Santa Fe - RENT
Watch Angel (Jerick Hoffer), Mark (Daniel Berryman), and Collins (Brandon O'Neill) sing Santa Fe in The 5th Avenue Theatre's production of RENT.
The Safest Way To Clean Engine Bay
SCOTT WITH DALLAS PAINT CORRECTION & AUTO DETAILING IN PLANO TEXAS SHOWS A SAFER WAY TO CLEAN AN ENGINE BAY FOR A VEHICLE
Austin, Texas | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Austin, Texas
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
You can upload your own Wikipedia articles through:
The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Austin is the capital of the U.S. state of Texas and the seat of Travis County, with portions extending into Hays and Williamson counties. It is the 11th-most populous city in the United States and the 4th-most populous city in Texas. It is also the fastest growing large city in the United States, the second most populous state capital after Phoenix, Arizona, and the southernmost state capital in the contiguous United States. As of the U.S. Census Bureau's August 1, 2018 estimate, Austin had a population of 967,629 up from 790,491 at the 2010 census. The city is the cultural and economic center of the Austin–Round Rock metropolitan statistical area, which had an estimated population of 2,056,405 as of July 1, 2016. Located in Central Texas within the greater Texas Hill Country, it is home to numerous lakes, rivers, and waterways, including Lady Bird Lake and Lake Travis on the Colorado River, Barton Springs, McKinney Falls, and Lake Walter E. Long.
In the 1830s, pioneers began to settle the area in central Austin along the Colorado River. In 1839, the site was chosen to replace Houston as the capital of the Republic of Texas and was incorporated under the name Waterloo. Shortly afterward, the name was changed to Austin in honor of Stephen F. Austin, the Father of Texas and the republic's first secretary of state. The city grew throughout the 19th century and became a center for government and education with the construction of the Texas State Capitol and the University of Texas at Austin. After a severe lull in economic growth from the Great Depression, Austin resumed its steady development, and by the 1990s it emerged as a center for technology and business. A number of Fortune 500 companies have headquarters or regional offices in Austin including, 3M, Amazon.com, Apple Inc., Cisco, eBay, General Motors, Google, IBM, Intel, Oracle Corporation, Paypal, Texas Instruments, and Whole Foods Market. Dell's worldwide headquarters is located in nearby Round Rock, a suburb of Austin.
Residents of Austin are known as Austinites. They include a diverse mix of government employees, college students, musicians, high-tech workers, blue-collar workers, and a vibrant LGBT community. The city's official slogan promotes Austin as The Live Music Capital of the World, a reference to the city's many musicians and live music venues, as well as the long-running PBS TV concert series Austin City Limits. The city also adopted Silicon Hills as a nickname in the 1990s due to a rapid influx of technology and development companies. In recent years, some Austinites have adopted the unofficial slogan Keep Austin Weird, which refers to the desire to protect small, unique, and local businesses from being overrun by large corporations. In the late 19th century, Austin was known as the City of the Violet Crown, because of the colorful glow of light across the hills just after sunset. Even today, many Austin businesses use the term Violet Crown in their name. Austin is known as a clean-air city for its stringent no-smoking ordinances that apply to all public places and buildings, including restaurants and bars.U.S. News & World Report named Austin the #1 place to live in the U.S. for 2017 and 2018. In 2016, Forbes ranked Austin #1 on its Cities of the Future list, then in 2017 placed the city at that same position on its list for the Next Biggest Boom Town in the U.S. Also in 2017, Forbes awarded the South River City neighborhood of Austin its #2 ranking for Best Cities and Neighborhoods for Millennials. WalletHub named Austin the #6 best place in the country to live for 2017. The FBI ranked Austin as the #2 safest major city in the U.S. for 2012.
Post Malone - Saint-Tropez (Official Video)
Official music video by Post Malone performing “Saint-Tropez” – off his new album 'Hollywood's Bleeding’ available now:
►Subscribe to Posty's Channel:
► Tickets for tour:
►Exclusive merch:
►Follow Post Malone online:
►Subscribe to YouTube Music:
Produced by Riveting Entertainment and Drevision Films
Directed By Chris Villa
Co-edited: Chris Villa/Mike Hull
DP: Tobias Cueni
Executive Producer: Andrew Listermann
Producer: Kevin Boston
Production Manager: Ari Nissenbaum
Steadicam: Aser Santos Jr
1st AC: Chris Pinto
Photography: Adam DeGross
Official “Saint-Tropez” Lyrics:
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time, ooh
Ooh
This shit bliss, I’m so rich
Abs like Abercrombie Fitch
Ooh
Milly, on my, whoa
Versace boxers on my dick
Bud Light runnin’ through my piss
On a yacht
50 meters insuffish
50 carats on my fist
The roof go down when I hit switch
I moneyball like Bradley Pitt
I worked so hard for all this shit
Pumpin’ out classics
In the Bat mobile goin’ bat shit
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time
I’m in Saint-Tropez I had to check wrist
I just bought my girl a new necklace
1, 2, 3, 4, 5, 6
I’ll take em all don’t matter what the price is
I said I’m sorry mama for my vices
You’ll never understand what my life is
1, 2, 3, 4, 5, 6
Shit I’m checking off my bucket list
You try to give advice I don’t need it
I’ve been doin’ what I want since fetus
What you call a holiday
I call another day
And I ain’t ever stoppin’ no apologies
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time
I’ve been waiting, I’ve been waiting for a long time
Such a long time
I’m in Saint-Tropez I had to check wrist
#PostMalone #SaintTropez #HollywoodsBleeding
Wellesley Commencement 2018
On Friday, June 1, Wellesley celebrated the Class of 2018, its 140th graduating class. Addressing the Class of 2018 and an international audience of family of friends was Tracy K. Smith, poet laureate of the United States (29:10). She was proceeded by senior speaker Marley Forest ’18 (14:19), and followed by President Paula A. Johnson with an address to the senior class (1:14:16). The program continued with the awarding of degrees, then a benediction, and the celebratory recessional march!
Text of the speeches are available at
How To Draw The Poop Emoji ????
Yes, I know not everyone is going to want to follow along on this one...
But, my little Austin really wanted to learn how to draw a poop emoji! Plus, from all of the requests we received, it was clear there were a lot of you really wanting to draw this also.
Poop emoji is by far one of the weirdest things we've drawn, but it was still a lot of fun. The best part was how much we laughed during the making of this lesson.
We hope you have happy Friday, and that this art lesson kicks your weekend off right!
???? ART SUPPLIES we love
???? SUBSCRIBE to our channel here
???????? BECOME an ART CLUB MEMBER
???? POST your child's artwork to:
FACEBOOK
TWITTER
INSTAGRAM
✉️ EMAIL a photo of your child's artwork to:
myart@artforkidshub.com
???? MAIL your child's artwork to:
Art for Kids Hub
P.O. Box 927
Pleasant Grove, UT 84062
???????? ???????? ???????? ???????? ???????? ???????? Learn more about us
2017 Asian American Literary Festival
The Library of Congress hosted the concluding day of the groundbreaking Asian American Literature Festival. The day featured a lecture and reading by writer and American Book Award winner Karen Tei Yamashita titled, Literature as Community: the Turtle, Imagination, and the Journey Home. The afternoon session included a lecture by poet Kimiko Hahn on Angel Island: The Roots and Branches of Asian-American Poetry, and closed with a poetry reading.
Speaker Biography: Karen Tei Yamashita is the author of several books, including I Hotel, Anime Wong and Letters to Memory. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Award for Literature and the Association for Asian American Studies Book Award. A U.S. Artists Ford Foundation Fellow and co-holder of the University of California Presidential Chair in feminist critical race and ethnic studies, Yamashita is a professor of literature and creative writing at the University of California, Santa Cruz.
Speaker Biography: Kimiko Hahn is the author of nine books of poems, including Earshot, which was awarded the Theodore Roethke Memorial Poetry Prize and an Association of Asian American Studies Literature Award, The Unbearable Heart, which received an American Book Award and most recently, Brain Fever. Her other honors include a PEN/Voelcker Award for poetry, a Shelley Memorial Award, a Lila Wallace-Reader's Digest Writers' Award and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. She is a distinguished professor in the Master's of Fine Arts program in creative writing and literary translation at Queens College, City University of New York.
For transcript and more information, visit
You Bet Your Life: Secret Word - Tree / Milk / Spoon / Sky
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Jocko Podcast 95 w/ Jim Kunkle and Capt. Charlie Plumb
Join the conversation on Twitter / Instagram:
@jockowillink @captplumb @echocharles
0:00:00 - Opening
0:05:09 - Jim Kunkle. WWII Army Air Forces Fighter Pilot.
0:50:19 - Capt. Charlie Plumb.
0:59:03 - Jim Kunkle gets shot down.
1:10:52 - Jim's recovery and aftermath.
1:37:51 - Jim and Charlie Link up.
1:46:05 - Additional Thoughts. Leadership, adversity, and victory.
2:52:001 - Support JockoStore stuff, Origin Brand Apparel, with Jocko White Tea and Psychological Warfare (on iTunes). Extreme Ownership (book), The Discipline Equals Freedom Field Manual.
3:03:34 - Closing Gratitude.
YAWP! An Open Dialogue on Creativity and the Arts - Hala Alyan
On April 24, 2019, Hala Alyan came to Quinnipiac University as part of the YAWP! An Open Dialogue on Creativity and the Arts series.
SUBSCRIBE-
FACEBOOK-
INSTAGRAM-
WEBSITE-
Roger Corman's Death Race 2050
Legendary filmmaking icon, Roger Corman, is back with his most outrageous film yet in this sensational, action-packed and darkly humorous reboot of the original Death Race 2000! Itâs the year 2050 and America is controlled by an all-powerful corporate government ruled by The Chairman (Malcolm McDowell). The masses have been brainwashed with violent virtual-reality entertainment. The event of the year is the Death Race, in which a motley crew of violent drivers compete in a cross-country road race, scoring points for shamelessly running people over and driving each other off the road. The reigning champion and fan favorite, Frankenstein (Manu Bennett), whoâs half-man half-machine, wants to take the crown, but his rebel spy co-pilot threatens his legacy. (Original Title - Roger Corman's Death Race 2050) - 2017 Universal Studios. All Rights Reserved.
The Great Gildersleeve: Gildy's New Car / Leroy Has the Flu / Gildy Needs a Hobby
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Delicious – Emily’s Road Trip: The Movie (Subtitles)
Take a nostalgic road trip along Route 66. Join Emily and the O'Malley family as they discover what's truly important in life.
Play Now at GameHouse:
Viceroyalty of New Spain | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Viceroyalty of New Spain
Listening is a more natural way of learning, when compared to reading. Written
language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through
audio (audio article). You could even learn subconsciously by playing the audio
while you are sleeping! If you are planning to listen a lot, you could try using
a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
In case you don't find one that you were looking for, put a comment.
This video uses Google TTS en-US-Standard-D voice.
SUMMARY
=======
The Viceroyalty of New Spain (Spanish: Virreinato de Nueva España [birei̯ˈnato ðe ˈnweβa esˈpaɲa]) was an integral territorial entity of the Spanish Empire, established by Habsburg Spain during the Spanish colonization of the Americas. It covered a huge area that included territories in North America, Central America, Asia and Oceania. It originated after the fall of Mexico-Tenochtitlan, the main event of the Spanish conquest, which did not properly end until much later, as its territory continued to grow to the north. It was officially created on 8 March 1535 as a viceroyalty (Spanish: virreinato), the first of four viceroyalties Spain created in the Americas. Its first viceroy was Antonio de Mendoza y Pacheco, and the capital of the viceroyalty was Mexico City, established on the ancient Mexico-Tenochtitlan.
It included what is now Mexico plus the current U.S. states of California, Nevada, Colorado, Utah, New Mexico, Arizona, Texas, Oregon, Washington, Florida and parts of Idaho, Montana, Wyoming, Kansas, Oklahoma and Louisiana; as well as the southwestern part of British Columbia of present-day Canada; plus the Captaincy General of Guatemala (which included the current countries of Guatemala, the Mexican state of Chiapas, Belize, Costa Rica, El Salvador, Honduras, Nicaragua); the Captaincy General of Cuba (current Cuba, Dominican Republic, Puerto Rico, Trinidad and Tobago and Guadeloupe); and the Captaincy General of the Philippines (including the Philippines, the Caroline Islands, the Mariana Islands and the short lived Spanish Formosa in modern day northern Taiwan).
The political organization divided the viceroyalty into kingdoms and captaincies general. The kingdoms were those of New Spain (different from the viceroyalty itself); Nueva Galicia (1530); Captaincy General of Guatemala (1540); Nueva Vizcaya (1562); New Kingdom of León (1569); Santa Fe de Nuevo México (1598); Nueva Extremadura (1674) and Nuevo Santander (1746). There were four captaincies: Captaincy General of the Philippines (1574), Captaincy General of Cuba, Captaincy General of Puerto Rico and Captaincy General of Santo Domingo. These territorial subdivisions had a governor and captain general (who in New Spain was the viceroy himself, who added this title to his other dignities). In Guatemala, Santo Domingo and Nueva Galicia, these officials were called presiding governors, since they were leading real audiences. For this reason, these hearings were considered praetorial.
There were two great estates. The most important was the Marquisate of the Valley of Oaxaca, property of Hernán Cortés and his descendants that included a set of vast territories where marquises had civil and criminal jurisdiction, and the right to grant land, water and forests and within which were their main possessions (cattle ranches, agricultural work, sugar mills, fulling houses and shipyards) . The other estate was the Duchy of Atlixco, granted in 1708, by King Philip V to José Sarmiento de Valladares, former viceroy of New Spain and married to the Countess of Moctezuma, with civil and criminal jurisdiction over Atlixco, Tepeaca, Guachinango, Ixtepeji and Tula de Allende. King Charles III introduced reforms in the organization of the viceroyalty in 1786, known as Bourbon reforms, which created the intendencias, which allowed to limit, in some way, the viceroy's attributions.
New Spain developed highly regional divisions, reflecting the impact of climate, topography, indigenous populations, and mineral resources. The areas of central and southern Mexico had dense indigenous populations with complex social, political, and economic organization. The northern area of Mexico, a region of nomadic and semi-nomadic indigenous populations, was not generally conducive to dense settlements, but the discovery of silver in Zacatecas in the 1540s drew settlement there to exploit the mines. Silver mining not only became the engine of the economy of New Spain, b ...
PlayStation® Live from PSX 2017 | English CC
Watch interviews, gameplay, and panel discussions live from PSX 2017, includes updates on The Last of Us Part II, Ghost of Tsushima, Dreams, Monster Hunter: World, and much more. See the full programming schedule at and
HSN | Mine Finds By Jay King Jewelry 05.13.2018 - 03 PM
Timeless Southwest silver jewelry set with opaque gems found beneath the earth from around the world Experience the wonders of travel and adventure with our globetrotting gemstone collector.
Prices shown on the previously recorded video may not represent the current price. View hsn.com to view the current selling price.SHOP NOW
Theater & Resistance Symposium at the Martin E Segal Theatre Center—Friday 12 January 2018
The Martin E. Segal Theatre Center, Theatre Without Borders, The H.E.A.T. Collective, and Tamizdat join forces to present the Theater & Resistance Symposium livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 12 January at 9:00 a.m. EST (New York, UTC -5) / 14:00 GMT (London, UTC +0) / 15:00 CET (Berlin, UTC +1) / 16:00 EET (Beirut, UTC +2) / 22:00 PHT (Manila, UTC +8). Follow @HowlRound on Twitter for updates, and use #howlround.
The Theater & Resistance Symposium is a timely community conversation exploring the challenges and power of progressive activist theater. At this cultural moment many in the arts are seeking ways to bring activism into their work; this symposium will be a platform for sharing ideas and resources. It will inform, empower, recharge, facilitate, and inspire.
A selection of resistant theatre projects from around the world will present their work as examples; leading activist artists will discuss the challenges and successes; experts will present on diversity, climate and sustainability, artist rights, artist mobility, and public and board relations. An open discussion will follow. The Symposium is for artists and administrators alike, and is designed to build communities across borders, genres, and disciplines. We will share best practices and learn from our colleagues in the U.S. and abroad.
Scheduled speakers and panelists include: Chen Alon, Chantal Bilodeau, Matthew Covey, David J. Diamond, Lilly Fellman, Catherine Filloux, Sanjoy and Sima Ganguly, Sue Hamilton, Frank Hentschker, Souliman Khatib, Julia Levine, Jessica Litwak, Jonathan Meth, Dijana Milosevic, Issa Nyaphaga, Deepa Purohit, Martha Redbone, Ari Roth, Katy Rubin, Nisha Sajnani, Saviana Stanescu, Julie Trebault, Nia Witherspoon, Mia Yoo, and more.
Livestream Schedule:
9:00-9:20 a.m. EST (New York, UTC -5):
Introductions
9:20-10:30 a.m. EST:
Case Studies: What are we doing?
Sue Hamilton & Jessica Litwak, (Artists Rise Up LA/NY)
Issa Nyaphaga (Radio Taboo, Cameroon)
Dijana Milosevic (Dah Theater, Serbia)
Soulamaina (Yes Theater, Palestine, West Bank)
Katy Rubin (Theatre of the Oppressed NYC, NY)
Sanjoy and Sima Ganguly, (Jana Sanskriti, India)
Lilly Fellman, (Arts Rights Justice, EU)
Soulaiman Khatib and Chen Alon (Combatants for Peace, Israel/Palestine)
Jonathan Meth, (The Fence, UK)
Iman Aoun, (Ashtar Theater, Palestine, Gaza)
Mia Yoo, (La Mama, NY)
Derek Goldman (Laboratory for Global Performance and Politics, DC)
10:30-11:30 a.m. EST:
Artist Conversation, moderated by David J. Diamond
Catherine Filloux
Jessica Litwak
Saviana Stanescu
Martha Redbone
Nia Witherspoon
Deepa Purohit
Ty Jones
11:30 a.m. - 12:30 p.m. EST:
Presentation: Theatre & Diversity
Emilya Cachapero, Theatre Communications Group
Nisha Sanjani, NYU Drama Therapy Department
Presentation: Artist Rights & Mobility
Matthew Covey, Tamizdat
Julie Trebault, PEN America
Presentation: Climate & Sustainability
Julia Levine, Climate Change Theater Action
Chantal Bilodeau, Climate Change Theater Action
Presentation: Producing & Activism
Ari Roth, Mosaic Theater
12:30-12:40 p.m. EST:
What do can we do?
Frank Hentschker, Martin E. Segal Theatre Center
12:40-1:30 p.m. EST:
Open Discussion, moderated by Jessica Litwak
***
The Groucho Marx Show: American Television Quiz Show - Door / Food Episodes
Contestant teams usually consisted of one male and one female, most selected from the studio audience. More Groucho:
Occasionally, famous or otherwise interesting figures were invited to play (e.g., a Korean-American contestant who was a veteran and had been a prisoner of war during the Korean War).
After his signature introduction of Here he is: the one, the only... by Fenneman and finished by a thunderous GROUCHO! from the audience, Marx would be introduced to the music of Hooray for Captain Spaulding, his signature song. After which, Groucho would be introduced to the contestants and engage in humorous conversation for a lengthy period of time where Groucho both improvised his responses and employed prepared lines written by the show's writers using preshow interviews.
Some show tension revolved around whether a contestant would say the secret word, a common word revealed to the audience at the show's outset. If a contestant said the word, a toy duck resembling Groucho with a mustache and eyeglasses, and with a cigar in its bill, descended from the ceiling to bring a $100 bill. A cartoon of a duck with a cigar was also used in the opening title sequence. In one episode, Groucho's brother Harpo came down instead of the duck, and in another a model came down in a birdcage with the money. Marx sometimes slyly directed conversation to encourage the secret word to come up. The duck was also occasionally replaced with a wooden Indian figure.
After the contestants' introduction and interview, the actual game began. Couples chose from a list of 20 available categories before the show, then tried to answer a series of questions within that category. From 1947--1956, couples were asked four questions.
1947--1953 -- Each couple began with $20, wagering part or all of their bankroll for each question.
1953--1954 -- Each couple now began with $0, but selected values from $10 to $100 (in $10 increments). A correct answer added the value of the question to their bankroll, while an incorrect answer did nothing. According to co-director Robert Dwan in his book As Long As They're Laughing, Guedel changed the scoring format because too many couples were betting, and losing, most or all of their money.
1954--1956 -- The format was slightly altered to start each couple with $100. Incorrect answers now cut their bankroll to that point in half.
1956--1959 -- Two couples (reduced from three) answered questions until they either gave two consecutive incorrect responses or answered four consecutive questions correctly for a prize of $1,000.
1959--1961 -- For the last two seasons, couples picked four questions worth $100, $200, or $300 each, potentially winning up to $1,200. Winning at least $500 qualified the team to go for the jackpot question.
From 1947--1956, if the couple ended with $25 or less, Marx asked an elementary consolation question for a total of $25 (later $100) which did not count toward the scores. The questions were made easy in hopes that nobody would answer incorrectly, and included such examples as Who is buried in Grant's Tomb?, When did the War of 1812 start?, How long do you cook a three-minute egg?, and What color is an orange? The question about Grant's Tomb became such a staple of the show that both Marx and Fenneman were shocked when one man got the question wrong by answering No one. As the contestant then pointed out, Grant's Tomb is an above ground mausoleum.
In all formats, one of the two players on the team could keep their half of the winnings while the other risked their half. In this case, all amounts being played for were divided in half.
1947--1956 -- The highest-scoring couple was given one final question for the jackpot, which began at $1,000 and increased by $500 each week until won (reaching $6,000 at least once, in 1952). In the event of a tie, the tied couples wrote their answers on paper and all couples who answered correctly split the jackpot.
1956--1957 -- For a brief period following the format change, couples who won the front game could wager half on another question worth $2,000.
1957--1959 -- Winning couples now faced a wheel with numbers from 1--10, selecting one number for $10,000. If the number selected was spun, a correct answer to the jackpot question augmented the team's total winnings to that amount; otherwise, the question was worth a total of $2,000.
1959--1961 -- For the last two seasons, the format was slightly altered to eliminate the risk and add a second number for $5,000.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)