Places to see in ( Vicenza - Italy ) Palazzo Chiericati
Places to see in ( Vicenza - Italy ) Palazzo Chiericati
The Palazzo Chiericati is a Renaissance palace in Vicenza, designed by Andrea Palladio. Palladio was asked to design and build the palazzo by Count Girolamo Chiericati. The architect started building the palace in 1550, and some further work was completed under the patronage of Chiericati's son, Valerio. However, the palazzo was not fully finished until about 1680, possibly by Carlo Borella. Palladio also designed a country home, the Villa Chiericati, for the family.
The palazzo was built in an area called piazza dell'Isola (island square, currently Piazza Matteotti), which housed the wood and cattle market. At that time, it was an islet surrounded by the Retrone and Bacchiglione streams, and to protect the structure from the frequent floods, Palladio designed it on an elevated position: the entrance could be accessed by a triple Classic-style staircase.
The palazzo's principal façade is composed of three bays, the central bay projecting slightly. The two end bays have logge on the piano nobile level, while the central bay is closed. The façade has two superimposed orders of columns, Tuscan on the lower level with Ionic above. The roofline is decorated by statuary.
Since 1855 the building has housed the Museo Civico (‘City Museum’) and, more recently, the city's art gallery. It has received international protection since 1994, along with the other Palladian buildings of Vicenza, as part of a World Heritage Site. (The site originally designated was Vicenza, City of Palladio which included the city of Vicenza and its immediate surroundings. In 1996 UNESCO expanded the World Heritage Site to include villas outside the core area and renamed it City of Vicenza and the Palladian Villas of the Veneto).
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
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Chiericati Palace, Vicenza, Veneto, Italy, Europe
The Palazzo Chiericati is a Renaissance palace in Vicenza, designed by Andrea Palladio. Palladio was asked to design and build the palazzo by Count Girolamo Chiericati. The architect started building the palace in 1550, and some further work was completed under the patronage of Chiericati's son, Valerio. However, the palazzo was not fully finished until about 1680, possibly by Carlo Borella. Palladio also designed a country home, the Villa Chiericati, for the family. The palazzo was built in an area called piazza dell'Isola, which housed the wood and cattle market. At that time, it was an islet surrounded by the Retrone and Bacchiglione streams, and to protect the structure from the frequent floods, Palladio designed it on an elevated position: the entrance could be accessed by a triple Classic-style staircase. The palazzo's principal façade is composed of three bays, the central bay projecting slightly. The two end bays have logge on the piano nobile level, while the central bay is closed. The façade has two superimposed orders of columns, Doric on the lower level with Ionic above. The roofline is decorated by statuary. Since 1855 the building has housed the City Museum and, more recently, the city's art gallery. It has received international protection since 1994, along with the other Palladian buildings of Vicenza, as part of a World Heritage Site.
Italy Travel - Amazing Vicenza
Vicenza is a Mecca for those who love great architecture. Considered to be Palladio's home it boasts several of his greatest works. We were able to visit these important sights:
Palazzo Chiericati
1550 Andrea Palladio combined town palace & suburban villa
(once on river harbor) now Vicenza Civic Museum
Teatro Olimpico
1580 Andrea Palladio, completed by son Silla.
Stage scenery Vicenzo Scamozzi
Casa Cogollo
1559 Andrea Palladio, exterior façade by A.P. massive, classical
Loggia del Captaniato,1565 Andrea Palladio
Completed 20 years after Basilica, (stands directly opposite)
Palladian Basilica
1549 Andrea Palladio, façade of medieval building,
double order of classical loggias
Pallazo Iseppo da Porto
1544 Andrea Palladio, like most in-town Palladian villas, a remodel, new plans forced into existing footprints
Several Palazzi of Venetian Gothic style
Dome & Portal of Cathedral
Dome: 1565 Andrea Palladio
North portal added 1575
Gothic façade remains
Palazzo Porto Breganze
1571 Andrea Palladio, incomplete first of 3 proposed
segments, building is distinct departure from more formal
Palazzo Thiene Bonin Longare
1572 Vicenzo Scamozzi based on designs by Andrea Palladio
blend of villa & public building features
Loggia Valmarana,
16th century Giardino Salvi, ascribed to Palladio by unesco,
(despite uncertainty)
Villa la Rotunda
1566 Andrea Palladio temple-villa, Palladio's icon,
principles taken in part from Roman Pantheon
Villa Valmarana Ai Nani
1669, 1720, Franceso Muttoni, frescoes by Tiepolo 1757,
stables, guest house rival actual villa
ANDAR PER VILLE - Villa Chiericati Milan
Villa Chiericati Milan: la puntata è dedicata ad una residenza che conserva, nel salone centrale, una ricca decorazione pittorica dell'artista Francesco Aviani che colpisce per raffinatezza cromatica e invenzione ardita.
Vicenza - Palazzo Chiericati
VIAGGIANDO 13-10-12 VICENZA PALAZZO CHIERICATI
In questa puntata Piero Brazzale ci porta a visitare Palazzo Chiericati a Vicenza.
Vicenza - Villa Valmarana ai Nani (Villa del 1670 con affreschi di Giambattista Tiepolo)
Villa Valmarana ai Nani è una villa veneta situata alle porte della città di Vicenza, sulle falde del colle di San Bastian, propaggine del vicino Monte Berico. La villa è celebre per lo straordinario ciclo di affreschi di Giambattista Tiepolo (che dipinse la villa nel periodo del suo massimo splendore artistico) e del figlio Giandomenico.
La palazzina principale e la foresteria furono affrescate da Giambattista Tiepolo e dal figlio Giandomenico nel 1757, per volere di Giustino Valmarana. In particolare la palazzina principale ripercorre temi mitologici e classici, con scene dall'Iliade, dall’Eneide, dalla mitologia, dalla Gerusalemme liberata di Torquato Tasso e dall’Orlando furioso di Ariosto. Ai quattro lati della villa altrettante stanze rievocano l'epopea antica e moderna attraverso scene eroico-amorose: come in un percorso iniziatico i protagonisti dei quattro sommi poemi della storia d'Europa riflettono sulla necessità di superare le delizie e le pene d'amore per raggiungere la maturità e la solitudine eroiche. Tiepolo, oltre al pennello, ha fra le mani i libri che hanno segnato il pensiero occidentale, la storia che lega l'antico al moderno, la Grecia e Roma al grande Rinascimento italiano, in un gioco di specchi e di imitazioni. La villa diviene così un palazzo della memoria, schema dell'universo imperniato sui quattro angoli-pilastro (Nord, Sud, Est, Ovest) in cui i personaggi-chiave dell'epica, la storia immaginaria che unifica i tempi (Antico, Moderno) attraverso le gesta degli eroi celebrati per il coraggio adamantino e le virtù straordinarie, si raccolgono dialogando su un teatro virtuale. I personaggi affrescati esprimono un sentimentalismo che richiama quello dei personaggi del melodramma (Pietro Metastasio), genere teatrale diffuso nel XVIII secolo.
Palazzo Chiericati, Vicenza
Breve tour nel Palazzo Chiericati a Vicenza
Palladio Workshop 1993: Villa Chiericati
Harvard GSD Palladio Workshop, 1993
Prof. Howard Burns + Prof. William Mitchell
(Original Hi8 recording by Ti-wei Shih, digitized/uploaded by TN)
Il Museo che verrà - Palazzo Chiericati - Vicenza
Presentazione del progetto definitivo del restauro del Museo Civico di Vicenza - Palazzo Chiericati
RIALLESTIMENTO ESPOSITIVO (2010-2013)
Lavori finanziati con il contributo della Fondazione Cariverona
Progetto finanziato con il contributo della Fondazione Giuseppe Roi
Progetto scientifico dell'allestimento
Maria Elisa Avagnina
Progetto di allestimento
Emilio Alberti e Mauro Zocchetta
Coordinamento tecnico-scientifico
Chiara Signorini
Apparati didattici
Associazione Ardea per la didattica museale
Miriam Cola
Chiara Fiamingo
Francesca Gaianigo
Francesca Lora
Pieranna Marchetto
Elena Marzola
Realizzazione allestimento
Ott-art, Venezia
Movimentazione opere
Apice, Venezia
Vetrate artistiche
Caron Vetrate artistiche di Piero Modolo
Apparati illuminotecnici
Idee in luce di Claudio Cervelli
Restauri specialistici
Francesca Faleschini - Restauro e conservazione opere d'arte
Restauro cornici
Marco Ziviani
Soggetto e sceneggiatura video
Sbalchiero & Partners
sbalchieropartners.com
Regia e realizzazione
Fabbrica Lumière
fabbricalumiere.it
Vicenza Travel
Vicenza Travel - The City of Vicenza and the Palladian Villas of the Veneto is a World Heritage Site protecting a cluster of works by the architect Andrea Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called Vicenza, City of Palladio and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented including the Teatro Olimpico, palazzi and a few villas. Most of Palladios surviving villas lay outside the site. However, in 1996 the site was expanded. Its present name reflects the fact that it includes Palladian villas throughout the Veneto.
The term villa was used to describe a country house. Often rich families in the Veneto also had a house in town called a palazzo. In most cases the owners named their palazzi and villas with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Palazzo Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly there are multiple Villas Pisani, including two by Palladio. ( source Wikipedia )
Enjoy Your Vicenza Travel!
In visita a Palazzo Chiericati con Giovanni Carlo Federico Villa
Tra le tante bellezze da riscoprire Zoé ne ha scelta una: Palazzo Chiericati, il museo per eccellenza della città, che proprio quest’anno ha compiuto un importante passo avanti nel riordino espositivo della sua straordinaria collezione. E ha scelto di farcelo visitare con una guida d’eccezione: Giovanni Carlo Federico Villa, nuovo direttore scientifico della Pinacoteca. Con la sua competenza e la sua passione ci accompagna a scoprire questo gioiello, che apre le sue porte solo per gli ospiti della rassegna Vivere Sani, Vivere Bene
UNESCO World Heritage Site - Palladium Villas - Italy
The City of Vicenza and the Palladian Villas of the Veneto is a World Heritage Site protecting a cluster of works by the architect Andrea Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called Vicenza, City of Palladio and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented including the Teatro Olimpico, palazzi and a few villas. Most of Palladio's surviving villas lay outside the site. However, in 1996 the site was expanded. Its present name reflects the fact that it includes Palladian villas throughout the Veneto.
The term villa was used to describe a country house. Often rich families in the Veneto also had a house in town called a palazzo. In most cases the owners named their palazzi and villas with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Palazzo Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly there are multiple Villas Pisani, including two by Palladio. ( source Wikipedia )
VIAGGIANDO 01-01-11 VICENZA PALAZZO FOLCO E VILLA LA ROTONDA
Questa settimana Piero Brazzale ci porta a Vicenza a visitare Palazzo Folco e villa La Rotonda.
Places to see in ( Vicenza - Italy )
Places to see in ( Vicenza - Italy )
Vicenza is a city in the Veneto region of northeast Italy. It’s known for the elegant buildings designed by the 16th-century architect Andrea Palladio. These include the Palladian Basilica and the Palazzo Chiericati, now home to an art gallery. Nearby, also by Palladio, the Teatro Olimpico replicates a classic outdoor theater, indoors. On the outskirts of town, the hilltop Villa La Rotonda has 4 identical facades.
Vicenza is located in the Veneto region of Italy, in its own province (the Provincia di Vicenza). It's a medium-sized town, with a population of 110,000. There has been a settlement here right back into the depths of history; remains of the Roman town can still be seen. Later, after the barbarian invasions which repeatedly devastated this part of Italy, it became a significant town, ruled at different times by various greater powers. For several centuries it was governed by Venice; then Napoleon, then the Austrians. In 1866 it became part of the new Kingdom of Italy.
Vicenza was a prosperous town under Venetian rule, and its pride was demonstrated in fine architecture, much of which still survives. Its 'unique appearance,' largely owing to the work of influential sixteenth-century architect Andrea Palladio, has led to the town's designation as a UNESCO World Heritage Site: City of Vicenza and the Palladian Villas of the Veneto. After Palladio, Vicenza is most famous for its trade in precious metals, it's also known as the 'City of gold'. It's a lovely town to visit; with a beautiful, compact town centre and attractive villas and viewpoints in the hills a short walk away.
The railway station is to the south-west of the town centre; most of Vicenza's attractions are clustered closely together inside the old town walls. Walking straight along Viale Roma from the railway station, you'll pass two bus stops for the number 8 - if you are planning a trip to the villas just outside town, check the latest timetable displayed here. Soon you'll arrive outside the old town gate, Porta Castello, but first you can visit the Giardino Salvi just outside the gateway: a shady park, ornamented with statues and the Palladian Loggia Valmarana, which is dramatically reflected in dark waters.
Just inside the gateway lies a very convenient self-service restaurant, Self Pause, which is a cheap and quick place to fill up before exploring the town centre. Around Vicenza you can admire many grand buildings by Palladio and his followers. The Italian word palazzo usually means any large building rather than a palace; but many of Vicenza's palazzi do merit the grander translation. Some of the town's buildings are medieval, with several in the Venetian Gothic style, but the majority date from the sixteenth and seventeenth centuries. They line the narrow lanes of Vicenza's town centre; which are called contra, a local word for 'street'.
As soon as you're inside the Porta you find yourself among the town's great buildings. One of the most curious is off to your right. Designed by Palladio, Palazzo Porto Breganze was never finished and stands in an abbreviated form. In front of you is the Corso Andrea Palladio, the centre's main thoroughfare, lined with smart shops and cafes. Some of Vicenza's grandest palazzi lie on Contra Porti, off to the left.
Piazza dei Signori, a few yards south of Corso Andrea Palladio, is the heart of town. It is dominated by two of Vicenza's most striking landmarks, the Basilica Palladiana, the town's medieval law courts, with an imposing later facade by Palladio, and the adjacent Torre di Piazza, a tall and skinny tower. Right in the long midday shadow cast by the tower you'll find one of Vicenza's tourist information offices, where you can pick up a town map, leaflets about local events and attractions and any advice you may need. A second office is located not far away, by the Teatro Olimpico.
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
Join us for more :
Vicenza - Palladio Museum a Palazzo Barbarano
Palazzo Barbarano o Barbaran Da Porto è un edificio realizzato a Vicenza fra il 1570 e il 1575 dall'architetto Andrea Palladio. È attualmente la sede del Centro Internazionale di Studi di Architettura Andrea Palladio (CISA) e del Palladio Museum. Con il Palladio Museum gli studiosi raccolti nel Centro palladiano raccontano ad un largo pubblico le proprie ricerche nel mentre si stanno svolgendo; in particolare - ma non esclusivamente - quelle su Andrea Palladio. Gruppi di studiosi lavorano su progetti di ricerca che diventano i temi delle stanze del museo, ognuna delle quali ha tendenzialmente la durata di un anno sulla base di un programma triennale.
Non è il mausoleo di un eroe morto, è piuttosto un luogo dove far crescere una cultura dell'architettura, lontano dalle ciniche logiche della professione, che consumano saperi senza produrne di nuovi. Il Palladio Museum lavora su Palladio, ma senza attualizzarlo, e men che meno proporlo come modello formale per l'oggi. Indaga il passato con gli strumenti della filologia e attenzione ai contesti, indispensabili per cercare di comprendere un mondo sfumato e lontano, e al tempo stesso vicinissimo e molto concreto, ogni volta che camminiamo fra palazzi, ville o chiese costruite secoli fa. La missione del Palladio Museum è leggere alla radice temi e concetti significativi anche nel nostro presente, rappresentandoli e discutendoli con l'orizzonte di creare una piattaforma culturale per l'architettura di domani.
Finora i progetti di ricerca hanno riguardato la comunicazione, la tecnologia, il rapporto con l'economia e con il paesaggio, il disegno di organismi complessi. Essi sono temi chiave per Palladio, e sono alla base della concezione dei Quattro Libri così come dei progetti urbani, delle ville in campagna e delle chiese veneziane; al tempo stesso sono temi di una agenda contemporanea.
Andrea Palladio Statue, Vicenza, Veneto, Italy, Europe
Andrea Palladio (30 November 1508 - 19 August 1580) was an Italian architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. All of his buildings are located in what was the Venetian Republic, but his teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition. The city of Vicenza, with its 23 buildings designed by Palladio, and 24 Palladian Villas of the Veneto are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. Palladio's architecture was not dependent on expensive materials, which must have been an advantage to his more financially pressed clients. Many of his buildings are of brick covered with stucco. Stuccoed brickwork was always used in his villa designs in order to portray his interpretations of the Roman villa typology. In the later part of his career, Palladio was chosen by powerful members of Venetian society for numerous important commissions. His success as an architect is based not only on the beauty of his work, but also for its harmony with the culture of his time. His success and influence came from the integration of extraordinary aesthetic quality with expressive characteristics that resonated with his client's social aspirations. His buildings served to communicate, visually, their place in the social order of their culture. This powerful integration of beauty and the physical representation of social meanings is apparent in three major building types: the urban palazzo, the agricultural villa, and the church. Relative to his trips to Rome, Palladio developed three main palace types by 1556. In 1550, the Palazzo Chiericati was completed. The proportions for the building were based on musical ratios for adjacent rooms. The building was centralized by a tripartite division of a series of columns or colonnades. In 1552, the Palazzo Iseppo Porto located in Vicenza was rebuilt incorporating the Roman Renaissance element for façades. A colonnade of Corinthian columns surrounded a main court. The Palazzo Antonini in Udine, constructed in 1556, had a centralized hall with four columns and service spaces placed relatively toward one side. He uses styles of incorporating the six columns, supported by pediments, into the walls as part of the façade. This technique had been applied in his villa designs as well. Palladio experimented with the plan of the Palazzo Iseppo Porto by incorporating it into the Palazzo Thiene. It was an earlier project from 1545 to 1550 and remained uncompleted due to elaborate elevations in his designs. He used Mannerist elements such as stucco surface reliefs and large columns, often extending two stories high. In his urban structures he developed a new improved version of the typical early Renaissance palazzo (exemplified by the Palazzo Strozzi). Adapting a new urban palazzo type created by Bramante in the House of Raphael, Palladio found a powerful expression of the importance of the owner and his social position. The main living quarters of the owner on the second level were clearly distinguished in importance by use of a pedimented classical portico, centered and raised above the subsidiary and utilitarian ground level (illustrated in the Palazzo Porto and the Palazzo Valmarana). The tallness of the portico was achieved by incorporating the owner's sleeping quarters on the third level, within a giant two-story classical colonnade, a motif adapted from Michelangelo's Capitoline buildings in Rome. The elevated main floor level became known as the piano nobile, and is still referred to as the first floor in Europe.
Palladio exhibition opens in London
(31 Jan 2009)
AP Television
Vicenza - January 22nd, 2009
1. Wide shot of ' Villa Rotunda' showing two identical facades of its square plant
2. Long shot of the 'Rotunda' showing its dome
3. Long shot of statue on top of one facade of The Rotunda
4. Wide shot of a facade seen from a lateral angle
5. SOUNDBITE: (Italian) Guido Beltramini, Director, Centro Internazionale Architettura Andrea Palladio:
The story of Palladio is the story of a mystery. It's the story of a humble miller's son who starts working stone at age eleven. And, progressively, he becomes the most famous architect in his region and then in the world. The reason lies in Palladio's ability to unite beauty, solidity, and functionality.
6. Wide shot of Villa Almerico Capra, called the 'Rotunda' (1566), a universal icon among Palladian villas
7. SOUNDBITE: (Italian) Guido Beltramini, Director of Centro Internazionale Architettura Andrea Palladio:
Palladio begins with a sort of misunderstanding. He sees the ruins of the Temple of Hercules Victor in Tivoli, he mistakes the kernel of the temple for the body of a villa, (he mistakes) the porticates that led believers to the temple for stores and he ends up believing that it was a Roman villa. But it was a temple, indeed. So, starting from this funny mistake he invents a new typology.
AP Television
London - January 21st 2009
8. Various of exterior of the Royal Academy of Arts, an example of Palladian architecture.
9. SOUNDBITE: (English) Mary Ann Stevenson, Director of Academic Affairs, Royal Academy of Arts, Curator of Palladio Exhibition:
Palladio was probably and arguably the most important architect to have emerged over the last 500 years. He is an architect that not only had a very special distinction for not only being aware of the past, particularly antiquity - Roman remains - but using that as a resource for creating a totally new style of architecture, which was wholly appropriate to the needs, not only of his own to his own contemporary society, but perhaps surprisingly, has remained relevant to this day.
AP Television
Pantheon, Rome, July 18th, 2008
10. Wide shot of the Pantheon in Rome
11. Pan left medium shot of the Pantheon
12. Close up of travertine decoration under one cornice of the Pantheon
AP Television
Washington - January 20th 2009
13. Wide of White House, with Washington memorial in background
AP Television
London - January 21st 2009
14. SOUNDBITE: (English) Mary Ann Stevenson, Director of Academic Affairs at the Royal Academy of Arts, Curator of Palladio Exhibition:
When you look at the White House, look carefully at the portico which sits on the front of it. It has columns and it has a pediment and it was Palladio who first introduced the idea of columns and a pediment on the front of a domestic piece of architecture in the early 1550's in a villa known as 'Villa Chiericati' outside Vicenza. And the source for that was, typically being Palladio, a Roman ancient prototype, which he was modernising and that's what is so extraordinary about this architect.
Ap Television
Vicenza - January 22nd, 2009
15. Medium shot pan right of Villa Chiericati (1550), one of the first examples of mature Palladian style
16. Wide shot of Villa Chiericati showing its gates
17. Medium shot of bricked column, a Palladian invention to make the houses cheaper
18 Wide shot of Villa Chiericati
19. Close up of broken capital in Villa Chiericati
20. Long shot of statue on top of Villa Chiericati's main facade
21. SOUNDBITE: (Italian) Guido Beltramini, Director of Centro Internazionale Architettura Andrea Palladio:
22. Wide shot of the main gates of the 'Rotunda'
23. Close up of sign reading (Italian): Villa Almerico Capra, called The Rotunda
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VICENZA (Italy): the city of Palladio. My day trip in photos
This is my sunny day trip in beautiful city of Vicenza, located in the gorgeous Veneto Region (Italy) near Venice and Verona.
This city is a UNESCO World Heritage Site since 1994.
Vicenza is a little gem, and it's known around the world for its elegant buildings designed by famous architect Andrea Palladio, as the Basilica Palladiana and Palazzo Chiericati, in the very centre of Vicenza.
Don't miss the Teatro Olimpico, always designed by Palladio, an indoor theatre build as an open classic roman theatre.
When I visited the city it was closed for works, but it's magnificent.
On the outskirts of the city there is another wonderful building, called Villa la Rotonda, with the particularity to have four identical facades.
Don't miss Vicenza if you plan to visit Venice. It' not far and it's beautiful!
Enjoy my friends!!
Renata
Visita a Villa Godi Malinverni
Villa Godi Malinverni a Lugo (VI) prima opera di Andrea Palladio. Patrimonio immenso, Villa visitabile 365 giorni all'anno.