Dragonball Evolution - Nostalgia Critic
Little Kuriboh and MasakoX join the fight against the worst anime adaptation of all time, Dragonball Evolution. It kicks you right in the Dragon Nards.
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Dragonball Evolution is a 2009 American action-adventure fantasy film directed by James Wong and produced by Stephen Chow, Tim van Rellim and written by Ben Ramsey. The film is loosely based on the Japanese Dragon Ball manga created by Akira Toriyama, and stars Justin Chatwin, Emmy Rossum, James Marsters, Jamie Chung, Chow Yun-fat, Joon Park, and Eriko Tamura.
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Good For Nothing (1960) Japanese New Wave
Good For Nothing (Rokudenashi), the 1960 Japanese film (w/ English subs), featuring Masahiko Tsugawa, Hizuru Takachiho and Yusuke Kawazu, written and directed by Yoshishige Kijû Yoshida.
Synopsis:
Yoshida's original script is centered on a group of listless middle-class high school students whose fantasies of sex and violence exert an unhealthy hold upon their imagination... A stylistically assured and striking debut film with overt nods to early Godard. (Harvard Film Archive, Yoshida series notes, March 2009)
Ajin on CRACK #2
INTRO: Kanno Yuugo - Preparation
OUTRO: Kanno Yuugo - Hunted down
SONGS/FILM:
0:09 flumpool - Yoru wa Nemureru kai?
0:33 The Castaways - Liar, Liar
1:04 film Seven Psychopaths
1:40 Juno Reactor & Don Davis - Navras (feat. Juno Reactor)
1:46 Placebo - Where Is My Mind
2:00 John Williams - Jaws Theme
2:24 film Men in Black
2:33 Ludacris - Move Bitch get out the Way
2:53 Frankie Goes to Hollywood–Relax
3:06 film The Matrix (1999)
3:51 Gintama 153 episode
4:21 Пика - Патимейкер
4:29 Marvel's The Avengers
5:47 Alchemy Music (Revolt 2) - Terrified
6:03 Korn - Right Now
6:32 film Star Wars
6:40 Eduard Khil - I Am Glad, 'Cause I'm Finally Returning Back Home (Я очень рад, ведь я, наконец, возвращаюсь домой)
6:54 Turbonegro - All My Friends Are Dead
7:14 film Monty Python and the Holy Grail
7:21 Philippe Chany - ost from Asterix & Obelix: Mission Cleopatra
7:45 film Fight Club
7:58 Masaru Yokoyama - Upstart
8:12 anime Death Note
8:34 film Silent Night, Deadly Night Part 2
8:46 MK2 - Far Away
9:25 film The Mask
9:33 Tchaikovsky - Dance of the Sugar-Plum Fairy (The Nutcracker)
9:41 Sond: Alchemy Music (Revolt 2) - Furious
9:53 Cuban Pete - Rumba (OST The Mask)
10:13 Kotori Himeno (CV. Tamura Yukari) - Koi no Hime Hime Pettanko
10:25 film The A-Team
10:40 Atomica Music (Impact Promos) - Major Impact
11:32 PSY - GANGNAM STYLE
11:54 Toshiro Masuda - The Rising Fighting Spirit
12:29 Funtastic Power! - 300 This is Sparta
12:58 Batman Beyond: Return of the Joker
Sekiro Lore - The Story
Sekiro Lore - The Story
It's time to fully talk about the Sekiro Story. In this Sekiro Lore video, I'm going to discuss the all of the background and lore to the game at hand, and try to avoid the most obvious things (like what you can find out by just playing the game). In my Sekiro Story video, I really wanted to actually delve into the origins of everything... why is the Divine Dragon missing an arm? How did Dragonrot begin? What about the corruption of Senpou Temple, Ashina, and Fountainhead?
I also thought it would be best, for this Lore video, to delve into aspects of both Buddhism and Japan's Sengoku Period.
My Dark Souls Lore series:
Dark Souls Lore:
Dark Souls 2 Lore:
Dark Souls 3 Lore:
Bloodborne Lore:
King's Field Lore:
All footage was shot with Sekiro on PS4.
Ballers in the Dark Souls Lore community you should check out:
EpicNameBro:
VaatiVidya:
Quelaag:
TerraMantis:
Music List:
0:00 - Sekiro - Sekiro, The One-armed Wolf
0:25 - Sekiro - Divine Dragon
5:02 - Sekiro - Fountainhead Palace
7:21 - King's Field: The Ancient City - Village Ruins and East Valley
8:43 - Nioh - World Map Theme
11:21 - Nioh - Tokai Region Map Theme
13:34 - Sekiro - Rebellion
14:34 - King's Field: The Ancient City - Ancient City Levels 1 & 2
15:48 - King's Field: The Ancient City - The Holy Forest
18:18 - King's Field: The Ancient City - The Guardian's Room
19:16 - King's Field: The Ancient City - Cliffs and Caves
20:51 - Demon's Souls - Old Monk
23:09 - Demon's Souls - Maiden Astraea
23:33 - Demon's Souls - Fool's Idol
25:47 - King's Field - West Coast
27:13 - Dark Souls 2 - King Vendrick
29:43 - King's Field - Passage For a Monk
32:28 - Dark Souls 2 - Queen of Drangleic
33:46 - Dark Souls - Gwyn, Lord of Cinder
36:38 - Dark Souls - The Ancient Dragon
37:33 - Sekiro - The Red Guard
38:44 - King's Field: The Ancient City - The Old Battlefield
39:59 - Sekiro - Isshin Ashina
41:05 - Sekiro - Sekiro, The One-armed Wolf
41:40 - Dark Souls - Menu Theme
References:
References:
I hope you enjoy my Sekiro Lore video!
The Making of Tampopo / Jyuzo Itami no Tampopo Satsuei Nikki / (1986)
English subtitles.
장군의 아들(1990) / The General's Son (Janggun-ui adeul)
영화의 자세한 정보를 보려면 아래의 웹주소를 방문하세요.
For detailed information on this film, visit :
(한국어)
(English)
감독(Director) : 임권택(Im Kwon-Taek)
출연 : 박상민(김두한),신현준(하야시),이일재(김동희),방은희(화자),김형일(엄동욱),민응식,김승우,손호균,김해곤,신현배,전범수,김성룡,박영철,신이현,이해룡,주상호,노평철,김미란,김선경,김윤희,신명숙,박민희,이혜주,안영란,황근창,노승진,홍안표,김동훈,김규태,김태희,안성혁,정석영,하재호,황병훈,김병찬,김관기,박기성,강성국,정상기,박영교,정문기,최준석,김석훈,오도영,황정민,고영익,양택조,박민호,이도련,장정국,최재호,이석구,왕태언,홍동은,박예숙,박종설,김동현(어린이),이희승(어린이),신병윤(액션연기자),김영모(액션연기자),정두홍(액션연기자),이병호(액션연기자),홍석의(액션연기자),김종기(액션연기자),김태종(액션연기자),이형길(액션연기자),박종민(액션연기자),김효진(액션연기자),김학성(액션연기자)
줄거리 : 8세에 어머니를 잃고 고아가 된 김두한은 각설이 생활을 하다가 타고난 힘으로 우미관을 중심으로 한 종로 주먹계에 소속되고, 이 세계에서 실력을 인정받게 된다. 이때 학생주먹계의 대장 신마적에 의해 그가 김좌진 장군의 아들임을 알게 된다. 한편 일본인 야쿠자들이 세력을 확장하여 종로로 진출하자 김두한은 종로의 한국인 상점들을 보호해 주며 그들의 신임을 받는다. 이때 우미관계의 우두머리 김기환이 잡히고 김두한은 종로 주먹계의 공식적인 우두머리가 된다.
Casts : Park Sang-Min, Lee Il-Jae, Bang Eun-Hee, Kim Hyeong-Il
SYNOPSIS : Kim Doo-han lost his mom at the age of eight and he survives on the streets as a singing beggar. His natural born fighting skills places him on the mean streets of Jongro with the kisaeng house Woomigwan at the center. He is soon recognized for his incredible strength and ability. He finds out through Shin Ma-jeok, the head of a student gang, that he is the son of General Kim Jwa-jin who fought against the Japanese army. Meanwhile, the Yakuzas expand their sphere of influence and try to take over the Jongro streets but Doo-han protects the Korean vendors of Jongro and wins their respect. When the head of Woomigwan, Kim Gi-hwan is arrested, Doo-han becomes the leader of the Jongro gang.
In Memory of Bayoan Bee Cortez Nov 16 2014 The Hundredth Monkey Radio
My name is Bayoan (Bee) Cortes, the name both my mother and father agreed to name me until the day I was born. It is the name I choose to use as an Artist, Professional Tattooist, Martial Artist/Self- Defense Chief Advance Instructor, Metaphysician and Web Activist.
I grew up on the Upper West Side of Manhattan/Morningside Heights most of my life or as I call it Harlem, just a stone throw from Columbia University. I began my journey as a human being living through the amazing and crazy times of the 1970’s in New York City and the Son of Sam Era, when it really was a magical and scary place, the true school of hard knocks!
As a child I had some harsh life and near death experiences at two and a half years I had a tonsillectomy and before the age of 8, I was pushed off a slide and suffered bleeding head injury and soon thereafter I had a serious allergy attack. Even though I encountered such difficult incidents so early in my life, my strong connection to the spirit realms coming from my maternal lineage of spiritual inheritance made me conscious of cultivating and preserving that special gift that was given to me by my ancestors.
I always wanted to be an artist since I was five years old, I had my first easel on my fifth birthday and I have not stopped working on my art ever since. I went to the best Art and Design school in New York City, before the massive use of computers for illustration purposes, basically I received an old school art education with pencils, rulers, brushes, papers and pens!
I Ran the streets in the early 80’s as a graffiti artist/crew member and I have witnessed the creation of the crack epidemic and the devastation and death of an entire generation. I have also seen people and families being affected by the Aids epidemic. Thankfully I had enough street smarts to evade some illnesses of society like incarceration and death. Sadly many of those I knew and called friends did not. I consider myself a survivor of the urban jungle merely by understanding the street etiquette and six sense survival instinct.
I became a professional tattoo artist in the golden age of tattooing in New York City and saw it become legalized in the early and mid 90’s. I worked for some of the best shops and ran my own in 2000 until a year or so after 911, the day the universe shifted for everyone on the planet. Since then I have traveled criss cross around the northern hemisphere like a Ronin to safe heavens where I have pockets of friends and family experiencing life’s daily struggles.
All through these years I maintained the passion of martial arts and became the father of two beautiful girls. I am an advance instructor in a new martial art taught to me by Sifu David K. Tamura founder of 8 System Trapping Locking and Grappling mixed martial arts. Some will call it Post JKD Concepts. For over 16 years I studied and practice profoundly and privately to attain my certification. Since 2008 until this day I taught amateurs in Boxing/MMA and those who just want to learn self-defense or just get in shape. In 2011 I started and developed my own self-defense company called Strategic Edge Concepts LLC for Close Quarter Combat and I am in the process of making this my full time passion as a way of collecting the fruits of my personal harvest.
I am actively teaching private students self-defense to focus on quality rather than quantity. They focus on mastering and learning basic and advanced skills needed to learn self defense and martial arts. I am also continuing my martial arts development in Cheng Style Taiji Quan with 11th generation Sifu Yu Guo Shun who was taught by renowned Sifu Ma Hong one of the top ten masters in China. I am presently also working in attaining a Shodokan Aikido Black Belt from the Tetsuro Nariyama Lineage of the Tomiki Aikido Association of the Americas.
I have chosen this path because in my heart of hearts this is where my destiny lies. I see this as a righteous path to help those whom I come in contact with to deal with their daily fears. Empowering my students and those who cross my path is greatly satisfying on many levels as well as strengthening my skills on patience and spiritual awakening. I try to connect on a deep level with those who have the time and willingness to listen and to those who gravitate across my path. Every day is a new realization when understanding myself and my place with the experiences that we call life. My mantra is “Compassion is the most powerful Peace”, as I have this saying tattooed across my back of my full tattooed body suit.
Kratos plays Tales of the Abyss Part 40: Sword Dancer 2 And Tragedy at Sheridan
Oh hey it's the sword dancer again. I was looking for that guy but it looks like it finally happened. About that Sheridan tragedy though... Well I'll just let you watch the video.
Wish to see more or want to skip to a certain part? See the series playlist:
Ongoing Poll, What character should I play as?:
Want to know more about Tales of the Abyss?
Tales of the Abyss is a role-playing video game developed by Namco Tales Studio as the eighth main title in their Tales series. Originally released for the PlayStation 2, the game was published by Namco in Japan in December 2005, and Namco Bandai Games in North America in October 2006. Its development team included director Yoshito Higuchi, producer Makoto Yoshizumi, and character artist Kōsuke Fujishima. The game features music by series composers Motoi Sakuraba and Shinji Tamura, and includes the opening theme song Karma by Bump of Chicken. Namco has given Tales of the Abyss the characteristic genre name To Know the Meaning of One's Birth RPG. A port for the Nintendo 3DS handheld was released in Japan in June 2011, with North American and European English versions following in November 2011 and February 2012, respectively.
Taking place in a fantasy world, the story focuses on Luke fon Fabre, a young swordsman whose pampered life turns upside down when he unwittingly becomes the target of a military-religious organization known as the Order of Lorelei, who believe him to be the key to an ancient prophecy. Together with his companions, Luke attempts to discover the truth and significance of his own birth, as well as unravel the mystery of The Score, the prophesy that has bound humanity's actions for thousands of years.
The game's Flex Range Linear Motion Battle System is real-time. The game controls are very similar to other Tales games, especially Tales of Symphonia, except with increased maneuverability. The player can attack, defend, perform a skill or call up a menu with multiple functions, such as using items or commanding an ally to perform an action. This system offers multiplayer co-op battles, and the camera for this mode is improved over the one found in Tales of Symphonia, zooming out as characters move away from each other so that other players are now always on screen. A new feature, Free Run, allows the player character to run in any direction, unlike previous Tales games.
This series is NOT a blind playthrough
If you enjoyed this video please feel free to give it a like and click that big red subscribe button for more videos. Uploads will be at least once a day
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My other Series:
Rogue Legacy(No commentary):
Tales of Symphonia:
Paper Mario:
Majora's Mask:
Mario Party 3:
Spyro 2:
Secret of Mana Co-op:
Super Mario Sunshine:
Wind Waker:
Tales of Eternia:
Kingdom Hearts 1:
Megaman X:
KH Re: Chain of Memories:
Sonic Heroes:
Super Mario RPG:
Kingdom Hearts 2:
Paper Mario TTYD:
.Hack Infection:
Fire Emblem Path of Radiance:
Arc The Lad Twilight of the Spirits:
Creating a Doom-style 3D engine in C
In this tool-assisted education video I walk through the creation of a Duke Nukem 3D style (or Doom-style) software-rendering pseudo-3D engine from scratch. It supports non-Euclidean geometry. Topics such as vector rotation and portal rendering are at the core. SUBTITLES ARE AVAILABLE.
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Homepage:
Contribute subtitles: or:
This homebrew software-rendering pseudo-3D engine bears many similarities to Duke Nukem 3D. The geometry can be tweaked at run time without performance penalties, to create things like ceiling crushers or rotating doors.
For rendering, it only supports single-color floors, walls and ceilings, with optional depth shading. Unlike Duke3D, it also requires that each sector is convex.
So far this engine does not support objects or sprites. It also does not support sloped surfaces or parallax ceilings.
DOWNLOAD MATERIAL:
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SUPPORT / INSTRUCTIONS:
The C program must be compiled with a C compiler supporting the C99 standard. If you attempt to compile it as C++, errors will be produced. If you attempt to compile it on a C89 compiler, errors will be produced. You must compile it as C using C99 standard or newer (on GCC, use the commandline option: -std=c99 or -std=c11).
You also need libSDL 1.2. SDL 2.0 will not work. Add the options printed by pkg-config sdl --libs --cflags into your compiler commandline.
The BASIC program is ideally run in QBASIC or QuickBASIC 4.5. It will not work in QB64 without modifications, because QB64 does not support DEF FN. It will not work in GW-BASIC, because of the structural programming statements.
Music credits in order of appearance:
- Lunar: Silver Star Story - Lunar Traffic theme (Noriyuki Iwadare)
- Axelay - SPIDERS (Taro Kudou)
- Tales of Phantasia - Final Act (Motoi Sakuraba and Shinji Tamura)
- Tales of Phantasia - Ridge Racer (Shinji Hosoe)
All these video game songs have been transformed into OPL3 songs with homebrew tools and played through ADLMIDI.
Sorry about the fluctuating narration volume. I recorded pretty much every sentence separately over many days, and my microphone was positioned differently at different times, and sometimes it was day, sometimes night, sometimes I had morning voice, etc. I tried to compensate with both manual volume adjustment as well as running a compression filter over it all, but it was only after publication when I noticed how uneven it still is.
My typical workflow for recording the narration involves the following:
1. Watching some of the video
2. Writing into a text file what I would like to say (this file will also form the basis of closed-captioning later). Much of the text comes from the directing script that I wrote before I even began any video recording.
3. Speaking that dialog and recording using Audacity. I honestly try to speak as naturally as possible. If I stutter or mispronounce some part, as happens many _many_ MANY times with English (that whole language is a frigging tongue twister to me), I simply repeat the sentence or part of a sentence as many times as necessary until I get it right. Then I listen to it, and delete the flubbed parts until I have the best takes for that text. Typically this involves about two minutes of recording for every 40 seconds of narration. Sometimes I leave a particularly difficult part in out of spite even if it doesn't sound fluent. Unfortunately having to do the recording in this manner tends to kill natural prosody. I do not use voice synthesizers for reference.
4. If the dialog is shorter or longer than the section of video I was planning this to be narration over, adjust something. From here the editing may branch anywhere, including things like changing the text, or adjusting the playback speed/length/order for clips, or even changing the source code (which requires a new round of video recording).
5. Go ahead in the video with step 1
For the record, my native language is Finnish. It has a small set of phonemes similar to Spanish or ancient Greek, and a similar rhythm of vowels/consonants as Japanese. This background is quite a disadvantage for speaking English, considering that a person's ability to distinguish and to reproduce a language's defining traits, such as phonemes, rhythm, accent and intonation, is mostly determined by the languages they are exposed to as a toddler.
So, if my bad accent disturbs your harmony, I urge you to disable the sound and use the closed captions instead.
Christian Tissier - Leaving France for Japan in the late 60's [Interview Part 1/7 - EN/FR/JP/ZH/KO]
ENGLISH SUBTITLES: Click on CC to display
SUBSCRIBE :
- Part 2: A Youngster's life in Japan in the 70's
- Part 3: Aikido in Japan in the 70's & the 8th Dan
- Part 4: Finding one's own place through Aikido
- Part 5: The Master/Student Relation, Teaching Honestly
- Part 6: Aikido as a Way of Education
- Part 7: The Meaning & Goals of Aikido's Practice
--- PRESENTATION: INTERVIEW CHRISTIAN TISSIER PART 1 ---
Christian Tissier is a French Aikido practitioner, one of the very few non-Japanese in History to have reached the title of 8th Dan Shihan. He started Aikido at the age of 11 and is now one of the biggest influences in the International Aikido community.
Willing to get to the roots of his art, he embarked in the trans-Siberian train at the age of 18 for a journey to Japan, and started to train at the Aikikai Hombu Dojo where he stayed 7 years, honing his skills and learning the language and culture of Japan.
Now, at the age of 67, he gives seminar all around the globe throughout the year, including Japan. It is on one of those occasions that he offered us the opportunity to sit together in the legendary Butokuden of Kyoto, to talk about his personal relation to Aikido for over an hour.
In this first part, Christian Tissier talks about his first trip to Japan and how he almost thoughtlessly embarked on a three weeks journey to Japan on board of the Trans-Siberian.
--- SOURCES ---
Aikido Journal's archives:
Christian Tissier Sensei's Aikido 8th dan Promotion:
Christian Tissier being handed his award by Japan's ambassador:
Facebook page of Christian Tissier Shihan:
Aikido Initiation Sedirep:
Mutsuro Nakazono:
Masuda Seijuro:
Endo Seishiro:
Seigo Yamaguchi with Christian Tissier:
O'Sensei and Ueshiba Kisshomaru:
Morihei Ueshiba: Way of Harmony:
Facebook page of the Iwama Shinshin Aikido:
An Introduction to Koichi Tohei:
Kisshomaru Ueshiba Demonstration (1980):
Felix Roussel:
Messageries Maritimes (Bbmanu92 CC BY-SA 4.0):
An Israeli gunboat passes through the Straits of Tiran in 1967:
Trans-Siberian: Nick Farnhill & Boccaccio1
Gare du Nord (8474tim CC-BY-SA 3.0):
Moscow in the 1970’s (Andris Malygin CC-BY-SA 3.0):
Berlin in 1980: Bundesarchiv, Bild 183-W0424-0016 CC-BY-SA 3.0:
Volkspolizei:
Yokohama Port:
Tokyo in 1968:
--- CREDITS ---
Director: Jordy Delage
Editing & Camera: Jordy Delage & Nicolas Nothum
Music: Senbazuru - Kevin MacLeod (incompetech.com) CC 3.0
Narrator: Brian Kamei
Translation & subtitles: Naoko Mikami (JP), Thomas Jousse, Jordy Delage, Jean-François Rauch, 周彥博 (ZH) & Sung Ju-hwan (KO)
With special thanks to the renovation team for its innovative drilling musical arrangement.
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