson Pollock and others, that what one critic called “the triumph of American painting” can really be felt. These paintings increased ambition and introduced new techniques: Pollock’s rhythmic pours and drips, Clyfford Still’s dry palette-knifing, Newman’s masking-taped “zips,” Franz Kline’s chiseled gestures, and Joan Mitchell’s flurries of strokes. This generation of artists revealed new horizons in the practice of painting and the experience of viewing. As part of the series Celebrating the East Building: 20th-Century Art, senior lecturer David Gariff explores the triumph of American painting in postwar America. This lecture was presented on August 14, 2018, at the National Gallery of Art.
Directors Choice with Betsy Broun
Don't miss this rare opportunity to hear Betsy Broun, SAAM's Margaret and Terry Stent Director, tell stories about some of her favorite artworks from the museum's collection.
Arts Upload | Season 4, Episode 6
We wrap up our last episode of 2016 with a closer look at the bead work tapestries of Charlotte Street Award winner Jessica Kincaid. We look at the local connections to muralist Eric Bransby and get a sneak peek at the new documentary about his life and work called The Last Mural. Poet Jason Preu shares his Objective Observations. And we head to Sacramento to join The Music Circus.
Kansas City PBS - KCPT, Kansas City
Martin Van Buren | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Martin Van Buren
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
You can upload your own Wikipedia articles through:
The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Martin Van Buren (born Maarten Van Buren, December 5, 1782 – July 24, 1862) was the eighth President of the United States from 1837 to 1841. A founder of the Democratic Party, he previously served as the ninth Governor of New York, the tenth U.S. Secretary of State, and the eighth Vice President of the United States. He won the 1836 presidential election with the endorsement of popular outgoing President Andrew Jackson and the organizational strength of the Democratic Party. He lost his 1840 reelection bid to Whig Party nominee William Henry Harrison due in part to the poor economic conditions of the Panic of 1837. Later in his life, Van Buren emerged as an elder statesman and important anti-slavery leader who led the Free Soil Party ticket in the 1848 presidential election.
Van Buren was born in Kinderhook, New York to a family of Dutch Americans; his father was a Patriot during the American Revolution. He was raised speaking Dutch and learned English at school, making him the only U.S. President who spoke English as a second language. He trained as a lawyer and quickly became involved in politics as a member of the Democratic-Republican Party. He won election to the New York State Senate and became the leader of the Bucktails, the faction of Democratic-Republicans opposed to Governor DeWitt Clinton. Van Buren established a political machine known as the Albany Regency and in the 1820s emerged as the most influential politician in his home state. He was elected to the United States Senate in 1821 and supported William H. Crawford in the 1824 presidential election. John Quincy Adams won the 1824 election and Van Buren opposed his proposals for federally funded internal improvements and other measures. Van Buren's major political goal was to re-establish a two-party system with partisan differences based on ideology rather than personalities or sectional differences, and he supported Jackson's candidacy against Adams in the 1828 presidential election with this goal in mind. To support Jackson's candidacy, Van Buren ran for Governor of New York and resigned a few months after assuming the position to accept appointment as U.S. Secretary of State after Jackson took office in 1829.
Van Buren was a key advisor during Jackson's eight years as President of the United States and he built the organizational structure for the coalescing Democratic Party, particularly in New York. He resigned from his position in order to help resolve the Petticoat affair, then briefly served as the American ambassador to Britain. At Jackson's behest, the 1832 Democratic National Convention nominated Van Buren for Vice President of the United States and he took office after the Democratic ticket won the 1832 presidential election. With Jackson's strong support, Van Buren faced little opposition for the presidential nomination at the 1835 Democratic National Convention, and he defeated several Whig opponents in the 1836 presidential election. Van Buren's response to the Panic of 1837 centered on his Independent Treasury system, a plan under which the Federal government of the United States would store its funds in vaults rather than in banks. He also continued Jackson's policy of Indian removal; he maintained peaceful relations with Britain but denied the application to admit Texas to the Union, seeking to avoid heightened sectional tensions. In the 1840 election, the Whigs rallied around Harrison's military record and ridiculed Van Buren as Martin Van Ruin and a surge of new voters helped turn him out of office.
At the opening of the Democratic convention in 1844, Van Buren was the leading candidate for the party's nomination for the presidency, but his continued opposition to the annexation of Texas aroused the opposition of Southern Democrats and the party nominated James K. Polk. Van Buren grew increasingly opposed to slavery after he left office, and he agreed to lead a third party ...
How Money Controls Politics: Thomas Ferguson Interview
Thomas Ferguson (born 1949) is an American political scientist and author who studies and writes on politics and economics, often within a historical perspective. He is a political science professor at the University of Massachusetts Boston and a member of the advisory board for George Soros' Institute for New Economic Thinking. He obtained his Ph.D. from Princeton University. A contributing editor for The Nation and a contributing writer to The Huffington Post, he is a frequent guest and economic commentator on numerous radio and television programs. He is known for his investment theory of party competition.
According to Noam Chomsky, Thomas Ferguson was warned while at MIT that his research might get him denied tenure at the Political Science Department. In Chomsky's account, Ferguson was told If you ever want to get tenure in this department, keep away from anything after the New Deal; you can write all of your radical stuff up to the New Deal, but if you try and do it for the post-New Deal period, you're never going to get tenure in this department. Although not explicitly mentioned, the research was ostensibly the investment theory of party competition.
The Investment theory of party competition (sometimes called the Investment theory of politics) is a political theory developed by University of Massachusetts Boston professor Thomas Ferguson. The theory focuses on how business elites, not voters, play the leading part in political systems. The theory offers an alternative to the conventional, voter-focused, political alignment theory and Median voter theorem which has been criticized by Ferguson, et al.
The theory states that, since money driven political systems are expensive and burdensome to ordinary voters, policy is created by competing coalitions of investors, not voters. According to the theory, political parties (and the issues they campaign on) are created entirely for business interests, separated by the interests of numerous factors such as labor-intensive and capital-intensive, and free market and protectionist businesses. In rare cases, labor unions sometimes act as major investors such as with the creation of the Labour Party in Britain, but are generally overshadowed by corporations.
However, this is different from a corporatist system in which elite interests come together and bargain to create policy. In the investment theory, political parties act as the political arms of these business groups and therefore don't typically try to reconcile for policy.
Within this framework, the Democratic Party is generally said to favor internationalist capital-intensive businesses (along with labor unions) while the Republican Party favors nationalist, anti-union, labor-intensive businesses.
Labor-intensive investors made up much of the early political systems in the 18th and 19th centuries. Industries such as textiles, rubber and steel favor economic protectionism with high tariffs and subsidies. Since these businesses are mainly responsible for their domestic market, they are opposed to a Laissez-faire economy open to foreign competition. These industries are also heavily against labor unions since unionization increases the price of their goods. This is said to be responsible for the anti-union policies throughout much of the 18th and 19th centuries when these businesses controlled much of the economy.
Due to industrialization and new markets in the 20th century, capital-intensive investors became the new economic order after the realignment of the Great Depression. Industries such as oil, banks, tobacco (and General Electric) along with labor formed the New Deal Coalition.
Capital-intensive industries have almost no percent of their value added based on labor and are therefore open to unionization, which, Ferguson states, is why pro-labor policies such as the Wagner Act were passed under the New Deal. These investors also favor international competition and reduced tariffs which is said to have led to the Reciprocal Tariff Act (in response to the Smoot-Hawley Act).
Our Miss Brooks: Board of Education Day / Cure That Habit / Professorship at State University
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.