Turning waste into energy in Vitebsk
The Swedish company Vireo Energy is, together with NEFCO, rolling out projects aimed at producing energy from waste in Belarus. This video showcases what is being done in the city of Vitebsk in the north-east of the country where methane is being extracted at the city’s waste disposal site to produce energy.
The plant in Vitebsk is expected to produce around 6,000 megawatt hours of electricity per year. On top of this, Vireo Energy has implemented similar projects in the Belarusian cities of Orsha and Gomel. In 2014, these three projects produced and delivered around 15,000 megawatt hours of electricity to the grid in Belarus.
The combustion of methane gas at these projects, co-financed by NEFCO, will reduce emissions of carbon dioxide equivalents by some 32,000 tonnes annually when fossil fuel is replaced by electricity generated at the landfills concerned.
Turning waste to energy has become a niche of its own in the world of cleantech.
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Ya Vernus - Vitebsk, Belarus 2019
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Biography of Marc Chagall
Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, on July 7 1887. In those days Vitebsk was a major cultural center. Chagall started studying painting with the local artist Yehuda Pen. Later Chagall founded a Vitebsk Museum of Modern Art and an Art School in Vitebsk.
After he left Vitebsk Chagall lived in St.Petersburg and Moscow. In 1923 moved to Paris and in 1937 he became a French citizen, but had to leave France during the Nazi occupation. He spent some time in Israel and died in France in 1985.
Great Patriotic War Museum in Minsk _ Belarus
Great Patriotic War Museum in Minsk _ Belarus
The Belarusian State Museum of the History of the Great Patriotic War was the world’s first museum to tell the story of the bloodiest war of the 20th century, and the only one in Belarus created during the years of Nazi occupation.
Today it is one of the most important and biggest war museums in the world, along with the well-stocked museums in Moscow, Kiev, and New Orleans.
…In those terrible years Belarus lost every third resident. More than 3 million people died, including about 50,000 partisans and underground fighters. Throughout the country there were 250 death camps, including the infamous Trostenets, one of the largest after Auschwitz, Majdanek and Treblinka...
History of the Museum
The collection of the world's first museum of the Great Patriotic War was founded in June 1942 when no one could predict how long the war would last...
Future exhibits were sent directly from the frontlines to the special republican commission which was set up to collect the documents and materials about the Great Patriotic War. The commission was working out from Moscow where it was evacuated to during the war. Among the museum’s first assets were the chronicles about the partisan movement, printed and handwritten books, handmade weapons...
For nearly six months there was gap in the frontline near Vitebsk, the so-called Vitebsk Gate. Valuable items, material evidence of the atrocities of the enemy were brought through it to Moscow and were put on display in the State History Museum.
In November 1942 the Muscovites saw an impressive exposition titled as Belarus lives, Belarus is fighting, Belarus will remain Soviet. It stayed open until August 1944 when it was moved to the liberated Minsk.
The museum, the guardian of the memory about the courage and tragedy of the Belarusian people, was given one of the few intact buildings in the destructed and looted Minsk. It opened to the public on 22 October 1944.
The first expositions about the weapons of the partisans and military print media grew bigger with new rarities. Already in 1944 the museum workers explored the place of the Trostenets death camp. In 1949, they participated in the first excavations in the heroic Brest Fortress...
In 1966, the museum moved to a building specially built for it in the central square of Minsk (now Oktyabrskaya Square). A unique open-air exposition of military equipment and weapons was opened in 1977 next to the museum.
New Museum Building
New Museum BuildingOver decades of research into the Great Patriotic War the museum’s collection has grown many times: even now it gains 700—800 priceless rarities every year.
In the 21st century upon the initiative of the Belarus president plans were made to create new premises for the museum that will boast more exhibition space and modern technologies to tell and demonstrate more facts about the tragic war…
Prominent Belarusians took part in designing the premises, including co-author of the designs of the Minsk railway terminal and the National Library, professor of the International Architecture Academy Viktor Kramarenko, and also Leonid Levin one of the creators of the famous Khatyn Memorial, an Honored Architect of Belarus …
The renewed museum was solemnly opened on 2 July 2014 on the eve of Independence Day and was kind of a tribute to the 70th anniversary of Belarus’ liberation from the Nazi invaders.
Panorama of the Pobeditelei Avenue. Procession on Independence DayThe magnificent building with the total area of 15,600m2 was erected in a significant place of the Belarusian capital – in the Heroes Square next to the stela Minsk - Hero City and the museum and park complex Pobeda. Military parades and festive marches took place nearby – along the Pobeditelei Avenue.
The current premises of the museum are impressive not only due to their scale but also symbolism that reflects major milestones of the history of 1941-1945. The composition represents four main blocks to match the number of years of the war and the army fronts that took part in Belarus’ liberation.
The front facade looks like a festive salute: 11 sparkling rays made of stainless steel to symbolize the Great Victory and at the same time 1,100 tragic days and nights of Minsk’s occupation.
The project of new museum premises. The front facadeThe serious sheen of the metal used for the decoration speaks of the war while the golden sparkle of the glass signifies the victory and the greatest treasure that is peace.
The design of the new museum premises gently combines stupendous features and modern technologies. Glass niches are complemented with wide plasma screens. Thanks to laser lights “the rays of the salute” seem to penetrate the night sky underscoring the overall outline of the entire museum premises.
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Polish photographer Wojtek Wilzcik presented sensational project.
Polish photographer Wojtek Wilzcik presented sensational project Photographs of Former Synagogues in Vitebsk.
In modern Poland the churches and oratories turned into stores, storages, restaurants and even funeral homes. There are not many contemporaries who know about the real intended purpose of these buildings. To return the historical truth, during two and a half years the author of the exposition travelled along cities and towns studying the history of Polish Jews. The result of this work is more than 300 photographs.
Alexander Chueshov Vitebsk, BELARUS - Dancing On My Own
Perfomance on the #Balzvezd2017
US professor's exciting adventure in living folk museum: Welcome To Belarus (Episode 1)
(ENG subs) Before getting an opportunity to plant tomatoes in a Belarusian village, US citizen Bob Eckhart managed to train teachers of English and take a life-changing step in the Opera and Ballet Theatre in Minsk. All particulars of Bob’s unusual story are set out in the premiere edition of the Belsat TV entertainment show Welcome у Беларусь/Welcome To Belarus.
Best Tourist Attractions you MUST SEE in Vitsyebsk, Belarus | 2019
Vitebsk, or Viciebsk (Belarusian: Ві́цебск, Łacinka: Viciebsk, pronounced [ˈvʲitsʲepsk]; Russian: Витебск, pronounced [ˈvʲitʲɪpsk]), is a city in Belarus.
Discover what's best in your city.
The rating information was taken from Google Maps and the list was last updated on 1st June, 2019:
1: plošča Pieramohi
2: Frunze Park
3: Marc Chagall Museum
4: Pushkin Times Cafe Lounge
5: Viciebsk Regional History Museum
6: Marc Chagall Art Center
7: Арт-центр Vzap
8: Memorial'nyy Kompleks Tri Shtyka
9: Smart Boutique Hotel Vitebsk
Click on a link below to see an up-to-date list and more:
Art in the dark: the secret behind glowing installations - le mag
A community of artists in Vitebsk, Belarus, is creating unusual pieces using glowing paints....
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A community of artists in Vitebsk, Belarus, is creating unusual pieces using glowing paints.
The installations provide the viewer with a dual experience, as the artwork changes once it's plunged into darkness.
Working in total darkness is the only way artists Alexander Vyshka and Denis Pravda can create their paintings.
They use special luminous paints, which make their works come alive in the dark. Vyshka explained the reason behind their unusual choice of style:
We look at a painting and see it in one way, get used to it and start travelling in a direction which is guided by one light. Then the light changes and suddenly we step into an absolutely different world within the same painting.
The paint will appear differently, depending on the colour of the lights used - for example, white or ultraviolet. It seems as though the artworks spring into life once they are denied light.
Artists put their works on display in a small gallery and invite visitors to ' walk towards the light'. Their aim, they say, is to enlighten people so they can find new meanings in paintings and will discover something new within themselves.
One gallery visitor seemed to agree:
In the beginning I felt sheer amazement and then the pure delight of self-discovery. So, at first we went into the room, which seemed to represent the fuss of the external world, the external things that we see. And then the light was switched off and everything lit up with new colours.
Vitebsk was the centre of the Russian avant garde art movement in the 1920s. Its art traditions and spirit of innovative ideas are still alive today. Artist Denis Pravda is an expert in the luminous painting technique and is able to make each piece of work look unique.
He mixes traditional paints with luminescent ones to get the depth and effects he wants, then charges them with light.
Some layers subside, while others appear, so the painting changes by itself, explained Pravda. When we direct an ultraviolet light at this painting, we see this bright painting. When we direct a bright white light on it, some colours, which we don't see with ultraviolet light, appear.
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【K】Belarus Travel-Minsk[벨라루스 여행-민스크]두두트키 민속마을/Dudutki Ethnographic Museum/Vodka/Handicrafts/Artisan
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[한국어 정보]
19세기 벨라루스 전통 마을의 모습을 재현한 곳이다. 우리의 민속촌 같은 곳이다. 이곳에는 도자기, 민속공예품, 그리고 보드카를 제조하는 과정을 보여주고 있다. 이곳은 학생들이 많이 찾아오는데 장인들이 학생들에게 만드는 과정을 설명하고 있다. 공예품에는 그 나라 그 민족만의 정서를 엿볼 수 있다. 벨라루스는 밀짚으로 만든 공예품들이 발달 했다. 우리와 친숙한 밀짚모자, 바구니, 인형들이 많이 보였다. 아마실로 짠 제품도 벨라루스의 상징이다. 아마실을 재료로 벨라루스 전통 문양을 수놓은 제품들로 남성용 허리띠와 여성용 머리장식 띠, 팔찌용 띠이다. 만드는 방법은 벨라루스 전통방식으로 직조기나 손으로 직접 짠다. “여기 그려지는 그림은 단순히 미를 위한 게 아니라, 마술적인 힘을 갖고 있어요. 해를 상징하는 표시, 사람, 가족의 평화 등 정말 많은 상징들이 있어요. 그리고 이 띠 자체가 보호의 상징 이였어요. 이 띠를 허리에 두르면 엄청난 힘이 사람한테 스며든다고 믿어왔죠.” 이곳에서는 옛날 방법으로 보드카 만드는 과정을 보여주고 있다. 보드카는 감자나 옥수수를 주원료로 효모를 섞어서 발효시킨다. 이렇게 만든 원액을 물로 희석해 자작나무 숯으로 만든 활성탄으로 여과 정제하여 만든다. 이곳에서 만든 보드카를 시음 할 수도 있다. 벨라루스에서는 돼지고기를 소금에 절인 살라를 안주로 보드카를 마신다. 이곳에서 제조한 보드카는 알코올 성분 48%로 독주다. 나도 시음을 해봤는데 술이 너무 독해 카 소리가 절로 났다.
[English: Google Translator]
19th century is a place to reproduce the look of the traditional village of Belarus. Our place is like folk. It has to show a process for manufacturing pottery, folk crafts, and vodka. It has a lot of students they seek artisans explain the process of making the students. The craft can only glimpse of the sentiment of the country that nation. Belarus is made of straw crafts are developed. Our friendly and straw hats, baskets, dolls that looked a lot. Perhaps the woven product is also a symbol of Belarus. Perhaps the material in men's room and women's hair sash decorated with embroidered products Belarus traditional patterns band, band for a bracelet. How to make the loom or directly to squeeze the traditional way by hand Belarus. This figure is drawn, not just for the US, I have magical powers. Show symbolizing the sun, people, family, etc. There are so many symbols of peace. And the band itself was a symbol of protection. Dureumyeon the belt around his waist and came to believe the tremendous power seumyeodeunda tell people, It shows the process of making vodka in the old-fashioned way. Vodka Mix the yeast to ferment corn or potatoes as the main ingredient. Thus diluting the concentrate with water birch made to make purified filtered with activated carbon charcoal made from wood. May tasting vodka made from here. In Belarus drink vodka to settle the Sala marinated pork with salt. One Vodka is produced in this place solo in alcohol 48%. I was thinking this wine tasting was so sound card reading section.
[Information]
■클립명: 유럽091-벨라루스01-12 두두트키 민속마을/Dudutki Ethnographic Museum/Vodka/Handicrafts/Master craftsman/Artisan/Pottery
■여행, 촬영, 편집, 원고: 조성만 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2009년 5월 May
[Keywords]
유럽,Europe,,벨라루스,Belarus,,Republic of Belarus,조성만,2009,5월 May
Фаершоу на Ночь музеев 17.05.2014 fire show Vitebsk, Belarus
Огненное шоу AGNI show, Витебск. Жанр нашей работы - динамичное, танцевальное огненное шоу (фаершоу или fireshow).
Витебск, Минск.
Команда была создана 15 апреля 2007.
В команде есть артисты работающие в сфере огненного шоу более 6 лет.
Marc Chagall (Moishe Shagal) - Early Jewish Modernist
Art critic Robert Hughes referred to Chagall as the quintessential Jewish artist of the twentieth century.
Marc Chagall was a Russian artist of a devout Jewish family, born in Vitebsk. Marc Chagall went to St Petersburg in 1907 where he entered a minor art school, at the same time working as a sign painter; throughout his work a foundation of Russian art and the sign painter's technique was evident. Marc Chagall went (1910) to Paris where he came in contact with the Cubists; his work began to show Cubist influence (e.g. Homage to Apollinaire, 1911-12) but subjects generally remain of life in Vitebsk. In 1914 Marc Chagall returned home and contributed to Larionov's exhibitions and the Knave of Diamonds group. Marc Chagall was drawn back to his Jewish heritage, expressed now with a deep sense of pathos, as in The Praying Jew (1914). His marriage resulted in a series of exuberant paintings of lovers, e.g. Birthday (1915-23). After the Revolution, in 1918, Marc Chagall was appointed director of the Vitebsk art school, which became a centre of avant-garde ideas, but was soon ousted by Malevich and left for Moscow. From 1919 to 1922 he worked as theatrical designer for the Jewish State Theatre, executing murals there. In 1922 he went to Berlin, executing Mein Ieben etchings for Vollard who then invited him to Paris (ills for Gogol's Dead Souls). In 1925-6 he completed a set of ills for an ed. of La Fontaine's Fables and held a 1-man show in N.Y. In 1930 his autobiography, Ma Vie, was publ., and Marc Chagall began to prepare ills for the Bible, travelling to the Middle East. He went to the U.S.A. in 1941, producing the decor for Massine's ballet Aleko (1942) and Bohn's Firebird (1945) both for the Ballet Theater. Marc Chagall returned to France after the war. Of later work, his designs for stained-glass windows should be mentioned, and his paintings for the ceilings of the Paris Opéra.
Marc Chagall,who was born in Russia, lived and worked in France, created these wonderful paintings to describe events that happened in his life and from his culture. He lived through world war one in Europe and escaped to New York during World War 2. His work was influenced by other artists and styles, including Surrealism, Cubism and the colors of the Impressionists.
Building Riga Jurmalas highway Cities Skylines (15)
This time I build Jurmalas highway. Also put in the from of Imanta d district. I also got the snowfall mod so now I can make trams so that is good. East coast tram lines will be placed later.
Marianne von Werefkin (1860-1938)- Part I - A collection of works painted between 1881 and 1910
Marianna Wladimirowna Werewkina (Russian, 10 September [O.S. 29 August] 1860, Tula, Russia – 6 February 1938, Ascona, Switzerland), born Marianna Wladimirowna Werewkina, was a Russian-German-Swiss Expressionist painter.
Marianne von Werefkin was born in the Russian town of Tula as the daughter of the commander of the Ekaterinaburg Regiment. She had her first private academic drawing lessons at the age of fourteen. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident in 1888 in which she accidentally shot her right hand which remained crippled after a lengthy period of recovery. By practicing persistently she finally managed to use drawing and painting instruments with her right hand again.
In 1892 she met Alexej von Jawlensky, who desired to be her protégé, and in 1896 she, Jawlensky, and their servant moved to Munich. For the sake of Jawlensky's painting, Werefkin interrupted her painting for almost ten years. She initiated a Salon in Munich which soon became a center of lively artistic exchange. She also founded the “Lukasbruderschaft” of which also Kandinsky was a member.
She began painting again in 1906. In 1907 she created her first expressionist works; in these she followed Paul Gauguin's and Louis Anquetin's style of surface painting, while also showing the influence of Edvard Munch. She and Jawlensky spent in 1908 several periods working with Kandinsky and Münter after their discovery of the picturesque rural town of Murnau near Munich, where Gabriele Münter owned a house. The four artists frequently painted together in open air in and around Murnau.
They founded a new artist-group in 1909, the Neue Künstlervereinigung München (New Association of Artists in Munich, NKVM). It became a forum of exhibitions and programming. After a few years Wassily Kandinsky and Franz Marc distanced themselves from this group and formed the Blauer Reiter (Blue Rider). The group was founded by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky and a number of native German artists, such as Franz Marc, August Macke and Gabriele Münter. Werefkin began exhibiting together with this group in 1913.
At the outbreak of the First World War, Werefkin and Jawlensky immigrated to Switzerland, near Geneva. They later moved to Zurich. By 1918, they had separated, and Werefkin moved alone to Ascona, on Lago Maggiore where she painted many colorful, landscapes in an expressionist style. In 1924 she founded the artist group Großer Bär (i.e., Big Bear, Ursa Major).
In her later years, she painted posters. Her friends Carmen and Diego Hagmann protected her from poverty.
Marianne von Werefkin died in Ascona on 6 February 1938. She was buried in the Russian graveyard in Ascona.
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Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
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Minsk / Belarus - Беларусь / Минск (mp4)
Беларусь !!!
Беларусь!.. Сердце центральной Европы!.. Особый шарм Беларуси придает изящество и многогранность ее архитектуры. Это гармоничное сочетание исторического наследия и современного достояния. Весомый вклад в формирование архитектурного облика Беларуси внес неповторимый стиль и почерк «АЛЮТЕХ». Большинство современных, наиболее ярких объектов в стиле hi-tech возведены с использованием профильных систем «АЛЮТЕХ» - крупнейшего в Восточной Европе производственно-сбытового холдинга. Среди проектов «АЛЮТЕХ» особо выделяются торговый центр «Корона», Центральный автовокзал, бизнес-центр «Silver-Tower», а также здания современных и высокотехнологичных предприятий «АлюминТехно» и «Алютех Инкорпорейтед».
Artist Marc Chagall celebrated in his home town
Marc Chagall spent most of his life in France and was considered to be a French painter during the Soviet era.
But in the period after his death in 1985 Chagall's homeland of Belarus embraced the artist as their own.
The Chagall Art Centre was founded in 1992 in Chagall's hometown of Vitebsk. It features more than 300 etchings, lithographs and aquatints.
Chagall is best-known for his vibrant colours and imagery that includes people and animals floating through space.
The fact that we have a good collection of Chagall's graphic works is a miracle. Almost all of these things are presents, says Lyudmila Khmelnitskaya Director of the Chagall art centre:Unfortunately there aren't any oil paintings by Chagall in Belarus so far.
The museum houses illustrations to Nikolai Gogol's Dead souls, colour lithographs from the Bible series and The 12 Tribes of Israel and many other works. Chagall's daughter Ida and granddaughter Bella Meyer are among the museum's major contributors.
A great source of inspiration in Chagall's life was his love for his wife Bella, who he often represented in his paintings.
Vitebsk and its inhabitants also played a key role in the artist's work. He kept returning to his favourite subject again and again.
The fantasy world that he created within his paintings made people think that Vitebsk is a visionary place where incredible things happen, Khmelnitskaya believes.
Marc Chagall was born in 1887 when Vitebsk was predominantly a Jewish town in the south-western part of the Russian Empire. The small red-brick house where he lived with his numerous relatives is a museum nowadays.
Chagall started his artistic training with Russian painter and costumer Leon Bakst in St. Petersburg.
In the following years he moved to Paris and then back to Russia where he founded the Vitebsk Art School in 1918.
Famous avant-garde artists such as Kazimir Malevich and El Lissitzky were among its teachers.
He also led his own workshop called Free Studios. Even a second workshop was opened because the stream of students was huge, says art historian Marina Karman.
In the 1920s Chagall left Soviet Russia and settled in France.
As World War II broke out across Europe, he fled the Nazis for New York.
But France became his adopted home for nearly forty years. He settled on the French Riviera, where he died at the age of 97 in 1885.
Vitebsk local Olga Skvortsova says that she would like more of his works to be displayed in his home town: I'm proud that Marc Chagall lived in Vitebsk that he painted in many of his works. And I want Chagall's paintings to return to Vitebsk.
The impact of World War I and the Russian Revolution is strongly felt in many of his works - including stark images of refugees and soldiers - as is the strong influence of Chagall's wife.
After their marriage, his works suddenly become more colourful, playful and upbeat - more like the Chagall the world later came to know.
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Arts District Preview: Kent Ullberg, Seth Mittag, TSU, Marc Chagall
A new Mastodon is making an appearance at the Denver Museum of Nature & Science. Meet Kent Ullberg, the artist behind this “discovery.”
A fortuitous meeting in New York led to a claymation career for artist Seth Mittag. Follow his painstakingly precise process as he animates everything from soup commercials to hurricane newscasts.
Walk the halls of Texas Southern University and discover the vibrant story told by generations of expressive students.
Take a personal tour through the life of Marc Chagall while examining the violence, disruption and love that influenced his colorful journey.
Re-Air July 2, 2015. See more from Arts District at rmpbs.org/artsdistrict
Making Of No 4 from the Series; Night firgthens the Day
In January 2014, the VCCA (Centre of Contemporary and Modern Art) Vitebsk, Belarus invited me to to host a solo show as part of their International Artist program. My initial response was to create a body of work that reflected similarities between Belarusian and Irish/European traditional cultures. This led to research in folk art, medieval hunting imagery, traditional 17th century Russian Lubok wood-cut prints and Italian Renaissance art. The re-discovery of Botticelli’s Primevera (1492) influenced the use of plants and foliage as motifs to form new psychological ideas based on veiled or hidden meaning. Parallel to this, I began to resolve the technical aspect of producing the work through the use of Photography and Silkscreen on primed plywood. By March 2014 it became clear that the work was to take on a more psychological rather than a cultural direction. This was reinforced by a visit to the Centre of Contemporary Culture Barcelona (CCCB), where I had the opportunity to view the extraordinary exhibition Metamorphosis: Fantasy Visions in Starewitch, Svankmayer and the Quay brothers – four key figures in animated film who drew on the phantasmagoric and grotesque. This experience further influenced me in creating imagery for Калі ноч палохае дзень, the result of which has personal meaning and is intended to invoke psychological memories and experiences in the viewer.
Regional creative contest Art Vacations held in Brest.
Regional creative contest Art Vacations held in Brest.
The annual contest of talents is held among the students of vocational colleges and specialized secondary schools. This year it was attended by over 2,000 participants. They demonstrated their skills in almost 300 nominations. The best of them will take part in a gala concert in Minsk in mid May.
(Elena Lavrenovich. deputy chair of the jury, head of the National Center of Juvenile Art)
The Museum Night in Minsk
The Museum Night in Minsk. 15 May 2010, National Art Museum of Belarus.
Full version watch here