Places to see in ( Besancon - France ) Eglise Sainte Madeleine de Besancon
Places to see in ( Besancon - France ) Eglise Sainte Madeleine de Besancon
The église Sainte-Madeleine is a neoclassical 18th century hall church in the Battant district of Besançon, France, dedicated to Saint Mary Magdalene. Antoine-Pierre II de Grammont, the archbishop of Besançon, had it built from 1746 to 1766 to plans by the architect Nicolas Nicole. The church Sainte-Madeleine is a church hall in classical style of the xviii th century , the Beating district of Besançon , in the Doubs in Bourgogne-Franche-Comté . It is rebuilt, between 1746 to 1766 , by the bisontin architect Nicolas Nicole , and dedicated to Marie de Magdala .
This church of the Saint Étienne Pastoral Unit , has been listed as a historic monument since 1930, and houses a listed organ.historical monuments , as well as a museum of the past life of the neighborhood of Battant. Note that 34 other French churches are baptized Sainte-Madeleine. The Bisontins call it preferably Church of the Madeleine. This church is built at the exit of the historic city center ( La Boucle ) by the Battant bridge , at the entrance of the quarter Battant (historic district of the old vine growers of the city), and was built, destroyed and restored several times.
The May 26, 1746Archbishop Antoine-Pierre II of Grammont laid the foundation stone for the reconstruction of the building, to replace the old Gothic collegiate church which is threatening to fall into ruins. The works directed by the architect Nicolas Nicole (which will be the masterpiece), lasted until 1766 with 66 m long and 39 m wide, a triple nave , many side chapels , slender arches, statues the xvi th century , rich collections of paintings of Flemish schools and Grandfather of the xvii th centuriesand xviii th centuries , and a large roof glazed tile Burgundy.
This hall-church is built on a Latin cross- shaped plan , with a large classical facade made up of Doric and Ionic order columns , flanked by two towers built without coronations by Nicolas Nicole . The building has a large nave with three spans, separated from the aisles by twin Ionic columns, and a non-salient transept , and a choir closed by a polygonal chevet. The low sides, which have the particularity of being vaulted with edges, open on chapels . The lighting of the nave, though sometimes insufficient, is ensured through stained glass windows in the chapels and rosettes located under the vault. From 1982 to 1989 the building is covered with a new frame covered with Burgundy glazed tile , with herringbone patterns.
A large number of sculptures decorate the interior of the building, including the altar-altarpiece of Saint-Vernier (patron saint of the Franche-Comté winemakers ), work of Claude Joseph Alexandre Bertrand dating from 1784 , the Virgin of the Cordeliers is finding before the Revolution in the Couvent des Cordeliers in Besançon (now lycée Pasteur ) and dating from the xvi th century , the bust of Melchizedek , who happens to be a carved fragment xiii th century one of the statues that once adorned the portal the medieval church destroyed during the xviii th century
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Cloches: Besançon (25 000), Eglise Sainte-Madeleine
Cloche 1: Nom non pris, Diamètre 151,7 cm, Poids, 2 100 kg, Fondue par Gillot en 1 841, Chante le Do3 (Bas)
Cloche 2: « Marie-Françoise », Diamètre 137,2 cm, Poids 1 530 kg, Fondue par Gillot, Pas d’année inscrit, Chante le Ré3
Cloche 3: « Louise-Etiennette », Diamètre 122,0 cm, Poids 1 110 kg, Fondue par Gillot, en 1 841, Chante le Mi3
Je remercie fortement la paroisse Saint-Etienne qui m’a donné l’accès au clochers, également mes vifs remerciements à Mr Mussot, pour son bel accueil dans son église et l’accès!
Visite de Besançon Part.I
Visite de Besançon de la mairie et l'église du Refuge, en passant par la rue et la place Pasteur, la Grande Rue puis le pont Battant et l'église Sainte-Madeleine.
Inauguration des orgues de l'église Sainte Madeleine à Besançon.wmv
L'orgue de L'église Sainte Madeliene a été réalisé par Callinet entre 1848 et 1855. C'est le plus grand Callinet Jamais construit.
Jean D'eloye le restaure en 1985 et l'orgue se trouve à 2 jeux près tel que l'avait conçu Claude Ignace Callinet le 16
Places to see in ( Besancon - France )
Places to see in ( Besancon - France )
Besançon is a city in eastern France, near the border with Switzerland. The old city center lies in a horseshoe bend on the Doubs River. The sprawling Citadel of Besançon perches on a hill and is home to 3 museums, a zoo and 600m-long ramparts. At the foot of the hill, Besançon Cathedral has a unique 70-dial astronomical clock that indicates sunrise and sunset, eclipses, and tides in French ports.
Hugging a bouclé (hairpin curve) of the River Doubs, the cultured and very attractive capital of Franche-Comté remains refreshingly modest and untouristy, despite charms such as a monumental Vauban citadel, a graceful 18th-century old town and France’s first public museum. In Gallo-Roman times, Vesontio (over the centuries, the name evolved to become Besançon) was an important stop on the trade routes linking Italy, the Alps and the Rhine, and some striking remains of this period survive.
Besançon (affectionately known as Besac by its inhabitants) is situated in an oxbow bend of the river Doubs (known as la Boucle). The river encircles the old town, while the imposing citadel, built by military engineer Vauban, blocks the neck of the river bend.
The city has a long history, and has been settled since the Bronze Age (ca. 1,500 BC). In Roman times, Besançon was a flourishing provincial town known as Vesontio. Some Roman remains can still be admired in the city centre. In the late Middle Ages, Besançon was a free city state within the Holy Roman Empire. From the 14th to the 17th century, Besançon and the region of Franche-Comté changed hands various times between Burgundy, Spain and France, and were finally joined with France in 1678. From then on, Besançon became an important strategic town for the French, and large fortifications were built to defend it. Besançon has however not played any major role in French history since then, and its location as a relative backwater has left the city centre largely unspoiled.
Alot to see in Besancon such as :
Citadel of Besançon
Besançon Cathedral
Museum Of Times
Astronomical clock
Parc Micaud
Museum of the Resistance and Deportation
Musée comtois
La Porte Noire
Fonds régional d'art contemporain de Franche-Comté
birthhouse of Victor Hugo
Square Castan
The Little Train of Besançon
Granvelle palace
City of Arts
Jardin botanique de Besançon
The Water Station
Fort Chaudanne
Fort Griffon
Église de la Madeleine
Fort of Bregille
Tour de la Pelote
Chapel of Our Lady of Refuge
Tour de Rivotte
Basilica of Saint-Ferjeux
Belvedere Montfaucon
Jardin des sens
Statue de Jouffroy d'Abbans
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France: The City of Besançon
Besançon is the capital of the department of Doubs and the former capital of Franche-Comté, a region in eastern France close to the border with Switzerland. In 2013, Besançon had a population of 116,952.
Once proclaimed the first green city of France, it has been labeled a Town of Art and History since 1986. Since 2008, the Citadel of Besançon has been listed as a UNESCO World Heritage Site.
The city has one of the most beautiful historic centers of any major town in France. A broad horse-shoe of the river Doubs, la Boucle, encircles the old town, while Vauban's imposing Citadelle blocks off the neck. The historic center presents a remarkable ensemble of classic stone buildings, some dating back to the Middle Ages and others to the Spanish Renaissance. Among its most visited historic monuments are: several Roman remains, the 16th-century Palais Granvelle, Vauban's citadel (Citadel of Besançon) (this wil be the subject of one of my next videos), the Cathedral of St. Jean, several Spanish Renaissance-style buildings, the Église de la Madeleine, and the river frontage.
Source: Wikipedia
Music: Inner Light by Kevin MacLeod is licensed under a Creative Commons Attribution license (
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eglise protestante de besancon
bienvenue dans notre eglise de besancon. tous les dimanche matin tu es le bienvenu à alternative de 11h à 12h. A bientôt.
Places to see in ( Besancon - France ) Cathedrale Saint Jean de Besancon
Places to see in ( Besancon - France ) Cathedrale Saint Jean de Besancon
The Cathedral of Saint John of Bensançon, commonly known as Besançon Cathedral, is a Roman Catholic church located in the town of Besançon, France. It is the seat of the Archbishop of Besançon.
The cathedral is situated near the base of Mont Saint-Étienne, below the citadel. To the east of the cathedral is the 16th century Porte Rivotte, with two round towers, and pedestrian walkways dating to the 19th century. To the west is the Porte Noire, a Roman triumphal arch of the 2nd century with extensive sculptural decoration. The cathedral consists of a large nave between two aisles, and dates from the 11th to the 13th century, with an 18th-century choir.
It contains several valuable paintings, including a Virgin and Child with Saints by Fra Bartolommeo (1518). It also has an unfinished alabaster Pietà by the 16th-century artist Conrat Meit. In the clock tower there is a noteworthy 19th-century astronomical clock with thousands of moving parts and several animated functions.
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Besançon
La chapelle du Refuge de Besançon est absolument somptueuse.
Places to see in ( Besancon - France ) La Citadelle de Besancon
Places to see in ( Besancon - France ) La Citadelle de Besancon
The Citadel of Besançon is a 17th-century fortress in Franche-Comté, France. It is one of the finest masterpieces of military architecture designed by Sébastien Le Prestre de Vauban. The Citadel occupies 11 hectares (27 acres) on Mount Saint-Etienne, one of the seven hills that protect Besançon, the capital of Franche-Comté. Mount Saint-Etienne occupies the neck of an oxbow formed by the river Doubs, giving the site a strategic importance that Julius Caesar recognised as early as 58 BC.
The Citadel overlooks the old quarter of the city, which is located within the oxbow, and has views of the city and its surroundings. The fortification is well preserved. Today it is an important tourist site (over a quarter of a million visitors per year) due both to its own characteristics and because it is the site of several museums.
These museums include a museum of the Resistance and deportation, a museum focusing on traditional life in Franche-Comté and the region's archeological history, and a museum of natural history that includes a zoo, an insectarium, an aquarium, vivariums, a noctarium, a climatorium, a pedagogical exhibit on evolution, botanical gardens, and a children's farm. There is also a restaurant and shops. On 7 July 2008, UNESCO listed the Citadel, together with nearby Fort Griffon, as a World Heritage Site. Since 1942, the French Ministry of Culture has listed the Citadel as a Monument historique
In Gallo-Roman times the promontory on which the citadel sits was already used as an acropolis. A wall enclosed a temple, probably dedicated to Jupiter Capitolinus. (Reference to the Roman history of the town is preserved in the town's arms, which show an eagle clasping two Roman columns in its claws.) The fortifications were renovated during the Middle Ages and again in the 16th century.
Between 1668 and 1672, the Spaniards started to construct a modern citadel on the site. Some of the buildings they constructed were incorporated into the subsequent enlargement of the Citadel. The Royal Front (Front meaning bastion or enclosure), and the Relief Front, both include buildings that the Spaniards erected.
The Citadel is built on top of a large syncline on a rectangular field crossed across its width by three successive bastions (enclosures, or fronts) behind which extend three plazas. The whole is surrounded by walls covered by circular paths and punctuated by watchtowers and sentry posts. The walls are up to 15 to 20 metres (49 to 66 ft) high with a thickness between 5 and 6 metres (16 and 20 ft).
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Top 15 Things To Do In Besancon, France
Cheapest Hotels To Stay In Besancon -
Cheap Airline Tickets -
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Here are top 15 things to do in Besancon, France
All photos belong to their rightful owners. Credit next to name.
1. Quai Vauba -
2. Musée des Beaux-Arts et d’Archéologie -
3. Musée du Temps -
4. Battant Quarter -
5. Musée des Beaux-Arts et d’Archéologie -
6. Citadel -
7. Porte Noire -
8. Besançon Cathedral -
9. Fort de Chaudanne -
10. Astronomical Clock -
11. Victor Hugo’s Birthplace -
12. Maisons Comtoises de Nancray -
13. Église Sainte-Madeleine -
14. Hôtels Particuliers -
15. Forêt de Chailluz -
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Besançon : D'un Pont à l'Autre
Le Pont Battant dans Tous ses Etats ... suite aux Travaux pour le Tram !
Places to see in ( Besancon - France ) Porte Noire
Places to see in ( Besancon - France ) Porte Noire
The Black Door of Besancon is a triumphal arch Gallo-Roman of 16.56 m (buried 1 m by leveling the time) built under the Roman emperor Marcus Aurelius in the ii th century, the fully decorated original fine sculptures representing deities of Greek and Roman mythology and battle scenes mostly erased by time. The door, probably one of the most beautiful monuments of Besançonoriginally, is today very damaged. The Black Gate is the subject of a classification as historical monuments by the list of 1840.
The gate, which in antiquity was designated under the name of Mars Gate, is associated with military Win Aurelius ( 161 - 180 ) and Lucius Verus against the Parthians in 165 - 166 . The representation of the taking of Ctesiphon is still visible today, although very damaged. We do not know if the construction of the door must be linked to the troubles in Sequanie (Gaulish Franche-Comté) between 171 and 175 mentioned by the Auguste History. The side of the door where the sculptures are not preserved perhaps evoked the Germanic wars of Marcus Aurelius against the Marcomans , Quades and Sarmatians .
Primarily, the monument had very slender proportions: more than 16 m high for only two deep and a height under bay of more than 11 m . The whole, probably crowned with statues, did not constitute a door of the ancient city, but an honorary bow detached from other buildings. The great height allowed an organization of decorative reliefs in floors and registers. For its decoration, we could talk about the horror of the void as the figures and statues cover each part of the space in a lush setting. By its style, and especially by the omnipresence of an invading decorative discourse dominantly mythological, the Black Gate is strongly distinguished from other Gallo-Roman triumphal arches.
The door was originally entirely covered with fine and beautiful decorations on the theme of deities and scenes of mythological fights of the gods and heroes to which were added historical scenes representing the Roman army. These reliefs are unfortunately strongly erased by the corrosion of time, the age of the door ( 1800 years ), the many fires and the fragility of the stone used.
Among the mythological scenes and characters, we can recognize Jupiter thundering the Giants , the Dioscures , Daedalus and Icarus , Theseus , Ajax gone mad ... The identification of some of the reliefs is problematic because of the poor condition of the monument. The Black Gate is an official Roman monument , triumphal. One can see in him a symbol of power and power , even an honorary Roman imperial propaganda message to fame the domineering military power of Rome , the Roman Empire and the Roman emperors by the message of its abundant decoration finely and artistically carved on the theme of Roman mythology . The interpretation is delicate, however, because we lack many elements to reconstruct both the context and the meaning of this construction. One can think that the representation of gods guarantors of order, security and happiness spread a message recalling the necessary obedience to the Empire, protective and guarantor of prosperity.
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Restauration du jacquemart à l'église de la Madeleine
21 octobre 1967
A l'occasion de la restauration du JACQUEMART de l'église SAINTE MADELEINE de BESANÇON, celui ci est porté en procession dans le quartier.Le jacquemart est un automate d'art représentant un personnage sculpté en bois qui indique les heures, placé sur le clocher. Majorettes et fanfare composent la procession. Images d'archive INA
Institut National de l'Audiovisuel
Abonnez-vous
Michel Chapuis à l'Orgue de la Madeleine de Besançon
Deux improvisations romantiques par Michel Chapuis à l'orgue de l'église de la Madeleine de Besançon (Doubs-France). Concert organisé par les Amis de l'orgue de Lunéville. Enregistrement Jean-Jacques Guénégo (1998) avec mes remerciements amicaux.
Le grand Orgue de l’église Sainte-Madeleine de Besançon a été construit de 1848 à 1850 par le facteur Claude Ignace Callinet et joué la première fois le 31 mars 1850 (messe du dimanche de Pâques). En 1853, le Conseil de Fabrique demande à Callinet de compléter son ouvrage. Un délai de deux ans est fixé, Callinet met 20 jeux et fait un relevage général. Le 18 avril 1869 Verschneider fournit 12 jeux. L’instrument possédait alors 49 jeux et fût inauguré le jour de la fête de Sainte-Madeleine, fin juillet 1870 quelques jours avant la déclaration de guerre. Dans la suite, César Franck vint se faire entendre sur cet instrument et attira dans l’église une foule d’auditeurs. En 1934, Jules Bossier détruit la mécanique et installe une console à traction pneumatique et échange quelques jeux. En 1956, accord général et amélioration de la soufflerie par Erwin Müller. En 1968, remise en place des réservoirs par Roethinger. Le buffet est classé monument historique depuis 1930, et la partie instrumentale de l’orgue depuis 1976. Il est, depuis la destruction de l’orgue de Masevaux dans un incendie en 1966, le plus grand « Callinet » de France. Il fût restauré en 1986-1991 par Jean Deloye qui restitua l’orgue originel avec sa traction mécanique et sa console en fenêtre, l’harmonisation étant confiée à Alain Sals. L’instrument fût joué par de nombreux organistes célèbres parmi lesquels on peut compter : César Franck, Louis Vierne, Marcel Dupré, Jehan Alain, Michel Chapuis et surtout Jeanne Marguillard (1910-1993), élève de Louis Vierne, qui fût organiste titulaire de l’orgue de la Madeleine de 1934 à 1993, soit pendant 59 ans. Instrument de transition, entre une conception très classique (console mécanique, aucun accessoire de registration de type « appel anches », accouplement à tiroir…) et l’orgue symphonique (avec ses nombreux jeux « gambés », son récit expressif, l’abondance de jeux de 16 pieds et de 8 pieds à tous les claviers…), cet orgue est avant tout axé sur l’effet « fonds d’orgue » ici très ample développant l’étagement sonore en 16-8-4 pieds pour toutes les familles de jeux : Bourdons, Flûtes, Principaux, Gambes. C’est déjà l’orgue à tendance orchestrale avec ses grands ensembles et ses jeux solistes. Il laisse entrevoir ce que très vite, l’orgue deviendra au 19ème, avec l’avènement de l’orgue symphonique qui est la logique de la continuité de ce type d’orgue. Il est un des rares témoignages de ce qu’on peut appeler « l’orgue romantique ».
Composition du Grand Orgue Claude Ignace Callinet de l’église Sainte-Madeleine de Besançon.
Positif
Bourdon 16′, Flûte 8′, Bourdon 8′, Salicional 8′, Prestant 4′, Flûte 4′, Doublette 2′, Carillon I/III, Cornet III , Plein-Jeu IV rangs , Trompette 8′, Cromorne 8′, Tremblant.
Grand-Orgue
Principal 16′, Bourdon 16′, Gambe 16′, Montre 8′, Gambe 8′, Flûte 8′, Bourdon 8′, Prestant 4′, Flûte 4′, Quinte 2 2/3′ , Doublette 2′, Fourniture IV rgs, Cymbale III rgs, Bombarde 16, Première Trompette 8′, deuxième Trompette 8′, Clairon 4′, Grand Cornet V.
Récit expressif
Bourdon 16′, Salicional 8′, Flûte traversière 8′, Bourdon 8′, Flûte octaviante 4′, Cornet III rgs, Trompette 8′, Basson-Hautbois 8′, Voix humaine 8′, Tremblant.
Pédale
Bourdon 32′, Flûte 16′, Soubasse 16′, Violoncelle 16′, Flûte 8′, Violoncelle 8′,Flûte 4′, Bombarde 16 , Trombone 8′, Trombone alto 4′.
Accessoires
Accouplements = Pos./GO (à tiroir), Réc./GO (à fourchette). Tirasse : GO. Transmission des notes = mécanique. Transmission des jeux = mécanique. Claviers de 54 notes. Pédalier de 30 notes. Tirant appelé « sourdine » pour entendre le positif sous la tribune.
Besançon : ville de festival
3 septembre 1969
Depuis 20 ans, Besançon change. Le festival de musique en est un exemple. Le commentaire en off présente les différents temps forts de ce festival tandis que les images montrent la ville à travers ses principaux monuments : la citadelle, l'église de la MADELEINE, le théâtre (plans de Claude Nicolas LEDOUX), le palais de justice, l'église SAINT PIERRE, le palais GRANVELLE, ou encore la cathédrale SAINT JEAN. Images d'archive INA
Institut National de l'Audiovisuel
Abonnez-vous
Cathedrale St Jean de Besançon (France) (Doubs)
La cathédrale Saint-Jean est une église, basilique et cathédrale carolingienne franc-comtoise à Besançon, construite dès le IIIᵉ siècle puis reconstruite plusieurs fois, notamment au IXᵉ siècle et au XIᵉ siècle ; elle comprend des parties romanes, gothiques et baroques.
Places to see in ( Besancon - France ) Maison natale de Victor Hugo
Places to see in ( Besancon - France ) Maison natale de Victor Hugo
The birthplace of Victor Hugo is an apartment , where was born the writer and poet humanist Victor Hugo in 1802 , the 1 st floor of 140 High Street , above the Pharmacy Jacques (or pharmacy Baratte) of the ground pavement, in the Loop of Besançon in the department of Doubs , in Franche-Comté . It was transformed into a museum in 2013 , a museum which is labeled Houses of Illustrious. The facades and roofs are the subject of an inscription as historical monuments since the April 30 , 1942.
On Place Victor-Hugo in Besançon were born Charles Nodier in 1780 and the Lumière brothers in 1862 and 1864 ( birthplace of the Lumière brothers ). Gustave Courbet , born at Ornans in the same department, lived in the poet's native house during his studies; he left it for Paris towards the end of 1839 .
The February 26 , 1802, at 22H30, the future writer and humanist poet Victor Hugo is born on the first floor of the four-room apartment of 140 main street (which leads to the current Place Victor-Hugo ). Third son of Leopold Hugo ( battalion commander , the future general of Empire garrison in the 20 th line infantry regiment in this city of 19 August 1801 until his transfer to Marseille , a few months later ... ) and Sophie Trebuchet (of Breton origin ).
In 1932 , the apartment is acquired by the municipality of Besançon . In June 2012 , the building was restored, moved into a museum dedicated to the humanist political commitment of the poet writer, with a budget of € 1.2 million and open to the public on September 13, 2013. The Jacques de Besançon pharmacy from the time of Victor Hugo's birth is rebuilt at the same time on the ground floor.
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Places to see in ( Troyes - France ) Eglise Ste Madeleine
Places to see in ( Troyes - France ) Eglise Ste Madeleine
The church of the Madeleine is a catholic church located street of the Madeleine (Troyes) , in France. The church is located at the corner of Charles-de-Gaulle Street and Madeleine Street, on the territory of the town of Troyes in the French department of Aube .
This church, the oldest in the city, is of Gothic architecture and was built in the xiii th century the nave, rebuilt in the xvi th century to the choir and the apse and xvii th century to the tower. The church is classified as a historical monument by the 1840 list while the gate of the old cemetery is inscribed in 1926.
In the Saint Louis chapel in the north, which was founded by Simon Liboron, mayor of Troyes in 1496, a life of the saint. In the central chapel of the chevet which was chapel of the Virgin and chapel of the goldsmiths, a life of Eloi, a tree of Jesse and the old testament. In the south chapel, chapel Notre-Dame, a Passion given by Nicolas the Mute, died in 1484 and his wife Catherine Boucherat. A story of Madeleine given by the footwear of Troyes in 1506. Another triumph of the Cross with the coat of arms of the Tartier family.
We find in this church number of classified objects and remarkable as the thirty-six schools of the faithful who are of the xviii th century or both baptismal font, one black and brown marble with white veins polyhedral and another black marble with a Latin inscription: SPIRITUS DOMINI / FEREBATUR / SUPER AQUAS / People. It is richly decorated with a series of oak paneling are of late xviii th or beginning of the xix th century gilded and decorated, the third north pillar has a garland and trophy with instruments of the Passion and the attributes of St. Peter .
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Procession 15 Août 2018. Consécration de la France à la Sainte Vierge
15 août 2018 Besançon Eglise Ste Madeleine.
Si la Synagogue prie pour la République, nous, prions pour la France .
Humainement , nous sommes foutus : la franc-maçonnerie a pris le pouvoir, les Juifs ont le pouvoir, et c'est Satan qui dirige. Il ne reste que l'intervention divine Mgr Williamson.
Celui qui n'est pas avec moi, est contre moi; et celui n'assemble pas avec moi, disperse. Matthieu 12-30
Ainsi, parce que tu es tiède et que tu n'es ni froid ni bouillant, je vais te vomir de ma bouche. Apocalypse 3-15
Quand au final il ne reste que deux camps...
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Consécration de la France à Dieu de Louis XIII lue par l'Abbé Lacroix de la FSSP lors de la procession de l'Assomption ce 15 août 2018 à l'Eglise Sainte Madeleine de Besançon.
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En 1636, la Sainte Vierge demande à mère Anne-Marie de Jésus Crucifié, religieuse stigmatisée que le Cardinal de Richelieu tenait en grande estime, que la France lui soit consacrée.
L'année suivante, le Roi Louis XIII, consacre sa personne et son Royaume à Marie, et avec la Reine, Anne d'Autriche, il multiplie les prières et les pèlerinages pour obtenir un héritier attendu depuis 22 ans.
La Mère de Dieu répond en apparaissant à un religieux de Notre-Dame des Victoires, tout juste fondée par le Roi, reconnaissant pour ses premiers succès.
Elle demande trois neuvaines à Notre-Dame de Cotignac en Provence, Notre-Dame de Paris et Notre-Dame des Victoires.
Le caractère surnaturel des faits est rapidement reconnu et la Reine est prévenue.
Le religieux, frère Fiacre, achève les trois neuvaines le 5 décembre et c'est neuf mois après jour pour jour que naîtra Louis XIV qui recevra le nom de baptême de Louis Dieudonné .
Dès que la Reine est certaine de sa grossesse, et sans attendre la naissance pour savoir si l'enfant serait garçon ou fille, Louis XIII publie le 10 février 1638 l'Edit officiel qui consacre solennellement la France à Marie.
Texte du vœu prononcé par Louis XIII, le 10 février 1638
Louis, par la grâce de Dieu, roi de France et de Navarre, à tous ceux qui ces présentes lettres verront, salut.
Dieu, qui élève les rois au trône de leur grandeur,....
Louis.