Wagner Valley Brewing Co Lodi, New York
Brewery Size: Brewpub
Beer Styles: Lagers, Stouts & Porters, Wheats
Year Established: 1997
Brewery Size: Brewpub
Beer Styles: LagersStouts & PortersWheats
Brewery Features: Restaurant
Special Events: Weddings
Address: Wagner Valley Brewing Co 9322 Route 414 Lodi, New York 14860 United States
Website: (wagnerbrewing.com)
Facebook: (facebook.com)
Twitter: @WagnerVineyards
wagner parsifal
wagner die walkure
wagner tristan und isolde prelude
wagner ring cycle
I Heart Finger Lakes-Episode 2-Lake Street Station Winery
Lake Street Station Winery-Geneva NY
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Charles H. Jennings, Sergeant, US Army, World War Two
E-5 (Sergeant) Charles H. Jennings
DOB: 1 October 1923
Hometown: Lodi, NY
Place of Birth: Lodi, NY
Inducted: 7 February 1942
Discharged: 1946
United States. Army
World War, 1939-1945
United States. Army. Infantry Division, 84th. (1942-1945)
Service injury: Yes
5 March 2007
Alterra
Japanese POW's in Louisiana
Jennings, Charles H.
Belgium
Germany
Burford, England
Met minister from home while in England
Maintained contact with German family
Veteran oral history interview published by the New York State Military Museum. The State of New York, the Division of Military and Naval Affairs and the New York State Military Museum are not responsible for the content, accuracy, opinions or manner of expression of the veterans whose historical interviews are presented in this video. The opinions expressed by those interviewed are theirs alone and not those of the State of New York.
Columbia County says Cheese- Lance Wheeler Video
Overseas cheese officially lands by Audra Jornov
Hudson-Catskill Newspapers
Assemblyman Pete Lopez addresses the gathering at the Hudson Valley Creamery's
In about two years, he said, he is hoping to develop goat farms and possibly do distribution and/or storage for other local cheese businesses. This storage facility could be of great use, he said.
Right now, Foster said, the company is focusing on keeping the business a marketing company and production facility.
Columbia County Planning and Economic Development Commissioner Kenneth Flood said, This is a very great project, a very tasteful project if I may say. It is so wonderful how a French company has come to Columbia County to reconfigure this building and take it to new heights and support agriculture in this region with more and more employees and more and more cheese.
Supporting the project is Assemblyman Pete Lopez, R,C,I-Schoharie, who serves as a ranking member of the Assembly's Food, Farm and Nutrition Task Force.
Hudson Valley Creamery has made a deliberate commitment to producing and marketing in the region and across the United States. Along with reusing a formerly empty building and creating new jobs, this project brings the promise of partnering with local family farms to bring more nutritious, affordable food products to our tables, he said.
Senator Stephen Saland, R,C,I-Poughkeepsie, who was present at the gathering Thursday night, as well as U.S. Rep. Chris Gibson, R-Kinderhook, also worked with Lopez, local leaders and the investors to help launch the project, which was recently awarded a $300,000 grant through the Community Development Block Grant program.
This is a marvelous opportunity, not only for the creamery, but also a marvelous opportunity for the state, with a very promising beginning and a promising future, said Saland.
Both state legislators, the congressman and the investors also worked very closely with Columbia County and its economic development organization, the Columbia Economic Development Corporation, as well as with Livingston officials.
Funds for this project were made available through New York State Homes and Community Renewal (HCR), by using federal Community Development Block Grant money that was awarded through the Housing Trust Fund Corporation. Fifteen awards were made for the project through HCR, totaling $4.2 million.
All of us understand the significance of advancing projects like this across New York State. Investment in Hudson Valley Creamery and other farm-based companies can make a difference for Columbia County and the state as a whole, said Lopez. We're aggressively seeking to identify other opportunities that will bring new jobs and investment into our region.
4 Shoulder Season Cruise Deals Plus Price of Booze in USA vs Canada!
4 Shoulder Season Cruise Deals Plus Price of Booze in USA vs Canada! Oh my don't get me started! How much is booze where you live? We had viewers compare the prices of booze in their towns and countries vs the price here in Canada. The results are very depressing!!!! But the good news is I found 4 great shoulder season cruise deals and you can check them out in this live video.
Thinking about going on a cruise? Here are a few items to get for the perfect cruise:
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Join me live Monday to Friday at 5pm et plus Saturday at 2pm et. We talk about cruise ships and cruise vacations, deals, updates and news. It's a live Q and A fun free for all show!
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Please watch: (1112) Royal Caribbean Will Use 130 Workers To Replace The Televisions On The Allure of the Seas
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Carnival Cruise Corporation Inks Deal to Develop Dubai Cruise Terminal Will Open In 2020
Carnival Cruise Corporation Inks Deal to Develop Dubai Cruise Terminal Will Open In 2020 Dubai has signed a development deal with Carnival Corp to create the new Dubai Cruise Terminal. This facility will be able to handle 3 cruise ships at a time by 2020 and up to 6 cruise ships a few years after that. The Dubai Cruise Terminal will become one of the worlds busiest cruise ports by 2025 with over 5 million passengers. A new shopping mall, 450 foot tall lighthouse with viewing platform, hotels, luxury condos and the largest harbour in the middle east and Northern Africa with 1100 bereths for private yachts will be added into this project. When completed it will be larger than the country of Monaco.
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The In-Laws
Emmy Award-winner Peter Falk (Columbo, The Princess Bride) and Academy Award-winner Alan Arkin (Little Miss Sunshine, Slums of Beverly Hills) are brilliantly funny in this zany comedy about a dentist and a CIA Agent, and their riotous misadventures on the eve of their children's wedding. Written by Andrew Bergman (Honeymoon in Vegas, Blazing Saddles), and co-starring Academy Award-nominee David Paymer (Alex & Emma, State & Main), Ed Begley, Jr. (The Accidental Tourist) and Nancy Dussault (TV's Too Close for Comfort). A runaway boxoffice hit, this film was directed by Academy Award-honoree Andrew Hiller (Carpool, Silver Streak).
Suspense: Heart's Desire / A Guy Gets Lonely / Pearls Are a Nuisance
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Words at War: It's Always Tomorrow / Borrowed Night / The Story of a Secret State
Jan Karski (24 April 1914 -- 13 July 2000) was a Polish World War II resistance movement fighter and later professor at Georgetown University. In 1942 and 1943 Karski reported to the Polish government in exile and the Western Allies on the situation in German-occupied Poland, especially the destruction of the Warsaw Ghetto, and the secretive German-Nazi extermination camps.
In November 1939, on a train to a POW camp in General Government (a part of Poland which had not been fully incorporated by Nazi Germany into The Third Reich), Karski managed to escape, and found his way to Warsaw. There he joined the ZWZ -- the first resistance movement in occupied Europe and a predecessor of the Home Army (AK). About that time he adopted a nom de guerre of Jan Karski, which later became his legal name. Other noms de guerre used by him during World War II included Piasecki, Kwaśniewski, Znamierowski, Kruszewski, Kucharski, and Witold. In January 1940 Karski began to organize courier missions with dispatches from the Polish underground to the Polish Government in Exile, then based in Paris. As a courier, Karski made several secret trips between France, Britain and Poland. During one such mission in July 1940 he was arrested by the Gestapo in the Tatra mountains in Slovakia. Severely tortured, he was finally transported to a hospital in Nowy Sącz, from where he was smuggled out. After a short period of rehabilitation, he returned to active service in the Information and Propaganda Bureau of the Headquarters of the Polish Home Army.[citation needed]
In 1942 Karski was selected by Cyryl Ratajski, the Polish Government's Delegate at Home, to perform a secret mission to prime minister Władysław Sikorski in London. Karski was to contact Sikorski as well as various other Polish politicians and inform them about Nazi atrocities in occupied Poland. In order to gather evidence, Karski met Bund activist Leon Feiner and was twice smuggled by Jewish underground leaders into the Warsaw Ghetto for the purpose of showing him first hand what was happening to the Polish Jews. Also, disguised as a Ukrainian camp guard, he visited what he thought was Bełżec death camp. In actuality, it seems that Karski only got close enough to witness a Durchgangslager (sorting and transit point) for Bełżec in the town of Izbica Lubelska, located midway between Lublin and Bełżec.[4] Many historians have accepted this theory, as did Karski himself.[5]
From 1942 Karski reported to the Polish, British and U.S. governments on the situation in Poland, especially on the destruction of the Warsaw Ghetto and the Holocaust of the Jews. He had also carried out of Poland a microfilm with further information from the underground movement on the extermination of European Jews in German-occupied Poland. The Polish Foreign Minister Count Edward Raczynski provided the Allies on this basis one of the earliest and most accurate accounts of the Holocaust. A note by Foreign Minister Edward Raczynski entitled The mass extermination of Jews in German occupied Poland, addressed to the governments of the United Nations on 10 December 1942, would later be published along with other documents in a widely distributed leaflet.[6]
Karski met with Polish politicians in exile including the Prime Minister, as well as members of political parties such as the Socialist Party, National Party, Labor Party, People's Party, Jewish Bund and Poalei Zion. He also spoke to the British Foreign Secretary Anthony Eden, giving a detailed statement on what he had seen in Warsaw and Bełżec. In 1943 in London he met the well-known journalist Arthur Koestler, the later author of Darkness at Noon. He then traveled to the United States and reported to President Franklin D. Roosevelt. In July 1943 Karski again personally reported to Roosevelt about the situation in Poland.
Karski met with many other government and civic leaders in the United States, including Felix Frankfurter, Cordell Hull, William Joseph Donovan, and Stephen Wise. Frankfurter, skeptical of Karski's report, said later I did not say that he was lying, I said that I could not believe him. There is a difference.[7] Karski presented his report to media, bishops of various denominations (including Cardinal Samuel Stritch), members of the Hollywood film industry and artists, but without result. His warning about the Yalta solution and the plight of stateless peoples became an inspiration for the formation of the Office of High Commissioner for Refugees after the war.[8] In 1944 Karski published Courier from Poland: The Story of a Secret State (with a selection featured in Collier's six weeks before the book's release[9][10]), in which he related his experiences in wartime Poland. The book was a major success (a film of it was planned but never realized) with more than 400,000 copies sold alone in the United States up to the end of World War II.
The Great Gildersleeve: Laughing Coyote Ranch / Old Flame Violet / Raising a Pig
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.