Top 10 Catchiest Anime Openings
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These are the anime ops that we can't help but listen to on loop. For this episode expect the theme songs from shows like Lucky Star, Mobile Suit Gundam Iron-Blooded Orphans, Overlord, Working!, Code Geass, Nichijou, One Piece, Yuri on Ice, Neon Genesis Evangelion, Dragon Ball Z, Bobobo-bo Bo-bobo, Yu Yu Hakusho, Samurai Champloo, Kobayashi-San's Dragon Maid, Gundam ZZ, and many more to appear! Will favourites like Head Cha-La!, History Maker, and Cruel Angel Thesis appear? Only one way to find out.
00:37 #10. “Motteke! Sailor Fuku!”
01:04 #9. “Raise Your Flag”
01:44 #8. “Clattanoia”
02:22 #7. “Someone Else”
03:00 #6. “Colors”
03:41 #5. “Hyadain no Kakakata☆Kataomoi C”
04:26 #4. “We Go!”
05:07 #3, #2, #1: ???
Special thanks to our user Skerlly Fc for submitting the idea on our interactive suggestion tool: WatchMojo.com/suggest
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Bach, Toccata and Fugue in D minor, organ
Bach's most famous organ piece, with a bar-graph score.
FAQ
Q: I appreciate the work you're doing; how can I support it?
A: Thank you! The easiest way to support my work is by contributing via Patreon:
If you'd like to help in more specific way, consider this:
Q: Where can I get free sheet music for this piece?
A: Sheet music for this can be found here:
Q: Who wrote Bach's Toccata and Fugue in D Minor?
Q: Isn't that like asking who's buried in Grant's Tomb?
A: Heh-heh. A theory has recently (1981) been put forth that J. S. Bach did not write this piece. A brief summary of the supporting evidence for this theory can be read here:
Q: Where can I get the mp3 of this?
A: You can download it here:
Q: What does the piece look like as a whole?
A: There are versions you can print out here
The 'scroll' version is for cutting out and taping together to form a long strip.
Q: Where can I get the MIDI file that this was made from?
A: I'm not sure it's exactly the same, but the closest I could find was this:
Q: How did you make this video?
A: You can read about it here:
Q: What is the BWV number for this?
A: BWV 565
Q: Where does the toccata end and the fugue begin?
A: The fugue starts at 2:51 and the toccata returns at 7:12, but between these two points, parts which are strictly fugal alternate with episodes that are more toccata-like, so it's not 100% clear-cut (like in some other toccata/fugue pairs he wrote).
Q: What do the colors mean?
A: Each stop on the organ was played on a separate MIDI channel, and each MIDI channel was assigned a color.
Q: What is a fugue?
A: Here is a good introduction:
Q: Can I get a DVD with this video (or others like it)?
A: Yes:
Q: Could you please do a video of _________?
A: See:
Q: Where can I read more about this piece?
A: Here are a couple of places:
Q: Why does this piece of music remind me of horror movies?
A: Because it was used in the 1962 version of The Phantom of the Opera. Before that, it did not have that connotation. When Walt Disney and Leopold Stokowski used it in the 1940 film Fantasia, they considered it to be a purely abstract piece --- absolute music --- which brought to mind expressionistic forms and lines.
Pachelbel Canon in D Major - the original and best version.
Pachelbel's Canon--the original version based on the earliest original manuscript and performed on instruments from the time of Pachelbel--listen to the authentic baroque sound!
Voices of Music FAQ
Q. How can I support Voices of Music?
A. Donate here: and we will make more
videos like this one :) These videos support working musicians, and the money comes from individual donors.
Q. Where can I learn more about this music?
A. You can visit our website, Also, subscribe to our video channel! Just click on the logo on our videos.
Q. Where can we hear you play in concert?
A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list
Q. Where can I buy CDs?
A. Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki:
Q. What is Early Music performance, or historical performance?
A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound.
Q. Why are there no conductors?
A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both :)
Q. What are period instruments or original instruments; how are they different from modern instruments?
A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music.
Q. Why is the pitch lower, or higher?
A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See
Soundtrack at
Performed on original instruments by San Francisco Early Music Ensemble Voices of Music. Featuring Katherine Kyme, Carla Moore & Cynthia Freivogel, baroque violin; Tanya Tomkins, baroque cello, Hanneke van Proosdij, baroque organ; David Tayler, theorbo.
About the performance: the canon is played using not only the instruments but also the bowing techniques from the time of Pachelbel. As you can see from the video, especially if you look at the high definition version, the string instruments are not only baroque, but they are in baroque setup: this means that the strings, fingerboard, bridge and other parts of the violin appear just as they did in Pachelbel's time. No metal hardware such as chinrests, clamps or fine tuners are used on the violins, allowing the violins to vibrate freely. A good example of baroque bowing can be seen in the extended passage of repeated notes: the musicians play these notes on one bow—the shorter & lighter baroque bow—to created a gliding effect. The players also hold the bow very differently which affects the balance and touch. Both the style and the amount of vibrato are based on baroque treatises which describe the methods for playing, bowing & articulation in the late 17th century. The narrow, shimmering vibrato blends with the baroque organ. The organ used is made entirely of wood, based on German baroque instruments, and the pipes are voiced to provide a smooth accompaniment to the strings, instead of a more soloistic sound. Another feature of the video is the subtle differences in not only the sound and color of the instruments, but also the different techniques of the players. All three are playing baroque violins with baroque bows, yet each person has her own distinct sound and bowing style—each bow has a different shape and balance. If you look at paintings of 17th century players you will see that they are all different, because that individuality of sound and technique was highly valued. This allows the players and the listeners to hear and appreciate the Voices of Music.
Many comments refer to the pitch. D Major is a key, not a pitch; this piece is in D Major at A=415.3 Hz. We chose a baroque pitch and temperament from the time of Pachelbel. You can see the original manuscript that we played from here, clearly in the key of D Major with two sharps
Detail of the interior of the baroque organ:
#Pachelbel #CanoninD
Title: Canon in D
Composer: Johann Pachelbel
Genre: Classical
Iron Maiden - Wasting Love (Official Video)
Iron Maiden - Wasting Love - from 1992's Fear Of The Dark
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BENDY AND THE INK MACHINE SONG (Build Our Machine) INSTRUMENTAL - DAGAMES
BENDY AND THE INK MACHINE INSTRUMENTAL IS NOW LIVE!
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Introducing the Ocado Smart Platform automated fulfilment solution (promo video)
The OSP automated fulfilment solution provides a dense storage system that fits into existing warehouses and uses space more efficiently than traditional racking.
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Words at War: The Veteran Comes Back / One Man Air Force / Journey Through Chaos
Major Dominic Salvatore Don Gentile (December 6, 1920 - January 28, 1951) was a World War II USAAF pilot who was the first to break Eddie Rickenbacker's World War I record of 26 downed aircraft.
Gentile was born in Piqua, Ohio.[2] After a fascination with flying as a child, his father provided him with his own plane, an Aerosport Biplane. He managed to log over 300 hours flying time by July 1941, when he attempted to join the Army Air Force. The U.S. military required two years of college for its pilots, which Gentile did not have, therefore Gentile originally enlisted in the Royal Canadian Air Force and was posted to the UK in 1941. Gentile flew the Supermarine Spitfire Mark V with No. 133 Squadron, one of the famed Eagle Squadron during 1942. His first kills (a Ju 88 and Fw 190) were on August 1, 1942,[3] during Operation Jubilee.[4]
In September 1942, the Eagle squadrons transferred to the USAAF, becoming the 4th Fighter Group. Gentile became a flight commander in September 1943, now flying the P-47 Thunderbolt. Having been Spitfire pilots, Gentile and the other pilots of the 4th were displeased when they transitioned to the heavy P-47. By late 1943 Group Commander Col. Don Blakeslee pushed for re-equipment with the lighter, more maneuverable, P-51 Mustang. Conversion to the P-51B at the end of February 1944 allowed Gentile to build a tally of 15.5 additional aircraft destroyed between March 3 and April 8, 1944.[5] After downing 3 planes on April 8,[6] he was the top scoring 8th Air Force ace when he crashed his personal P-51, named Shangri La, on April 13, 1944 while stunting over the 4th FG's airfield at Debden for a group of assembled press reporters and movie cameras.
Blakeslee immediately grounded Gentile as a result, and he was sent back to the US for a tour selling War Bonds.
In 1944, Gentile wrote One Man Air Force an autobiography and account of his combat missions with well-known war correspondent, Ira Wolfert.
His final tally of credits was 19.83 aerial victories and 3 damaged,[5] with 6 ground kills, in 350 combat hours flown. He also claimed two victories while with the RAF.
After the war, he stayed with the Air Force, as a test pilot at Wright Field, as a Training Officer in the Fighter Gunnery Program, and as a student officer at the Air Tactical School. In June 1949, Gentile enrolled as an undergraduate studying military science at the University of Maryland.
On January 28, 1951, he was killed when he crashed in a T-33A-1-LO Shooting Star trainer, 49-905, in Forestville, Maryland, leaving behind his wife Isabella Masdea Gentile Beitman (deceased October 2008), and sons Don Jr., Joseph and Pasquale.
Gentile Air Force Station in Kettering, Ohio was named in his honor in 1962. The installation closed in 1996.
Winston Churchill called Gentile and his wingman, Captain John T. Godfrey, Damon and Pythias, after the legendary characters from Greek mythology. He was inducted into the National Aviation Hall of Fame in 1995.[7]
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Icelandic: fallinn engill
Italian: Angelo caduto
Hebrew: מלאך שנפל
Japanese: 堕天使
Javanese: widodari tiba
Georgian: დაცემული ანგელოზი
Kazakh: құлаған ангел
Khmer: ទេវតាធ្លាក់ចុះ
Kannada: ಬಿದ್ದ ದೇವದೂತ
Korean: 타락한 천사
Latin: fallen angel
Lao: fallen angel
Lithuanian: kritęs angelas
Latvian: kritušais enģelis
Malagasy: anjely nianjera
Maori: anahera hinga
Macedonian: паднат ангел
Malayalam: വീണുപോയ ദൂതൻ
Mongolian: унасан тэнгэр элч
Marathi: पडलेला देवदूत
Malay: malaikat yang jatuh
Maltese: waqa 'anġlu
Myanmar (Burmese): ပြိုလဲကောငျးကငျတမနျ
Nepali: गिर परी
Dutch: gevallen engel
Norwegian: Fallen engel
Chichewa: mngelo wakugwa
Punjabi: ਡਿੱਗ ਦੂਤ
Polish: upadły anioł
Portuguese: anjo caído
Romanian: inger decazut
Russian: падший ангел
Sinhala: වැටුනාවූ දූතයා
Slovak: padlý anjel
Slovenian: padli angel
Somali: malaa'igtii dhacday
Albanian: engjell i rene
Serbian: пали анђео
Sesotho: lengeloi le oeleng
Sundanese: malaikat fallen
Swedish: fallen ängel
Swahili: malaika aliyeanguka
Tamil: விழுந்த தேவதை
Telugu: స్వర్గం నుంచి పడిన దేవత
Tajik: фариштаи золим
Thai: เทวดาตกสวรรค์
Filipino: nahulog na anghel
Turkish: düşmüş melek
Ukrainian: занепалий ангел
Urdu: باغی فرشتہ
Uzbek: tushgan farishta
Vietnamese: Thiên thần sa ngã
Yiddish: געפאלן מלאך
Yoruba: angẹli ti o ṣubu
Chinese: 堕落的天使
Chinese (Simplified): 堕落的天使
Chinese (Traditional): 墮落的天使
Zulu: ingelosi ewile
Afrikaans: transhumanisme
Arabic: بعد إنسانية
Azerbaijani: transhumanism
Belarusian: трансгуманизма
Bulgarian: трансхуманизъм
Bengali: transhumanism
Bosnian: transhumanizam
Catalan: transhumanisme
Cebuano: transhumanism
Czech: transhumanismus
Welsh: trahumaniaeth
Danish: transhumanisme
German: Transhumanismus
Greek: διανθρωπισμό
English: transhumanism
Esperanto: transhumanism
Spanish: transhumanismo
Estonian: transhumanism
Basque: transhumanism
Persian: transhumanism
Finnish: Transhumanismi
French: transhumanisme
Irish: trashumanachas
Galician: transhumanismo
Gujarati: ટ્રાન્સહ્યુમેનિઝમ
Hausa: transhumanism
Hindi: ट्रांसह्युमेनिज़म
Hmong: transhumanism
Croatian: transhumanizam
Haitian Creole: transhumanism
Hungarian: transzhumanizmust
Armenian: տրանսմունաբանություն
Indonesian: transhumanisme
Igbo: transhumanism
Icelandic: transhumanism
Italian: transumanesimo
Hebrew: טרנסומניזם
Japanese: トランスヒューマニズム
Javanese: transhumanisme
Georgian: ტრანსჰუმანიზმი
Kazakh: траншуманизм
Khmer: transhumanism
Kannada: ಟ್ರಾನ್ಸ್ಹ್ಯೂಮನಿಸಂ
Korean: 트랜스 휴머니즘
Latin: transhumanism
Lao: transhumanism
Lithuanian: transhumanizmas
Latvian: transhumanismu
Malagasy: transhumanism
Maori: transhumanism
Macedonian: трансхуманизам
Malayalam: മനുഷ്യത്വവാദം
Mongolian: transhumanism
Marathi: ट्रान्सहुमनिझ्म
Malay: transhumanisme
Maltese: transumaniżmu
Myanmar (Burmese): transhumanism
Nepali: transhumanism
Dutch: transhumanisme
Norwegian: transhumanism
Chichewa: transhumanism
Punjabi: transhumanism
Polish: transhumanizm
Portuguese: transumanismo
Romanian: transumanismului
Russian: трансгуманизма
Sinhala: අධිරාජ්යවාදය
Slovak: transhumanism
Slovenian: transhumanizem
Somali: transhumanism
Albanian: Transhumanizmi
Serbian: трансхуманизам
Sesotho: transhumanism
Sundanese: transhumanism
Swedish: transhumanism
Swahili: transhumanism
Tamil: மீவு மனிதத்துவம்
Telugu: రూపాంతరణ
Tajik: transhumanism
Thai: transhumanism
Filipino: transhumanism
Turkish: transhumanism
Ukrainian: трансгуманізм
Urdu: ٹرانسمیشنزم
Uzbek: transhumanizm
Vietnamese: siêu nhân
Yiddish: טראַנסהומאַניסם
Yoruba: transhumanism
Chinese: 超人
Chinese (Simplified): 超人
Chinese (Traditional): 超人
Zulu: transhumanism