Perm Ballet School - Tragico me me me choreography Evgeny Panfilov
Kristina Drundina//Alexandro Bazazov
Perm Ballet School - ballet Nutcracker / redaction L.P.Saxarova
Directer and choreographer - Saxarova Ludmila Pavlovna
Mary-Kristina Drundina/ her brother - James Dunne
White adagio - Natalia Balaxnicheva, Maksim Xrebtov
Final adagio - Elena Androsova, Evgeny Tyrdiev.
Perm Ballet School -scene from ballet Aibolit
Tania - kristina Drundina/ vania- Battushik
All the world's a stage in the Ural Mountains
(2 Jul 2019) LEAD IN
In Russia's Middle Ural Mountains an ongoing festival is combining performance art with nature.
From classic drama to modern dance, the annual Landscape Theatre Festival features open air performances with a backdrop of abandoned towns and dense woodland areas.
STORY-LINE
A brass band plays as Natalya Safiulina - a soloist from the Perm Region Orchestra - dances on the steps of a derelict building that used to be the Perm House of Culture - a popular place of entertainment for local miners.
The Landscape Theatre Festival - Mysteries of Krestovaya Mountain is back for the 8th year bringing performance art from all over Russia into natural settings.
This is the town of Gubakha - abandoned in the 1980s due to the closure of the mine that once served its population.
Well, this is probably the most unusual place (where I have performed), today we were all in some kind of state, bemused, because here somehow there is such an atmosphere, indeed, the ghost town, as we were told, and you can see everything through the thickets, and in general all this is so enchanting, says Safiulina.
Safiulina is accompanied by the Perm Region Orchestra, that today is going back in time to when brass bands playing in local parks was widespread.
Brass music is street music, park music, and for a brass band to get into a natural setting is a normal thing according to the old standards. Today, brass bands are not so often heard on the streets, in parks, on embankments, so this is one of the forms for us to attract the attention both of our government and future fans, says Yevgeny Tveretinov, Chief Conductor and Art Director of Perm Region Orchestra.
These performers are making their way to Gubakha, using the paths through the forest as their stage. Stage director, Yuri Ramenskov says for the actors, the appeal of the festival is the ability to put on a show that is largely improvised.
When a theatrical or concert production is taken to a landscape, it changes in many ways, often for the better, because for an actor, for an artist, there are always some new possibilities, and even a kind of need to change something in their manner of existence.
Props are encountered along the way, and anything in sight can be used as a stage.
You need to switch on very quickly, change over immediately, think of something on the go, all of a sudden there is a sound, you need to play about it, says festival organiser, Lyubov Zaitseva.
In general, a landscape performance without such a site built here is about building in the location, there may be several of these locations when the viewer switches from location to location. Or they fit everything into the environment. And here is a kind of competition – who could do it better. This is such a challenge, as you need to outplay nature, the beauty, so that people listen to you, look at you.
Krestovaya mountain forms the backdrop for the performance by the Yevgeny Panfilov ballet troupe.
The temperature has dropped to -17 degrees Celsius and it has started to rain. The dancers are rehearsing in warm clothes – not something they will have during the performance.
The floor is also slippery with rain, but it does not discourage the artists at all. Rather the climatic conditions become part of the performance itself.
The weather only prompts you to attend such events so that your mood gets up. I am very happy, says visitor Lyubov Lebedeva.
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Perm Ballet School- scene from ballet Nutcracker
Mary-Kristina Drundina/ her brother- James Dunne
Jevgeni Panfilovi ballett ja Perm
Jevgeni Panfilovi ballett ja Permi fenomen Vene kultuurielus.
Tagamaid avab koreograaf, tantsija ja teatriprodutsent Sergei Rainik,
kes jätkab mõttekaaslasena Jevgeni Panfilovi tööd.
Miks Perm tahab saada Euroopa kultuuripealinnaks? Miks sinna sõidab
kokku vene kunstiavangard? Milline on raha ja kunsti vahekord Permi
moodi?
Karismaatilist ja varalahkunud Jevgeni Panfilovit meenutavad Fine5
tantsijad Tiina Ollesk ja Rene Nõmmik.
Näeb katkendeid lavastust Casting off ja Reisimine vastutuult ning
fragmente Sergei Rainiki tunnist eesti tantsijatega .
Salvestatud Tallinnas Vene teatrifestivalil Kuldne mask novembris
2011. Saatejuht Maris Johannes, režissöör Õnne Luha
little ballerina - Kristy Russian dance
Little ballerina Kristina Drundina/ choreographer Ekaterina Drundina
CASTING-OFF (ОТТОРЖЕНИЕ), Вальсы для помутненных рассудком
Нарезка из спектакля Театра Балет Евгения Панфилова
little ballerina-Kristy Polka on the festival in Poland
little ballerina Kristina Drundina/ choreographer Ekaterina Drundina
All the world's a stage in the Ural Mountains
(2 Jul 2019) A brass band plays as Natalya Safiulina - a soloist from the Perm Region Orchestra - dances on the steps of a derelict building that used to be the Perm House of Culture - a popular place of entertainment for local miners.
The Landscape Theatre Festival - Mysteries of Krestovaya Mountain is back for the 8th year bringing performance art from all over Russia into natural settings.
This is the town of Gubakha - abandoned in the 1980s due to the closure of the mine that once served its population.
Well, this is probably the most unusual place (where I have performed), today we were all in some kind of state, bemused, because here somehow there is such an atmosphere, indeed, the ghost town, as we were told, and you can see everything through the thickets, and in general all this is so enchanting, says Safiulina.
Safiulina is accompanied by the Perm Region Orchestra, that today is going back in time to when brass bands playing in local parks was widespread.
Brass music is street music, park music, and for a brass band to get into a natural setting is a normal thing according to the old standards. Today, brass bands are not so often heard on the streets, in parks, on embankments, so this is one of the forms for us to attract the attention both of our government and future fans, says Yevgeny Tveretinov, Chief Conductor and Art Director of Perm Region Orchestra.
These performers are making their way to Gubakha, using the paths through the forest as their stage. Stage director, Yuri Ramenskov says for the actors, the appeal of the festival is the ability to put on a show that is largely improvised.
When a theatrical or concert production is taken to a landscape, it changes in many ways, often for the better, because for an actor, for an artist, there are always some new possibilities, and even a kind of need to change something in their manner of existence.
Props are encountered along the way, and anything in sight can be used as a stage.
You need to switch on very quickly, change over immediately, think of something on the go, all of a sudden there is a sound, you need to play about it, says festival organiser, Lyubov Zaitseva.
In general, a landscape performance without such a site built here is about building in the location, there may be several of these locations when the viewer switches from location to location. Or they fit everything into the environment. And here is a kind of competition – who could do it better. This is such a challenge, as you need to outplay nature, the beauty, so that people listen to you, look at you.
Krestovaya mountain forms the backdrop for the performance by the Yevgeny Panfilov ballet troupe.
The temperature has dropped to -17 degrees Celsius and it has started to rain. The dancers are rehearsing in warm clothes – not something they will have during the performance.
The floor is also slippery with rain, but it does not discourage the artists at all. Rather the climatic conditions become part of the performance itself.
It's scary that you can slip, that there are certain technical difficulties that you do not encounter in the usual hall, but it's great, it is also about unity with nature, when you slip on the rainwater, this is surely also has its own charm, says dancer, Anastasia Tolkach.
The weather only prompts you to attend such events so that your mood gets up. I am very happy, says visitor Lyubov Lebedeva.
Find out more about AP Archive:
Twitter:
Facebook:
Google+:
Tumblr:
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You can license this story through AP Archive:
Children,s Choreographic studio (Samara theatre opera and ballet)
Directed by O. V. Bessonova, choreographers O.V. Bessonova,E.V. Terexova. 1989-1991years. Children,s dance : Kristina Drundina, Ekaterina Voevodina....
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