Frijol Feliz
Located in the beautiful city of Antigua, Guatemala, El Frijol Feliz is a one of a kind cooking school that offers a variety of hands-on classes and tours. Students learn how to prepare delicious Guatemalan cuisine and immerse themselves in the culture with the help of Guatemalan Chefs.
For more information visit frijolfeliz.com/
Producer: Avani Mack
Director: Sarah Frei
Cinematographer: Maxime Jean-Louis
Editor: Cailin Clothier
This micro-documentary was produced on location in Antigua, Guatemala, by an Actuality Media student crew and primarily shot with a Canon cameras. The making of this video was part of a one-day-shoot assignment; an exercise to prepare a crew who had never filmed together to be ready to create a the short documentary on a local changemaker.
Actuality Media is on the ground with every student crew to oversee production of these short documentaries, providing the services of executive producer, production manager, location scout, additional editing, and whatever else is needed to complete the project.
We are more than a film study abroad program. We are a service learning organization that takes students and young professionals abroad to create media on changemakers in developing communities around the world. Our films spread the word about nonprofits, NGOs and social entrepreneurs who are implementing innovative, new ideas to combat chronic social problems. Find out more about our work and adventures at actualitymedia.org
Guacamole, Guatemala y Cachufleta.
Homenaje a Guacamole, a Guatemala y a Cachufleta que la deben estar pasando espectacular en la Costa Atlántica.
Y si, quién más que Camuflita que quedó en BA (no?) y que está sola pobre y tiene que hacer algo con este channel que se viene abajo.
Ya que Guatemala no aparecía en muchos videos, me tomé el atrevimiento de ponerla aquí. Espero que le guste mi presente.
En fin, les dedico este video de uds. tres que están de vacaciones y las extraño más que a nadie.
Las amo con todo mi corazón.
Jacqueline (Camuflita)
PD:
· Guacamole = La Julie
· Guatemala = La Sasa
· Cachufleta = La Ricochette.
· La Ricochette = Fi (G) (:
Освобождение Бурёнки из колючей изгороди в Гондурасе: 5 выводов | Ruslan Verin #14
Первая ночёвка в #гондурас прошла спокойно, но с дождём! На такой высоте, постоянно здесь влажно!
Утром, нехотя собрался, и вышел на дорогу! Глина была ещё сырой и скользкой! Одиночные пустующие дома, говорили и постоянстве такой погоды здесь!
А облака, лежащие по соседству на холмиках рядом, выглядели такими же заложниками ситуации как и я))) и мне казалось, что они мне немного даже завидуют - ведь я не исчезну с появлением солнца ????
Поэтому я смотрел на ту красоту, которую дарили мне те самые облака, до того как солнце поднимется выше и разгонит их! Смотрел и мысленно благодарил их...
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✅ Путешествие от Аляски до Мексики
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✅ Путешествие по Центральной Америке
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✅ Путешествие по Африке и Азии есть в Instagram ????
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Остановили на улице и позвали в гости | Ruslan Verin #10
Побыв у Серхио два дня, я решил что достаточно и пора менять локацию! Тем более Алехандро (Алекс) приглашает к себе! (Это тот самый человек, который остановили на улице и позвали в гости к себе, а я сказал что может быть)
Первый вечер Алекс пригласил меня в ресторан на стейк! Ещё пригласил знакомую с дечерью!
Вечер получился очень вкусным, весёлым и душевным!
В моих планах было побыть денёк у Алекса и ехать дальше, но у жизни был свой план))).....
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✅ Путешествие от Аляски до Мексики
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✅ Путешествие по Центральной Америке
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✅ Путешествие по Африке и Азии есть в Instagram ????
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Suspense: Fear Paints a Picture / Reprieve / Two Birds with One Stone
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.