Itzhak Rabin at the Warsaw Ghetto Memorial
Itzhak Rabin at the Warsaw Ghetto Memorial (Mila 18).
Anielewicz Mound, Miła 18 Warsaw Ghetto Poland
Source: Wikipedia, Wikimedia & Flickr. Music by Synoptica Music
Warsaw ghetto uprising - Mila 18
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The location of the command bunker during the uprising in the Warsaw ghetto.
My channel on you tube : is one of the most prolific from Poland, although unfortunately not the most visited. I have produced a number of films, most in English but also in Polish, French, Italian, Spanish and the occassional hint of German and Hebrew. My big interest in life is travel and history but I have also placed films on other subjects
There are a number of films here on the packaging industry. This is because I am the publisher of Central and Eastern European Packaging -- - the international platform for the packaging industry in this region focussing on the latest innovations, trends, design, branding, legislation and environmental issues with in-depth profiles of major industry achievers. Most people may think packaging pretty boring but it possibly effects your life more than you really imagine!
In 1997 I founded Polish Business News .There are a number of business related films here and I intend to do many more on CRM (customer relations management).
My blog can be found via and and contains background information and more details of many of my films. This information is in English.
I have also a second blog on the site . This site has been recently started by a friend and I think it will soon be one of the leading travel sites in Poland, if not Central Europe. It contains additional information about some of the places and events shown in these films but most of that is in Polish.
Warszawska Masada. Bunkier na Miłej 18 / Warsaw Masada. Bunker on Mila 18
Bunkier Anielewicza znajdował się na ulicy Miłej 18 na warszawskim Muranowie. Pod koniec powstania w getcie warszawskim ukrywali się w nim, a następnie ponieśli śmierć bojowcy Żydowskiej Organizacji Bojowej, wśród nich dowódca ŻOB Mordechaj Anielewicz.
subtitles - En, De, It, Iz, Ru, Es, Chi, Fr
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Grupa poniżej, zapraszamy
Shalmi Barmore at Mila 18
Warsaw Ghetto Memorial
This memorial sits atop the original entrance to the sewer system, which enabled Jews to smuggle food and, durin the ghetto uprsising, arms.
The last commanders of the Warsaw Ghetto Uprising
The story of Marek Edelman and Simcha Rotem (Kazik), the last commanders of the Warsaw Ghetto Uprising (inside the Warsaw sewers) - Hebrew and Polish, no subtitles
סיפורם של מארק אדלמן ושמחה רותם (קאז'יק), המפקדים האחרונים של מרד גטו ורשה (בתןך תעלות הביוב של ורשה) - עברית ופולנית ללא תרגום
זכויותיי על הצילום המפורסם בעולם של מרדכי אנילביץ'
Donate to exit2hope.org - to help find Maya, the rebel's daughter. We will send you a special gift!
Sarenka has been censored to this very day! 70 Years since the Warsaw Ghetto Uprising -- together with 50 other fighters in the Mila 18 bunker, the rebellion's command center. The censorship is why I haven't found her daughter Maya
Questions surfacing as a result of Ofer's trip to search for Maya, daughter of Sarenka, the Warsaw Ghetto Uprising rbel
1. The scandal. Why has the story of the 50 Warsaw Ghetto rebels, whose names are engraved on a small headstone in Warsaw, been censored until now? Are you familiar with any name other than Mordechai Anilewicz?
2. Censorship. Who censored the journalists, including foreign journalists from the New York Times, vis a vis Sarenka's story, especially since its publication could help find her daughter Maya?
3. The absurdity. How can it be that Sarenka appears in the photograph -- almost the only one existing in the world showing Mordechai Anilewicz -- but she herself is censored even though the photo was given to museums by Ofer Aloni's mother (who owns the original)?
4. Are there still Kapos in the world? Who was the informant to the Polish Police Force prior to Ofer's visit there to attend the ceremony commemorating 70 years since the Warsaw Ghetto Uprising, and caused him to be arrested as he stood near the Warsaw Ghetto Uprising commemorative sculpture? (Take note that the sculptor himself, Nathan Rappaport, also received the photograph in clause 3 above from Ofer's mother).
5. Is there democracy? Why was Ofer thrown out of Yad Vashem by its security guards, when he asked a democratic question of Dr Dreyfus, who is responsible for memorializing the Holocaust? The question Ofer asked was: Why do you censor the 50 fighters whose names are engraved on the memorial at Mila 18, the command bunker of the Warsaw Ghetto Uprising?
6. Does the history of the Warsaw Ghetto Uprising belong to a particular person? Is someone trying to control the memorialization of the Holocaust? What may that person or persons interests be in denying a simple truth -- as testified to by Aliza Vitis-Shomron, and tens of documents discovered in February 2012 in Tel Aviv?
7. Was George Orwell right? He said: Who controls the present, controls the past. Is Bob Dylan right? History is a funny thing. It can change. Events which we believed occurred maybe never did, and vice versa.
8. Mordechai Anilewicz was known for his concept of Don't accept it. Is this concept, used as a money-maker, denied by the Holocaust institutions themselves? How can it be that Holocaust institutions operate in direct contravention of Mordechai Anilewicz's own directives? Let us not forget that the most difficult of wars is that within ourselves: Not to accustom ourselves and adapt to these conditions! For one who adapts (even to a high-level role -- O.A.) ceases to discern between good and evil, and becomes a servant to body and mind. No matter what should happen to you, remember, always: do not accustom yourselves. Do not adapt yourselves. Rebel against this reality.
9. Is the historian not meant to behave like the archeologist? If a shard of clay can offer new relevance to our history, how can testimony, books, letters and photographs not be relevant?
10. Is someone leading us like sheep to the slaughter concerning matters related to the Holocaust in general, and the Warsaw Ghetto Uprising in particular? Dependency on Yad Vashem is problematic, says Professor Daniel Blatman in his critical remarks on the Haaretz newspaper of 19 April 2013.
עליזה ויטיס שומרון מעידה על זכויותיי בצילום המפורסם בעולם
Warsaw Ghetto Hospital
Warsaw Ghetto Hospital
(the) Remaining fragment of the Warszawa Ghetto Wall. Warszawa, Poland, December 2017.
Remaining fragment of the Warszawa Ghetto Wall.
- The only surviving fragment of the Ghetto wall is located in the yard of a house in Sienna Street, between Sienna Street and Złota Street. To see it, you have to enter from 62 Złota Street as the gate at 55 Sienna Street has been permanently closed.
To create the Warsaw Ghetto, 11 miles of brick walls was erected around the Jewish quarter; which was then closed to outsiders on November 15, 1940. There were over 400,000 people imprisoned there, at an area of 3.4 km2 (1.3 sq mi), with an average of 7.2 persons per room. The wall was torn down in 1943 when the Ghetto was liquidated. Today only this tiny fraction of the wall remains.
E.g. see:
עליזה ויטיס שומרון, מעידה: צילומו המפורסם של מרדכי אנילביץ', שייך לעפר אלוני
עליזה ויטיס שומרון - נבחרה לייצג את הניצולים ביום השואה והגבורה 2013, - מעידה על המקור של הצילום, המפורסם בעולם של מרדכי אנילביץ' שאימי צילמה בנעוריה בוורשה - לג בעומר 1937
Questions surfacing as a result of Ofer's trip to search for Maya, daughter of Sarenka, the Warsaw Ghetto Uprising rbel
1. The scandal. Why has the story of the 50 Warsaw Ghetto rebels, whose names are engraved on a small headstone in Warsaw, been censored until now? Are you familiar with any name other than Mordechai Anilewicz?
2. Censorship. Who censored the journalists, including foreign journalists from the New York Times, vis a vis Sarenka's story, especially since its publication could help find her daughter Maya?
3. The absurdity. How can it be that Sarenka appears in the photograph -- almost the only one existing in the world showing Mordechai Anilewicz -- but she herself is censored even though the photo was given to museums by Ofer Aloni's mother (who owns the original)?
4. Are there still Kapos in the world? Who was the informant to the Polish Police Force prior to Ofer's visit there to attend the ceremony commemorating 70 years since the Warsaw Ghetto Uprising, and caused him to be arrested as he stood near the Warsaw Ghetto Uprising commemorative sculpture? (Take note that the sculptor himself, Nathan Rappaport, also received the photograph in clause 3 above from Ofer's mother).
5. Is there democracy? Why was Ofer thrown out of Yad Vashem by its security guards, when he asked a democratic question of Dr Dreyfus, who is responsible for memorializing the Holocaust? The question Ofer asked was: Why do you censor the 50 fighters whose names are engraved on the memorial at Mila 18, the command bunker of the Warsaw Ghetto Uprising?
6. Does the history of the Warsaw Ghetto Uprising belong to a particular person? Is someone trying to control the memorialization of the Holocaust? What may that person or persons interests be in denying a simple truth -- as testified to by Aliza Vitis-Shomron, and tens of documents discovered in February 2012 in Tel Aviv?
7. Was George Orwell right? He said: Who controls the present, controls the past. Is Bob Dylan right? History is a funny thing. It can change. Events which we believed occurred maybe never did, and vice versa.
8. Mordechai Anilewicz was known for his concept of Don't accept it. Is this concept, used as a money-maker, denied by the Holocaust institutions themselves? How can it be that Holocaust institutions operate in direct contravention of Mordechai Anilewicz's own directives? Let us not forget that the most difficult of wars is that within ourselves: Not to accustom ourselves and adapt to these conditions! For one who adapts (even to a high-level role -- O.A.) ceases to discern between good and evil, and becomes a servant to body and mind. No matter what should happen to you, remember, always: do not accustom yourselves. Do not adapt yourselves. Rebel against this reality.
9. Is the historian not meant to behave like the archeologist? If a shard of clay can offer new relevance to our history, how can testimony, books, letters and photographs not be relevant?
10. Is someone leading us like sheep to the slaughter concerning matters related to the Holocaust in general, and the Warsaw Ghetto Uprising in particular? Dependency on Yad Vashem is problematic, says Professor Daniel Blatman in his critical remarks on the Haaretz newspaper of 19 April 2013.
Shoah celebretion at Mila18, Warsaw
In our visit to Warsaw on April 2012, we were present at the Shoah Remembrance or the Warsaw 1943 uprising.
Spring in Warsaw - mila 18 bunker
Warsaw ghetto : memorial to uprising
Monument to the ghetto uprising in Warsaw.
Remaining section of Warsaw Ghetto wall
Warsaw Ghetto Uprising
Documentary of the Warsaw Ghetto Uprising. This is a ten minute video meant to give a very brief overview of the event. Research, video and sound editing, and narration by Israel Piedra.
Warsaw Ghetto - Monument
Pages show pictures and videos of the day taken at places connected with the World War II (Second World War)
mail: info@druhasvetovavalka.cz
TomTom POI of that place you can download here
tento bod zajmu do vasi navigce TomTom si muzete stahnout zde:
En el monumento MILA 18
En el mismo lugar donde se encontraba el Ghetto de Varsovia. Donde se junto la mayor resistencia del mismo liderada por Mordejai Anielewicz
Poland Trip with Jeff Seidel (2 of 2)
hatikva with the Israel Defense Forces at Mila 18 in the warsaw ghetto-- am yisrael chai!!!
Warsaw Ghetto rebels
Donate to exit2hope.org - to help find Maya, the rebel's daughter. We will send you a special gift!
Standing [R] Mordechai Anilevich, rebel leader; My aunt Sarenka [R]
IMAGE 9
Personal and group photograph of Warsaw Ghetto rebels -- For a little light from the rebels repels a great deal of darkness.
The path of humanity moves between two poles: singularity, contrasted with the need for social connection. A seeming contradiction. The Warsaw Ghetto Uprising was a spark of hope that a little of that light can repel a great deal of darkness. The uprising is a foundation that drives the development of generations, and that manifests in the Bible when Isaac set the path of justice, contrasting with his father's founding of the path of pure loving kindness: and it manifests in our times too, in many ways, from the flower children of Woodstock, in Pink Floyd's The Wall, and to the fall of the Berlin Wall and the recent Arab Spring. Rebellions will stop only when a balance is created between each person's uniqueness as an individual, and a harmonious connection between the nations comprising these individuals, while preserving the uniqueness of each and every nation.
1. The scandal. Why has the story of the 50 Warsaw Ghetto rebels, whose names are engraved on a small headstone in Warsaw, been censored until now? Are you familiar with any name other than Mordechai Anilewicz?
2. Censorship. Who censored the journalists, including foreign journalists from the New York Times, vis a vis Sarenka's story, especially since its publication could help find her daughter Maya?
3. The absurdity. How can it be that Sarenka appears in the photograph -- almost the only one existing in the world showing Mordechai Anilewicz -- but she herself is censored even though the photo was given to museums by Ofer Aloni's mother (who owns the original)?
4. Are there still Kapos in the world? Who was the informant to the Polish Police Force prior to Ofer's visit there to attend the ceremony commemorating 70 years since the Warsaw Ghetto Uprising, and caused him to be arrested as he stood near the Warsaw Ghetto Uprising commemorative sculpture? (Take note that the sculptor himself, Nathan Rappaport, also received the photograph in clause 3 above from Ofer's mother).
5. Is there democracy? Why was Ofer thrown out of Yad Vashem by its security guards, when he asked a democratic question of Dr Dreyfus, who is responsible for memorializing the Holocaust? The question Ofer asked was: Why do you censor the 50 fighters whose names are engraved on the memorial at Mila 18, the command bunker of the Warsaw Ghetto Uprising?
6. Does the history of the Warsaw Ghetto Uprising belong to a particular person? Is someone trying to control the memorialization of the Holocaust? What may that person or persons interests be in denying a simple truth -- as testified to by Aliza Vitis-Shomron, and tens of documents discovered in February 2012 in Tel Aviv?
7. Was George Orwell right? He said: Who controls the present, controls the past. Is Bob Dylan right? History is a funny thing. It can change. Events which we believed occurred maybe never did, and vice versa.
8. Mordechai Anilewicz was known for his concept of Don't accept it. Is this concept, used as a money-maker, denied by the Holocaust institutions themselves? How can it be that Holocaust institutions operate in direct contravention of Mordechai Anilewicz's own directives? Let us not forget that the most difficult of wars is that within ourselves: Not to accustom ourselves and adapt to these conditions! For one who adapts (even to a high-level role -- O.A.) ceases to discern between good and evil, and becomes a servant to body and mind. No matter what should happen to you, remember, always: do not accustom yourselves. Do not adapt yourselves. Rebel against this reality.
9. Is the historian not meant to behave like the archeologist? If a shard of clay can offer new relevance to our history, how can testimony, books, letters and photographs not be relevant?
10. Is someone leading us like sheep to the slaughter concerning matters related to the Holocaust in general, and the Warsaw Ghetto Uprising in particular? Dependency on Yad Vashem is problematic, says Professor Daniel Blatman in his critical remarks on the Haaretz newspaper of 19 April 2013.