TV Coisa Velha #3
Gostou do vídeo? Não esquece de dar um joinha pra gente!
Visitamos o velhinho supimpa Rogério Medeiros, um dos seguidores do Coisa Velha e que sempre participa dos nossos eventos levando brinquedos que guarda desde a sua infância.
Facebook Coisa Velha:
Produção: Visual Design
Diretor: Carlos Ranulfo
Apresentação: Marcel Agarie
Este vídeo é um oferecimento do parceiro Casa do Herói, brinquedos colecionáveis. Conheçam o site:
Fighting for the Right to Fight Electronic Field Trip
An Interactive Webcast Examining African American Experiences in World War II
Throughout World War II, African Americans pursued a Double Victory: one over the Axis abroad and another over discrimination at home. Major cultural, social, and economic shifts amid a global conflict played out in the lives of these Americans.
In this 60-minute program, student reporters examine artifacts from The National WWII Museum's signature special exhibit, travel to California to learn about injustices in a segregated military at Port Chicago Naval Magazine National Memorial, the site of the deadliest munitions disaster during the war, and explore Rosie the Riveter/WWII Home Front National Historical Park to understand transitions and tensions in American defense factories.
Captions are available in English and Spanish. Spanish captions are made possible through generous support from Pan-American Life Insurance Group.
J. Edgar
During his lifetime, J. Edgar Hoover would rise to be the most powerful man in America. As head of the Federal Bureau of Investigation for nearly 50 years, he would stop at nothing to protect his country. Through eight presidents and three wars, Hoover waged battle against threats both real and perceived, often bending the rules to keep his countrymen safe. His methods were at once ruthless and heroic, with the admiration of the world his most coveted, if ever elusive, prize. Hoover was a man who placed great value on secrets—particularly those of others—and was not afraid to use that information to exert authority over the leading figures in the nation. Understanding that knowledge is power and fear poses opportunity, he used both to gain unprecedented influence and to build a reputation that was both formidable and untouchable.
MPAA Rating: R Rated R for brief strong language. © 2011 Warner Bros. Entertainment Inc.
The Conquest of the Air (1936)
Conquest of the Air is a 1936 documentary film or docudrama on the history of aviation, until the early stages of World War II. The film features historical footage, and dramatic re-creations, of the developments of commercial and military aviation; including the early stages of technology developments in design, propulsion, and air navigation aids. The film was a London Films production, commissioned by the Air Ministry of the British Government.
The film was initially commissioned by Alexander Korda prior to the advent of World War II, and the Air Ministry saw the value in promoting Britain's contribution and leadership in aviation during this period. Some notable footage is featured of the early phases of automated flight, navigational equipment, and the transitions between civil and military developments, including heavy bombers; fast fighter aircraft; and the advent of naval aviation (aircraft carrier), plus the initial experiments with vertical rotary flight (helicopters).
An updated version was released in the United States on May 20th, 1940.
Harman friends in dubai harman house - (news full videp)
Spread the word about PropellerAds and earn money!
YouTube Tips and Triks to make real dollers:
The Best Portable Bluetooth Speaker ( Power Speakers ):
Are You loosing money from Stock market? Read How to make Profit :
The Great Gildersleeve: The House Is Sold / The Jolly Boys Club Is Formed / Job Hunting
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.