SOLD - 2641 Ocean Street Carlsbad CA 92008 | Amber Anderson | Pacific Sotheby's International Realty
Value range $5,999,000-$7,199,000. Ocean Front Beach Estate with stunning panoramic views from each floor of the pacific coastline which includes endless sunsets and 50ft of direct beach access. Fall to sleep to the sound of waves in your luxe master suite with sitting area, fireplace, spa-inspired bathroom and large dressing room. Indulge your passion for cooking in three gourmet kitchens clad in detailed stone work with a full complement of chef-grade appliances and generous seating. Relax in the inviting living room with carved limestone fireplace, flat screen television, wet bar and sliding wood and glass doors that open completely to the view deck, creating a large indoor/outdoor space. Self contained beach level unit offers private entrance, full kitchen, steam shower and full size laundry room. This marvelous residence also features tech amenities including theater room with HDTV, security system with closed circuit cameras,elevator accessible to all three levels and a 4 car garage. Step out of doors to enjoy the patio with Jacuzzi, entertaining area with Palapa BBQ Bar and enclosed, private White Sand Beach space. The charming European Village of Carlsbad offers something for everyone, nearly seven miles of stunning beaches, picturesque lagoons coupled with world class golf, spas and shopping. The village has a small town charm with tree-lined streets and sidewalks, ideal for walking. The town village is clean, safe, and a great getaway for the family or romance. Carlsbad Village features boutique, antique, and gift stores, restaurants, cafes, quaint hotels, salons, art galleries, pubs, historic homes, and more. Carlsbad is a coastal resort city lying along the Pacific Ocean in San Diego's North County region of Southern California. Carlsbad is located 87 miles (140 km) south of Los Angeles and 35 miles (56 km) north of downtown San Diego. High property values, very high median family incomes, and high education levels have made Carlsbad one of the wealthiest communities in California and in the United States. View more information about this property by contacting Amber Anderson at 619-840-3400.
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Amber Anderson CA BRE #01423536
Brandon White CA BRE #01864163
Huntington Beach Real Estate - 4582 Oceanridge Drive, Huntington Beach, CA Brightwater
714-421-3377
Stanfield Residential Group, located in Huntington Beach, CA, specializes in all types of real estate throughout Orange County and Newport including: Luxury Homes, Waterfront Homes, View Properties, Estates, Foreclosures, and Short Sales. As one of the world's top producing real estate organizations, we are committed to providing not only the best real estate services, but also the greatest expertise and professional, personalized service to each of our clients.
Our simple online search options will make it easier than ever for you to find the home of your dreams. We can accommodate your price range, needs, preferences, and lifestyle to find you the perfect Huntington Beach, Newport or Orange County home for sale for your particular situation. For those interested in investment real estate, we also offer income producing properties that offer safe and secure monthly income. We can also efficiently handle short sales to take the stress off of all parties involved.
4582 Oceanridge Drive, Huntington Beach, CA
Plan 4 Breakers View Home of Brightwater Development for Lease
This exquisite two story 4,339 sq foot 5 bedroom, 5 ½ bath ocean-view home offers extensive upgrades, whole house sound system, alarm system, crown molding and 8 baseboards throughout, large window casings, double paned glass, built-ins, 2 car garage, 2 central Air Conditioning/Heater units, and the entire downstairs, stairwell and hall to master bedroom have been graced with hand hewn espresso solid hardwood flooring.
The Master bedroom has an unobstructed view of the Pacific Ocean, the Bolsa Chica wetlands, and expansive views from Long Beach to Huntington State Beach. The master suite showcases a spa style bathroom with an ocean view and large Kohler tub, double headed fully travertine tiled shower, 2 separate vanities, travertine floors, and granite counter tops.
There are 4 additional carpeted bedrooms with 3 inch plantation shutters. 3 have on-suite private baths and vaulted ceilings, tub/shower combinations and 1 bedroom has a nearby bath, to be shared by either the office or upstairs media room. All bathrooms have granite vanities, polished nickel Restoration Hardware fixtures and travertine flooring.
The large office could be used as an upstairs media room with a built-in 7.1 speakers system, large entertainment cabinet with lighted glass shelves and drawers, and capacity for an 82 television.
The gourmet kitchen with ocean and wetland views includes a Subzero refrigerator/freezer, Wolf stainless steel double oven, 6 burner with griddle Wolf cook top, one of 2 Asko dishwashers, Wolf microwave/convection oven, granite counter-tops with full granite back-splashes, lighted glass door and shelved cabinets, and solid espresso hardwood flooring. It also features a large breakfast nook with ocean views and a prep kitchen with the additional Asko dishwasher, a large walk-in pantry, stainless steel sink, granite counters with full granite back-splashes and the same solid hardwood floors. Adjoining the kitchen is the butler's Pantry complete with granite counter-tops, full granite backsplashes, and lighted cabinets with glass doors and shelves.
Laundry room has granite a counter top and laundry sink, with hook ups for both electric or gas for the dryer which is supplied with the home.
Slate court yard features a beautiful three tier fountain and two sets of large French doors off of the dining room and entry hall. Formal Dining room with chandelier will allow for large dining table and buffet.
Family room is full of light with huge windows and views to the ocean, wonderful gas fueled fireplace with large hearth, solid hardwood espresso flooring, and a lighted shelf above the built in entertainment center which was built for an 82 television and is connected to the devices neatly hidden in a closet.
Living room has the same solid hardwood floors, a Restoration Hardware chandelier, extra windows with shudders, and a cozy gas fueled fireplace.
Rear Yard, has tall pergola with stainless Lynx Barbecue, granite working counter tops, lighted fountain, and large slate patio deck.
David Brooks: The social animal
Tapping into the findings of his latest book, NYTimes columnist David Brooks unpacks new insights into human nature from the cognitive sciences -- insights with massive implications for economics and politics as well as our own self-knowledge. In a talk full of humor, he shows how you can't hope to understand humans as separate individuals making choices based on their conscious awareness.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, Bill Gates on malaria and mosquitoes, Pattie Maes on the Sixth Sense wearable tech, and Lost producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Closed captions and translated subtitles in a variety of languages are now available on TED.com, at
Savings and Loan Crisis: Explained, Summary, Timeline, Bailout, Finance, Cost, History
The following is a detailed summary of the major causes for losses that hurt the savings and loan business in the 1980s. More on the topic:
Lack of net worth for many institutions as they entered the 1980s, and a wholly inadequate net worth regulation.
Decline in the effectiveness of Regulation Q in preserving the spread between the cost of money and the rate of return on assets, basically stemming from inflation and the accompanying increase in market interest rates.
Absence of an ability to vary the return on assets with increases in the rate of interest required to be paid for deposits.
Increased competition on the deposit gathering and mortgage origination sides of the business, with a sudden burst of new technology making possible a whole new way of conducting financial institutions generally and the mortgage business specifically.
Savings and Loans gained a wide range of new investment powers with the passage of the Depository Institutions Deregulation and Monetary Control Act and the Garn--St. Germain Depository Institutions Act. A number of states also passed legislation that similarly increased investment options. These introduced new risks and speculative opportunities which were difficult to administer. In many instances management lacked the ability or experience to evaluate them, or to administer large volumes of nonresidential construction loans.
Elimination of regulations initially designed to prevent lending excesses and minimize failures. Regulatory relaxation permitted lending, directly and through participations, in distant loan markets on the promise of high returns. Lenders, however, were not familiar with these distant markets. It also permitted associations to participate extensively in speculative construction activities with builders and developers who had little or no financial stake in the projects.
Fraud and insider transaction abuses.
A new type and generation of opportunistic savings and loan executives and owners—some of whom operated in a fraudulent manner — whose takeover of many institutions was facilitated by a change in FSLIC rules reducing the minimum number of stockholders of an insured association from 400 to one.
Dereliction of duty on the part of the board of directors of some savings associations. This permitted management to make uncontrolled use of some new operating authority, while directors failed to control expenses and prohibit obvious conflict of interest situations.
A virtual end of inflation in the American economy, together with overbuilding in multifamily, condominium type residences and in commercial real estate in many cities. In addition, real estate values collapsed in the energy states — Texas, Louisiana, and Oklahoma — particularly due to falling oil prices — and weakness occurred in the mining and agricultural sectors of the economy.
Pressures felt by the management of many associations to restore net worth ratios. Anxious to improve earnings, they departed from their traditional lending practices into credits and markets involving higher risks, but with which they had little experience.
The lack of appropriate, accurate, and effective evaluations of the savings and loan business by public accounting firms, security analysts, and the financial community.
Organizational structure and supervisory laws, adequate for policing and controlling the business in the protected environment of the 1960s and 1970s, resulted in fatal delays and indecision in the examination/supervision process in the 1980s.
Federal and state examination and supervisory staffs insufficient in number, experience, or ability to deal with the new world of savings and loan operations.
The inability or unwillingness of the Bank Board and its legal and supervisory staff to deal with problem institutions in a timely manner. Many institutions, which ultimately closed with big losses, were known problem cases for a year or more. Often, it appeared, political considerations delayed necessary supervisory action.
Journey 2: The Mysterious Island
In this follow-up to the 2008 worldwide hit Journey to the Center of the Earth, the new family adventure Journey 2: The Mysterious Island begins when 17-year-old Sean Anderson (Josh Hutcherson, reprising his role from the first film) receives a coded distress signal from a mysterious island where no island should exist. It's a place of stunning beauty, strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret. Unable to stop him from tracking the signal to its source, Sean's new stepfather, Hank (Dwayne Johnson), joins the quest that will take them first to the South Pacific, and then to a place few people have ever seen. Together with a helicopter pilot (Luiz Guzman) and his beautiful, strong-willed daughter (Vanessa Hudgens), they set out to find the island, rescue its lone inhabitant and escape before seismic shockwaves force the island under the sea and bury its treasures forever. MPAA Rating: PG for some adventure, and mild language. © 2011 New Line Productions, Inc.
Suspense: Crime Without Passion / The Plan / Leading Citizen of Pratt County
A crime of passion, or crime passionnel, in popular usage, refers to a violent crime, especially murder, in which the perpetrator commits the act against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. The act, as is suggested by the name (crime passionnel - from French language) is often associated with the history of France. However, such crimes have existed and continue to exist in most cultures.
A crime of passion refers to a criminal act in which the perpetrator commits a crime, especially murder or assault, against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. A typical crime of passion might involve an aggressive pub-goer who assaults another guest following an argument or a husband who discovers his wife has made him a cuckold and proceeds to brutally batter or even kill his wife and the man with whom she was involved.
In the United States civil courts, a crime of passion is referred to as temporary insanity. This defense was first used by U.S. Congressman Daniel Sickles of New York in 1859 after he had killed his wife's lover, Philip Barton Key, but was most used during the 1940s and 1950s.
In some countries, notably France, crime passionnel (or crime of passion) was a valid defense during murder cases; during the 19th century, some cases could be a custodial sentence for two years for the murderer, while the spouse was dead; this ended in France as the Napoleonic code was updated in the 1970s so that a specific father's authority upon his whole family was over.
The Ex-Urbanites / Speaking of Cinderella: If the Shoe Fits / Jacob's Hands
Aldous Leonard Huxley (26 July 1894 -- 22 November 1963) was an English writer and one of the most prominent members of the famous Huxley family. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, film stories and scripts. Huxley spent the later part of his life in the United States, living in Los Angeles from 1937 until his death.
Aldous Huxley was a humanist, pacifist, and satirist, and he was latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He is also well known for advocating and taking psychedelics.
By the end of his life Huxley was widely acknowledged as one of the pre-eminent intellectuals of his time.
The Magician (1958) Ingmar Bergman
Ansiktet (lit. Swedish: The Face), also released as The Magician, is a 1958 Swedish film written and directed by Ingmar Bergman, and starring Max von Sydow and Ingrid Thulin. The plot follows a traveling magician named Albert Vogler, whose allegedly supernatural live shows are challenged by the skeptical townspeople of a small village.
Blending elements of psychological drama and horror, the film was distantly inspired by G. K. Chesterton's play Magic, which Bergman numbered among his favourites. Bergman staged a theatre production of Magic in Swedish at one point. The film was selected as the Swedish entry for the Best Foreign Language Film at the 31st Academy Awards, but was not accepted as a nominee.
My Friend Irma: Irma's Inheritance / Dinner Date / Manhattan Magazine
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
2000+ Common Swedish Nouns with Pronunciation · Vocabulary Words · Svenska Ord #1
First video of the new Swedish Words Series! Thousands of words with native pronunciation.
This video shows exactly 2007 common nouns in its indefinite form, with its corresponding utrum (en) or neutrum (ett) indefinite article.
Voice over by Maria Kihlstedt (Gotland, Sweden).
► SWEDISH NOUNS INFO
Nouns have two grammatical genders: utrum (common) and neutrum (neuter), which determine their definite forms as well as the form of any adjectives used to describe them. Noun gender is largely arbitrary and must be memorized; however, around three quarters of all Swedish nouns are common gender. Living beings are often common nouns, like in en katt (cat), en häst (horse), en fluga (fly), etc.
► WORKFLOW TIPS
· Use the SPACE key to pause the video before the article appears and try to guess the pronunciation.
· Use the LEFT/RIGHT keys to go back/forward a few seconds and listen to any word again.
· Activate the subtitles, translations to many languages are available; although still far from perfect, they can be helpful!
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Audio used: Base Audio Libre de Mots Suédois from Project Shtooka ( used under Creative Commons BY license (
Suspense: Lonely Road / Out of Control / Post Mortem
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
2013-08-01 (P2of 2) A Donkey Lesson: Use Every Second to Meditate
Multi-language subtitles can be accessed via the Youtube settings button (cogwheel icon ☼) on the bottom right corner of the video box.
This discussion, titled “A Donkey Lesson: Use Every Second to Meditate - Part 2 of 2” (DVD#1033), took place on Aug 1, 2013.
More videos are coming soon. Feel free to share them and spread the peace and love!
May your life be graced with serenity and laughter every day.
Supreme Master TV
Filme//Desenho Animado Dublado em Portugues//Aventura em Zambézia
Filme//Desenho Animado Dublado em Portugues//Desenho Animado//Aventura em Zambézia
Sinopse:
Em Zambezia, Frustrado com os excessos de zelo de um pai ultra controlador um jovem e destemido falcão decide partir em direção à Zambézia, Moçambique, onde pretende viver a sua vida e correr os seus próprios riscos. Porém, depois de conhecer uma série de personagens diferentes de si, depressa descobre que viver em comunidade pode ser ainda mais complicado do que sobreviver aos perigos da selva. E é só quando a cidade está sob uma ameaça real que ele vai entender que a vida, seja nos melhores ou piores momentos, só vale a pena quando partilhada com os seres que amamos…
Vejam Outros videos do Canal
PJ Masks - Heróis de Pijama-Compilação Parte 1 Dublado em Portugues (Animação)
Epa cadê o Noé //Dublado em Portugues (Animação)
Sammy a grande fuga-Dublado em Portugues (Animação)
O mar não está para peixe 2 -Dublado em Portugues (Animação)
Filme//Desenhos Animado //Dublado em Portugues//Um Lobo em Pele de Cordeiro (Animação)
Filme// Desenho Animado //Dublado em PTBR//O Reino Gelado (Animação)
Filme//Animação//Dublado em Portugues//Justin e a Espada da Coragem (Animação)
Our Miss Brooks: House Trailer / Friendship / French Sadie Hawkins Day
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
AIR Dibrugarh Online Radio Live Stream
ALL INDIA RADIO: DIBRUGARH
PROGRAMME SCHEDULE: FOR TUESDAY 14-01-2020 & WEDNESDAY 15-01-2020
M.W 529.1m/KHz.567 F.M. 101.30 MHz
PROGRAMME SCHEDULE: For TUESDAY 14.01.2020
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/Opening Announcement
3.30 Mishing Geet: Artist: Indreswar Doley& Pty
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wancho
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summary
6.10 Vrindagaan:
6.15 GANYA RAIJOR ANUSTHAN (Rural Programme)/ Interview on “ChahKhetir Logot Koribo Pora Krishi Kormo” With Supriya Sonowal
6.45 Sandhiyar Anchalik Batori
6.55 Ajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 CHAH SRAMIKOR ASOR: /(T.G. Programme)/Tushu Geet by Sabita Rajowar & Pty.
7.45 Adhunik Geet: Artist: Dipa Goswami
8.00 Time & Meter Reading Bijnan Jeuti (Science Programme) 1. Talk on “Nanoprojuktibidya Aaru Eyar Prayog” By Dr.Dilip Kalita 2. Bijnan Barta by Sailendra Mohan Das
8.20 Hindi Film Song Film: Talaash, Tere Mere Sapne, Toilet, Kya Kehna
8.40 Programme Highlight
8.42Commercial Spot:
8.45 Samachar Sandhya:
9.00 News at Nine:
9.15 Commercial Spot:
9.16 Bare Rahania: (Bihu Geet) Artist: Khagen Mahanta & Archana Mahanta
9.25 Nishar Ancholik Batori:
9.30 Geet Ghazal Artist: Talat Aziz
10.00 Report on Khelo India Fit India 2020Held at Guwahati
10.30 Close Down.
PROGRAMME SCHEDULE: For WEDNESDAY 15.01.2020
TRANSMISSION I (05.28 AM to 9.35 AM)
5.28 AIR Signature Tune:
5.30 Vandemataram/Opening Announcement Mangalvadya/ Programme Announcement
5.35 Bhaktigeeti: 1. Artist: Pinkumoni Bora (Borgeet-Madhabdev) 2. Artist: Bhubaneswar Das & Pty (Negera Naam) 3. Artist: Nirmala Pathak Dutta (Lokageet) 4. Artist: Gargi Bhattacharya (Bhajan-Bramahnanda) 5. Artist: Kamal Gogoi & Pty (Tokariget)
6.00 News in Hindi:
6.05 Gandhi Chinta & Programme Summary:
6.10 Swasthya Charcha: Interview on “Migraine” With Dr. Narayan Upadhayay Part: IX
6.15 VidyarthirAnusthan:
6.30 Hindi Language Lesson: Conducted by Md. Ishak Khan Pts: Dorpandeep Saikia & Md. Yasin Akhtar Khan Part: I
6.45 Folk Music: (Dehbichargeet) Artist: Joyram Baruah & Pty (Rpt)
7.05 News in Assamese:
7.15 “Ajir Dinto”/(Morning Information Service)
7.30 GEETANJALI: 1.Artist: Arup Dutta Lyc: Ahmed Shah, Mitha Junakot… 2. Artist: Anuradha Bora Das Lyc: Bhupen Deka, Ketiyaba Seujia…. 3. Artist: Ariful Haque Lyc: Brojen Roy Choudhury, Kune Aahi… 4. Artist: Adity Baruah Lyc: Dwijendra Mohan Sarmah, Kiyo Baru Mon… 5. Artist: Anjoomoni Saikia Lyc: Nurul Haque O’ Nijaan Bonor…
7.55 Commercial Spot:
8.00 Samachar Prabhat:
8.15 Morning News
8.30 North East News Bulletin in English:
8.35 “SURAR PANCHOI” (Composite) Assamese Film Song/
8.50 Puwar Anchalik Batori
9.00 Jilar Rehrup:
9.05 “ANTARA” (Composite) Hindi Film Songs/
9.35 Close Down.
TRANSMISSION II (11.28 AM to 3.30 PM)
11.58 AIR Signature Tune/Opening Announcement
12.00 News in English
12.05 SURAR SATSORI (Request Prog. of Assamese Songs)
1.00 News in English
1.05 News in Hindi
1.10 Troops Programme
1.40 News in Assamese
1.50 Quotation: Adhunik Geet: Artist: Deepak Dutta
2.00 Khetir Diha
2.05 Ghazal Artist: Anup Jalota
2.15 Dopahar Samachar
2.30 Western Music:
3.00 Close Down.
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/ Opening Announcement:
3.30 Deori Songs: Artist: Madhab Sing Deori & Pty
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wancho
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summary
6.10 Vrindagaan:
6.15 Quotation: GAYAN RAIJOR ANUSTHAN/Interview on “Aahoo Dhanor Utpadanshil Jaat Aru Krishi Padhati” With Dr. Dhiren Choudhury.
6.45 Sandhiyar Anchalik Batori
6.55 Ajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “Karpumpuli” 1. Weekly News Bulletin 2. Artist: Suruj Kr. Patiri (Anu-Nitom)
7.35 Ujjal Bhabishyat: Talk on “Hotel Managementor Pathyakrom Aru Niyogar Subidha” By Swapnali Saikia.
7.45 Adhunik Geet: Artist: Deepak Dutta
8.00 Time & Meter Reading: Quotation/ Parikrama
8.15 Ghazal & Quawali Artist: Mitali Singh & Bhupinder Singh, Asha Bhosle, Anu Kapur & Chorus Alka Yagnik & Suresh Bhosle
8.40 Programme Highlight
8.42 Commercial Spot
8.45 Samachar Sandhya:
9.00 News at Nine
9.15 Commercial Spot:
9.16 Bare Rahania: (Bihugeet) Artist: Angaraag Mahanta
9.25 Nishar Anchalik Batori:
9.30 “Kramasha” (Serial Novel Reading) “Balukat Biyali” Written by: Kailash Sharma Production & Narration by Jayantajit Das Part: XIX
10.00 Report on Khelo India Fit India 2020 held at Guwahati
10.30 Close Down.
The Great Gildersleeve: Aunt Hattie Stays On / Hattie and Hooker / Chairman of Women's Committee
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)