Teaser exposition Pissarro dans les ports - MuMa Le Havre - Festival Impressionniste 2013
Du 27 avril au 29 septembre 2013, dans le cadre de la deuxième édition du festival Normandie Impressionniste, le Musée d'Art Moderne André Malraux (MuMa) présente une exposition exceptionnelle consacrée à Pissarro, Pissarro dans les ports.
Eugène Boudin, l'atelier de lumière au MuMa au Havre / Festival Normandie Impressionniste
Le MuMa, Musée d’art moderne André Malraux au Havre, présente Eugène Boudin, l'atelier de la lumière, du 16 avril au 26 septembre 2016, dans le cadre du Festival Normandie Impressionniste !
Visite avec Edouard Prulhière, peintre et professeur à l'ESADHAR...
Toutes les infos :
Découvrez le MuMa musée d'art moderne André Malraux du Havre
Situé au bord de la mer, le Musée d’art moderne André Malraux — MuMa Le Havre offre une architecture entièrement dédiée à l’espace et à la lumière. La situation exceptionnelle du bâtiment est soulignée par Le Signal, sculpture d’Henri-Georges Adam, qui encadre de béton un morceau du paysage maritime qui a inspiré nombre d’artistes présents dans les collections du musée.
Ancré au Havre, ville qui a vu naître ou grandir des artistes tels Monet, Dubuffet, Friesz, Dufy et Braque, le MuMa, inauguré en 1961 par André Malraux, est réputé pour ses collections de la fin du XIXe et du XXe siècle (œuvres impressionnistes et fauves, fonds d'atelier de Boudin, legs de Marande).
La récente donation, par Hélène Senn-Foulds, de la collection rassemblée par son grand-père Olivier Senn au début du XXe siècle, fait du MuMa l'une des plus importantes collections impressionnistes de France.
Ainsi, le musée présente aujourd'hui au plus grand nombre, des œuvres de Renoir, Pissarro, Sisley, Degas ou encore Courbet et Corot.
Réalisation : Maxime Julienne © ADAGP, Paris, 2013
Exposition au MuMa : Bernard Plossu - Le Havre en noir et blanc
Le MuMa – Musée d’art moderne André Malraux du Havre présente une exposition du photographe français Bernard Plossu. Riche de 104 clichés, Le Havre en noir et blanc est une promenade sentimentale au cœur de cette ville bombardée puis reconstruite par Auguste Perret à partir de 1945, classée au Patrimoine Mondial de l’Humanité par l’Unesco depuis 2005.
Exposition Pissarro dans les ports - Festival Normandie Impressionniste 2013
Venez découvrir l'exposition Pissarro dans les ports : des paysages portuaires étonnants à travers les oeuvres exceptionnelles et inédites que vous dévoile le MuMa dans le cadre du festival Normandie Impressionniste. Pissarro dans les ports, du 27 avril au 29 septembre au Musée d'Art Moderne André Malraux du Havre.
Réalisateur : Aurèle Lavalle
Exposition Vermeer et les maîtres de la peinture de genre (teaser)
Exposition Vermeer et les maîtres de la peinture de genre du 22 Février 2017 au 22 Mai 2017. Plus d'infos :
Exhibition Vermeer and the Masters of Genre Painting, from February 22, 2017 to May 22, 2017. More informations :
Découvrez le MuMa
Situé au bord de la mer, à 600 mètres du port de plaisance, le musée d'Art moderne André Malraux - MuMa Le Havre offre une architecture moderne entièrement dédiée à l'espace et à la lumière.
Ce bâtiment de verre et d'acier abrite l'une des plus prestigieuses collections impressionnistes de France.
Venez admirer Boudin, Monet, Renoir, Degas, Sisley, Pissarro, Dufy... dans leur lumière.
Claude Monet (1840-1926) - Part XVII - A collection of works painted in 1883.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
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Claude Monet (1840-1926) - Part XVIII - A collection of works painted in 1884.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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Visite du Muma - Le Havre - 360°
Le Muma du Havre est exceptionnel de par son architecture. C'est un musée qui laisse entrer la lumière à l'intérieur.
Suivez Eric Baudet et Catherine Bertrand à l'intérieur.
Expo - Les Hollandais à Paris
Le Petit Palais est heureux de présenter, en collaboration avec le musée Van Gogh d’Amsterdam et le RKD (Institut Néerlandais d’Histoire de l’Art) de la Haye, la première grande exposition en France dédiée aux riches échanges artistiques, esthétiques et amicaux entre les peintres hollandais et français à Paris, de la fin du XVIIIe siècle jusqu’au début du XXe siècle.
Le Musée Malraux au Havre
baigné de lumière et proche de la mer, le musée Malraux est un lieu d'accueil privilégié pour les amateurs de peinture impressionniste. Une rétrospective composée de 160 oeuvres y retrace le parcours du peintre havrais Othon Friez Le Fauve Baroque jusqu'au 27 janvier 2008.
Musée Marmottan Monet : l'exposition Camille Pissarro ouvre ses portes jeudi
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Musée Marmottan Monet : l'exposition Camille Pissarro ouvre ses portes jeudi
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Claude Monet (1840-1926) - Part IX - A collection of works painted in 1875.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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Claude Monet (1840-1926) - Part XIX - A collection of works painted in 1885.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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Artista:
Claude Monet (1840-1926) - Part XIV - A collection of works painted in 1880.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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Artista:
Enquêtes de Régions Normandie Impressionniste
Plus d'infos sur le site :
Claude Monet (1840-1926) - Part XXVII - A collection of works painted in 1895.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Air Prelude
0:27 / 5:41
Kevin MacLeod
Cinematográfico | Triste
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Air Prelude de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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Musée Malraux Le Havre
Réalisé par Guy Lagneau, Raymond Audigier, Michel Weill et Jean Dimitrejvic, inauguré en 1961, cet objet de lumière se caractérise par de larges baies vitrées ouvertes sur la mer. Enrichi en juin 2006, de la donation Senn-Foulds, le Musée Malraux est devenu la première collection impressionniste de France après le musée d'Orsay.
Claude Monet (1840-1926) - Part XXI - A collection of works painted in 1887.
Claude Monet (1840-1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term Impressionism is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.
From the late 1860s, Monet and other like-minded artists met with rejection from the conservative Académie des Beaux-Arts, which held its annual exhibition at the Salon de Paris. During the latter part of 1873, Monet, Pierre-Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently. At their first exhibition, held in April 1874, Monet exhibited the work that was to give the group its lasting name. He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.
Impression, Sunrise was painted in 1872, depicting a Le Havre port landscape. From the painting's title the art critic Louis Leroy, in his review, L'Exposition des Impressionnistes, which appeared in Le Charivari, coined the term Impressionism. It was intended as disparagement but the Impressionists appropriated the term for themselves.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
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