Yokohama Noh Theater
Yokohama Noh Theater
横浜能楽堂見学 Yokohama Noh Theater
普段見られない舞台の裏側も丁寧に案内していただけます。
Yokohama City Tokyo Japan - Time lapse
This Video Time Lapse was shot in Yokohama city which located south of Tokyo Capital. It is Japanese port that firstly opened to foreign trade in 1859. In Yokohama city, There are a large Chinatown and hundred of restaurants that are opened by Cantonese and also variety of gift shop there. There are many attractive place to visit in Yokohama like Sankei-en Garden, Sojiji Temple, Minato Mirai Manyo Club, Shin-Yokohama Raumen Museum, Yokohama Noh Theater, Yokohama Nigiwai-za, Yokohama Kimono Station, Yokohama Omotenashiya, Cup Noodles Museum. Thanks for senior photographer darwinfish105 who provide beautiful attribute videos that easy for me to make this video compilation.
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横浜にぎわい座 スケジュール Yokohama Nigiwai-za Schedule
横浜にぎわい座 スケジュールを桜木町駅でチェックしました(・∀・)能楽、落語、寄席などなど。
Yokohama Nigiwai-za schedule was checked by Sakuragi-cho Station (· ∀ ·)
It is the theater for Japanese Noh, storyteller, vaudeville and so on.
Aoi no ue
Japanese Noh play
A summary of the play is in this link
Yokohama Bashi
2014#11#22
おまつり
Noh Dance of Lions （能楽「石橋」より 獅子の舞）
In March 11th,2012,
A memorial service of victims in East Japan earthquake
at Souji-ji Temple,Yokohama,Japan.
平成24年3月11日 大本山総持寺 東日本大震災
被災物故者一周忌追善法要 被災地復興祈願法要にて
Loving Younger Men (on the Noh Stage)
Poetry by Yuri Kageyama
Odono (talking drum) by Winchester Nii Tete
Didgeridoo by Keiji Kubo
Talking Taiko at the Kuraki Noh Theater, Yokohama, Japan, Dec. 6, 2008
Only the bodies of young men aroused her;
the pure innocence in their wide dark eyes,
the wild still animal strength in their muscles,
the smoothness of their skin, so shiny, stretched
out over their boy-like shoulders, flat stomachs,
abdominals rippling gently, their thick thighs
that could thrust forever into the night, their
soft moist lips, where their tonges, so delicious,
dwelt, which darted against, into her vagina,
making her moan with joy, forgetting everything,
which felt so strong against her own tongue at one
moment, yet another, seemed to melt like caramel
in the back of her throat,
their dry fingers, that touched her in the most
unexpected and expecting spots,
their penises, half-covered by their black curls,
seemed smaller, less developed, less threatening,
yet as their shoulders strangely widened
when they held her, their penises filled her,
pointed against her deepest uterine insides,
hurting her with a pleasurable pain, as though
she could sense with her hand, their movements
from outside her belly. Her father beat her as a girl.
She ran from him, crying, please don't hit me! please
don't hit me! No, rather she stood defiant, silent,
silent tears drunk down her chest, till he, in anger
or fear,
slapped her again and again, once so hard she was
swung across the room, once on her left ear so
that she could not hear for three weeks. She
frequented bars, searching for young men who desired
her. She sat alone drinking. She preferred
the pretty effeminate types _ perfectly featured,
a Michelangelo creation, island faces with coral eyes,
faces of unknown tribal child-princes. To escape
her family, she eloped at sixteen, with an alchoholic.
who tortured her every night, binding her with ropes,
sticking his penis into her mouth until she choked,
hitting her face into bruises, kicking her in
the stomach, aborting her child, his child.
The young boys' heads, she would hold, after orgasm,
rocking them in her arms. She would kiss the side of their
tanned necks, breathe in the ocean scent of their hair,
lick their ear lobes and inside their ears. When they
fell asleep, sprawled like a puppy upon her sheets,
their mouths open, she would lie awake watching,
watching, watching, admiring their bodies, how so
aesthetically formed, balanced, textured. What
she enjoyed the most was their fondling her breasts,
suckling, massaging the flesh, flicking the tongue
against the nipple, biting, sucking till her nipples
were red-hot for days. She could come just by this,
without penetration.
When she is alone, she cries. In the dark, she reaches
upwards, into the air, grabbing nothing.
Little Yellow Slut (on the Noh Stage)
Poetry by Yuri Kageyama
Kpanlogo percussion by Winchester Nii Tete
Talking Taiko at the Kuraki Noh Theater in Yokohama, Japan, Dec. 6, 2008
Little YELLOW Slut
By Yuri Kageyama
You know her:
That Little YELLOW Slut, proudly gleefully
YELLOW-ly hanging on Big Master's arm,
War bride, geisha,
GI's home away from home,
Whore for last samurai,
Hula dancer with seaweed hair,
Yoko Ohno,
Akihabara cafe maid,
Hi-Hi Puffy Ami/Yumi,
Kawaiiii like keitai,
Back-up dancer for Gwen Stefani,
Your real-life Second Life avatar
Eager to deliver your freakiest fetish fantasies,
Disco queen, skirt up the crotch,
Fish-net stockings, bow-legged, anorexic, raisin nipples, tip-toeing Roppongi on
Stiletto heels.
Yessu, i spikku ingrishhu, i raikku gaijeeen, they kiss you,
hold your hand, open doors for me,
open legs for you, giggling pidgin, covering mouth,
so happy to be
Little YELLOW Slut.
Everybody's seen her:
That Little YELLOW Slut, waiting at
Home, cooking rice, the Japanese
Condoleezza Rice,
Smelling of sushi,
Breath and vagina,
Fish and vinegar,
Fermented rice,
Honored to be
Cleaning lady,
Flight attendant for Singapore Airlines,
Charlie Chan's Angel,
Nurse maid, gardener, Japan-expert's wife,
Mochi manga face,
Yodeling minyo, growling enka,
Sex toy, slant-eyes closed, licking, tasting, swallowing STD semen,
Every drop.
Yessu, i wanna baby who looohkuh gaijeen, double-fold eye, translucent skin, international school PTA,
maybe grow up to be fashion model, even joshi-ana,
not-not-not happy to be
Little YELLOW Slut.
I recognize her:
That Little YELLOW Slut, rejecting
Japanese, rejected by Japanese,
Ashamed,
Empty inside,
They all look alike,
Faceless, hoping to forget, escape
To America,
Slant-eyed clitoris,
Adopted orphan,
Dream come true for pedophiles,
Serving sake, pouring tea, spilling honey,
Naturalized citizen,
Buying Gucci,
Docile doll,
Rag-doll, Miss Universe, manic harakiri depressive, rape victim, she is
You, she is me.
Hai, hai, eigo wakarimasen, worship Big Master for mind, matter, muscle, money, body size correlates to penis size,
waiting to be sexually harassed, so sorry, so many,
so sad to be
Little YELLOW Slut.
Japanese theater
Two japanese actors playing a traditional comedy
City View Yokohama
Atop the Yokohama Landmark Tower
New and Traditional Noh: Holy Mother in Nagasaki & Kiyotsune
New and Traditional Noh:
Holy Mother in Nagasaki & Kiyotsune
Thursday, May 14, 7:30 PM
Friday, May 15, 7:30 PM
Saturday, May 16, 7:30 PM
Explore Japan’s time-honored noh theater in a rare double bill that offers plays from the modern and traditional repertories. The evening features the poignant new play Holy Mother in Nagasaki, in which a pilgrim learns about the legend of a woman, surmised to have been the Virgin Mary, who appeared to console the victims of the atomic bomb. Kiyotsune, one of Zeami’s (1363?-1443?) masterpieces, is offered as a companion piece. This centuries-old noh play tells the story of a grieving widow who meets her warrior husband in a dream to learn of his final battle. Performed in Japanese with English subtitles.
Led by noh actor Kanji Shimizu; Featuring members of the Church of St. Francis Xavier Choir, New York; Presented in assistance with Tessen-kai Noh Theater Association.
At 6:30 pm each night there will be a Pre-Performance Lecture led by Dr. Tom Hare, Professor of Comparative Literature at Princeton University. Free and open to ticket holders only.
----
Stories from the War
Marking the 70th anniversary of the end of WWII, Japan Society presents the Society-wide series Stories from the War. Encompassing theater performances, film screenings, lectures, panels and educational opportunities for young people, programming from January to August explores history and considers challenging issues that the U.S. and Japan faced surrounding WWII through a contemporary lens.
Traditional Dance from Okinawa with Live Music
Traditional Dance from Okinawa with Live Music
Friday, September 18, 7:30 PM
Saturday, September 19, 7:30 PM
A warm breeze from Okinawa opens the season with traditional dance from Japan's southern islands. A group of leading dancers and musicians, who are also alumni and faculty members of the prestigious Okinawa Prefectural University of Arts, perform refined court dances developed during the period when Okinawa was an independent kingdom (Ryukyu Kingdom, 15th-19th centuries), and playful folk dances (zo odori) that became popular after the end of the Ryukyu Kingdom. A stunning array of works depicting idyllic life on the islands, accompanied by seven musicians including instrumentalists and chanters, takes audiences on a trip through the rich history and culture of the archipelago.
A pre-performance lecture begins at 6:30 pm prior to each performance. Led by Dr. James Rhys Edwards, doctorate in Ethnomusicology from the University of California, Los Angeles. Open and free for ticket holders only.
Tickets: $40/$33 Japan Society members
The Friday, September 18 performance is followed by a MetLife Meet-the-Artists Reception.
Part of Okinawan Vibes
Japan Society presents a three-month-long series that introduces the unique culture of Okinawa, Japan’s southern islands, and highlights its sounds, flavors, colors and history.
Co-presented with Yokohama Noh Theater.
Chinese Mask Changing Dance Performed in Yokohama, Japan for LET 50
Chinese Mask Changing dance performed during the Language Education and Technology (Japan) 50th Anniversary Conference, held in Yokohama, August 4, 2010.
Nagoya Noh Theater -[Network2010]
Yokohama Trick Art Museum 2010
A magical land of art that jacks with your mind.
Left-Right-Left - preview
Left-Right-Left
Friday, October 13, 7:30 PM
Saturday, October 14, 7:30 PM
Aesthetics of the past, present, East and West meld together in Italian director/choreographer Luca Veggetti’s Left-Right-Left, which explores the point of intersection between Japan’s 14th-century noh tradition and today’s efforts in dance. With leading Japanese butoh and contemporary dancers, esteemed noh musicians and a child noh actor reciting text from noh plays Okina and Hagoromo, this production offers a lens into the microcosm of humanity. Performed in English.
Concept/Director/Choreographer: Luca Veggetti
Text Translation/Project Advisor: Donald Keene
Music Director: Genjiro Okura
Dancers: Akira Kasai, Megumi Nakamura, Yukio Suzuki
Noh Musicians: Genjiro Okura, Rokurobyoe Fujita
Child Noh Actor: Rinzo Nagayama
Lighting Designer: Clifton Taylor
Costume Designer: Mitsushi Yanaihara
Assistant to the Director: Moe Yoshida
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Japanese Rockstar Yoshiki Shares How Music Saved His Life | CNBC Make It.