Hotel Gran Sasso *** Hotel Review 2017 HD, Teramo, Italy
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Property Location
Located in Teramo, Hotel Gran Sasso is minutes from Casa Bonolis and Delfico Palace. This hotel is within close proximity of Palazzo della Prefettura and St Agostino Church.
Rooms
Make yourself at home in one of the 43 air-conditioned rooms featuring refrigerators. Your room comes with a Select Comfort bed. Complimentary wireless Internet access keeps you connected, and digital programming is available for your entertainment. Private bathrooms with showers feature complimen...
Arezzo Cathedral, Arezzo, Tuscany, Italy, Europe
Arezzo Cathedral is a Roman Catholic cathedral in the city of Arezzo in Tuscany, Italy. It is located on the site of a pre-existing Palaeo-Christian church and, perhaps, of the ancient city's acropolis. A first cathedral of Arezzo was built on the nearby Pionta Hill, over the burial place of Donatus of Arezzo, martyred in 363. In 1203 Pope Innocent III had the cathedral moved within the city's walls, in the current site. The Cathedral, however, lost the relics of Donatus, which were transferred in the church of San Donato in Castiglione Messer Raimondo (in what is now the province of Teramo). In spite of this, the church is still entitled to St. Donatus and houses, at the high altar, a 14th-century arch named after him. The construction of the current structure, started in 1278, went through different phases, and ended in 1511. The façade was built in 1901-1914, replacing the previous, unfinished one, dating to the 15th century. It was the seat of the Bishop of Arezzo from the 3rd century until 1986, and from 1986 onwards of the present Bishop of Arezzo-Cortona-Sansepolcro. The façade was designed by Dante Viviani and has a sculpture description by Giuseppe Cassioli, Enrico Quattrini and Viviani himself. The right side of the church is from the original medieval building, in sandstone. In the middle is a 14th-century portal in Florentine style, with two porphyry columns taken from an ancient temple. The polygonal apse, with double mullioned windows, dates to the 13th century. The interior has a nave and two aisles divided by piers with ogival arches, with five spans covered by cross vault, without a transept. The seven stained glass windows in the right aisles were executed in 1516-1524 by Guillaume de Marcillat. Other stained glass windows are in the presbytery, one also by Marcillat and another by early 15th century Florentine masters. The presbytery houses a large arch dedicated to St. Donatus. Sculpted in marble, it has twelve small piers ending with spires and pinnacles in Gothic style and was executed by Florentine, Aretine and Sienese artists of the 14th century, including (in the lower section) Agnolo di Ventura and Agostino di Giovanni. The wooden choir of the Grand Chapel was designed by Giorgio Vasari in 1554. In the counter-façade is the hexagonal baptismal font, with reliefs by Donatello's workshop, including a Baptism of Christ by Donatello himself. The Chapel of Madonna del Confort is a Neoclassicist work, built from 1796 and housing several terracottas by Andrea della Robbia. In the same side is the cenotaph of Guido Tarlati, lord of Arezzo until 1327. According to some, it was designed by Giotto, and executed by Agnolo di Ventura and Agostino di Giovanni. Near to the cenotaph is Piero della Francesca's Mary Magdalene (1460s). In the right aisle is the funerary monument of Pope Gregory X (died 1276), dating to the early 14th century. Another funerary monument in the aisles is that of Ciuto Tarlati (1334), formed by a marble sarcophagus of the 4th century AD and a series of reliefs by Agostino di Giovanni, crowned by a 14th-century fresco.
Places to see in ( Arezzo - Italy ) Duomo San Donato
Places to see in ( Arezzo - Italy ) Duomo San Donato
Arezzo Cathedral is a Roman Catholic cathedral in the city of Arezzo in Tuscany, Italy. It is located on the site of a pre-existing Palaeo-Christian church and, perhaps, of the ancient city's acropolis.
A first cathedral of Arezzo was built on the nearby Pionta Hill, over the burial place of Donatus of Arezzo, martyred in 363. In 1203 Pope Innocent III had the cathedral moved within the city's walls, in the current site. The Cathedral, however, lost the relics of Donatus, which were transferred in the church of San Donato in Castiglione Messer Raimondo (in what is now the province of Teramo). In spite of this, the church is still entitled to St. Donatus and houses, at the high altar, a 14th-century arch named after him.
The construction of the current structure, started in 1278, went through different phases, and ended in 1511. The façade was built in 1901-1914, replacing the previous, unfinished one, dating to the 15th century. It was the seat of the Bishop of Arezzo from the 3rd century until 1986, and from 1986 onwards of the present Bishop of Arezzo-Cortona-Sansepolcro.
The façade was designed by Dante Viviani and has a sculpture description by Giuseppe Cassioli, Enrico Quattrini and Viviani himself. The right side of the church is from the original medieval building, in sandstone. In the middle is a 14th-century portal in Florentine style, with two porphyry columns taken from an ancient temple. The polygonal apse, with double mullioned windows, dates to the 13th century.
The interior has a nave and two aisles divided by piers with ogival arches, with five spans covered by cross vault, without a transept. The seven stained glass windows in the right aisles were executed in 1516-1524 by Guillaume de Marcillat. Other stained glass windows are in the presbytery, one also by Marcillat and another by early 15th century Florentine masters.
The presbytery houses a large arch dedicated to St. Donatus. Sculpted in marble, it has twelve small piers ending with spires and pinnacles in Gothic style and was executed by Florentine, Aretine and Sienese artists of the 14th century, including (in the lower section) Agnolo di Ventura and Agostino di Giovanni. The wooden choir of the Grand Chapel was designed by Giorgio Vasari in 1554.
In the counter-façade is the hexagonal baptismal font, with reliefs by Donatello's workshop, including a Baptism of Christ by Donatello himself. The Chapel of Madonna del Confort is a Neoclassicist work, built from 1796 and housing several terracottas by Andrea della Robbia. In the same side is the cenotaph of Guido Tarlati, lord of Arezzo until 1327. According to some, it was designed by Giotto, and executed by Agnolo di Ventura and Agostino di Giovanni. Near to the cenotaph is Piero della Francesca's Mary Magdalene (1460s).
In the right aisle is the funerary monument of Pope Gregory X (died 1276), dating to the early 14th century. Another funerary monument in the aisles is that of Ciuto Tarlati (1334), formed by a marble sarcophagus of the 4th century AD and a series of reliefs by Agostino di Giovanni, crowned by a 14th-century fresco.
( Arezzo - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Arezzo . Through a series of videos we will try to show you recommended places to visit in Arezzo - Italy
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Villa for Sale in Vasto, Abruzzo, Italy on italianlife.today
More info on Villa for Sale in Vasto, Abruzzo, Italy: ►
Vasto, a beautiful town on the south coast of Abruzzo, was formed by the people of Dalmatia. Diomedes called the town Histon that reminded him Mount Histone of Corfu. In an unspecified period, Vasto was by settled the Frentani and entered in the Roman orbit as allies between the end of the IV and beginning of the III century B.C. After the social war, Vasto became a Roman municipality with the name of Histonium. After many invasions, between the XIII and the XIX century, it was part of, together with its region, the Kingdom of Naples. In the Angevin period, towards the end of the XV century, it passed to the D'Avalos, who built the palace of the same name and was destroyed by the Turks in the XVI century, but was immediately rebuilt in Renaissance style. In 1710, Vasto was awarded the title of city. In 1938, Mussolini renamed the city in Istonio to remind the Roman period, but returned to be called Vasto in 1944 after its release. Between 1940-43, on the coast, there was a concentration camp for anti-fascists and VISIT: The St. Joseph's Cathedral dates back to the XIII century and was enlarged in the XIX and XX century. At first it was dedicated to St. Augustine and then took its current name during the French decade. The Church of Santa Maria Maggiore, dates from 1195 and is one of the oldest churches in Vasto. The Church of San Michele Arcangelo, where the story is told in 1656, following the plague, Vastesi walled with a stone of the Shrine of St. Michael the Archangel who would protect them. At 300m from the outside of the walls the church was built on the land donated by Francesco Cresci in 1657 and ended in 1675. San Michele was proclaimed patron of the city in 1827. The Palazzo D'Avalos was built by James Caldora but later it was owned by the D'Avalos. Today, in its interior, is home to an archaeological museum, a museum and an art gallery of the Municipality. The Caldoresco Castle is situated on a promontory overlooking the coast, dating from the XIV or XV IVALS AND EVENTS: Feast of San Lorenzo (August 10), Feast of Santa Maria Stella Maris (August 15), Feast of San Rocco and Music on the Beach (August 16), The Golden Fleece (4th week of August) , Feast of St. Michael (September 29).We propose this villa to be completed situated outside the city. It's structured on four floors: on the ground floor there's the garage-basement. On the other floors there are open spaces where the future owner can decide how his new home can be. The structure lends, because of its size, to become a tourism activity. It's surrounded by 10,500sq.m. of land with olive trees and vineyard included in the price. A real bargain!!
Santi Apostoli Church
Santi Apostoli Church in Borgo Santissimi Apostoli in Florence, Italy.
Make sure you watch it in HD for better quality! Thanks for watching :)
Music by Olexandr Ignatov and Ludovico Einaudi.
2-bed 2-bath Unspecified for Sale in Casoli, Abruzzo, Italy on italianlife.today
More info on Unspecified for Sale in Casoli, Abruzzo, Italy with 2-bedroom, 2-bathroom: ►
Casoli is gathered around the Ducal Castle and the Parish Church,on the right side of the Aventine River, at the foot of the Maiella. The town was built in medieval times, the remains of which are visible in Piano Laroma. It is mentioned in historical sources in a manuscript in 878 of the Abbey of Montecassino. At the beginning of the X° century settled there a community of monks hermits of greek-Byzantine rite, one of which is the future saint Nicholas Greek. It was a fief of various families including the Counts Orsini of Manoppello, Colonna and the Princes Aquino of Caramanico. In 1799 the town joined, without enthusiasm, to the Neapolitan Republic. In 1860 they voted for the Kingdom of Italy with only one dissenting vote. Dal 1940 to 1943, the town was the home of an internment camp to sit down foreigners and anti-fascists. It was damaged during the war and there was an active group of partisans Brigata VISIT: The Ducal Castle which dates from the IX° century and was completed in 1445 by the Orsini. In this castle there is the famous room of D'Annunzio, where the poet stayed when he was in Casoli. The Church of Santa Maria Maggiore or Parish Church is attached to the castle and dates back to the early Middle Ages. The Church of Santa Reparata, the patron saint of Casoli, dates back to 1447. It was damaged during the war and was rebuilt in 1952 retaining the original IVALS AND EVENTS: Festivals Temptation of St. Anthony (15-16-17 January). Our Lady of Mount Carmel (July 16, First Sunday of August). St. Augustine (the last Sunday of August). Patronal Feast of Saint Reparata (7-8-9 October).The house that we propose in this beautiful town is on three levels. On the first floor there is a gazebo with its wine cellar, a kitchen, a living room and a bathroom. At the second level there are two bedrooms, a bathroom and a terrace. On the third floor there is an attic consists of a sitting room and a study. Outside there is a small pool in the back and an olive grove. The house is completely fenced and is located in a quiet area.
Apresentação XVII Semana de História - Iconografia do Diabo (Séculos X-XV)
Apresentação: Análise Historiográfica da Iconografia do Diabo na Idade Média entre os Séculos X-XV.
Projeto de Iniciação Científica: Pedro Augusto M. B. M. Gomes.
Orientador: Professor Dr. Alvaro H. Allegrette.
Imagens (em ordem alfabética):
- 15th century doom painting located at North Leigh, Oxfordshire.
- A rainbow of demons say good morning to Saint Anthony; as usual. Francesco di Ser Cenni ~ ca.1390 Getty Museum.
- Antonius von Pforr Buch der Beispiele. Schwaben ~ ca.1490.
- Apocalypse flamande ~ ca.1400; Bibliothèque nationale France.
- Apocalypse scenes, fresco. Basilica of St Catherine of Alexandria. Galatina, Apulia ~ 15th century.
- Ars Moriendi. Engraving with hand-colouring. Germany ~ ca.1470.
- Bible historiée toute figurée ~ 14th century BnF. Thanx Damien Kempf.
- Biblia Furtmeyr. Berthold Furtmeyr illum. Regensburg ~ 15th century. BSB.
- Breviari d'amor. Matfre Ermengau ~ ca.1292.
- Christ in Limbo. Michael Pacher ~ 15th century.
- Codex Donaueschingen Des Teufels Netz, Bodenseeraum ~ 1441.
- Crucifixion from Nové Sady, called the Rajhrad Altarpiece. Master of the Rajhrad Altarpiece ~ ca.1440 National Gallery in Prague.
- Dieric Bouts. Last Judgment, Hell Panel ~ ca.1450; Palais des Beaux-Arts Lille.
- Eat it. Believe me, it's good. German Speculum Humanae Salvationis ~ ca.1410 Bayerische Staatsbibliothek.
- Expulsion from the Garden of Eden. Nürnberg Chronicle ~ 1493 BSB.
- Final Judgement. Bicci di Lorenzo. Basilica di San Francesco, Arezzo ~ 1452.
- Giotto di Bondone. Exorcism of the Demons at Arezzo (detail) ~ ca.1297; Upper Church, San Francesco, Assisi.
- Girolamo di Benvenutto ~ 15th century. Fogg Art Museum, Cambridge.
- Hell for the greedy. Fresco. Chiesa di Solva, Alassio, Liguria ~ 1485.
- Hell, detail. Flemish School. Museo Correr Venice ~ 15th century.
- Hell. Anonymous Portuguese ~ 15th c. National Museum of Ancient Art, Lisbon.
- Hell. Dieric Bouts ~ 1450 Palais des Beaux-Arts, Lille, France.
- Hell. Mosteiro de tor de ' espelhos. Roma ~ 1468.
- Herbal. Italy, N. (Lombardy) ~ ca.1440 British Library.
- Il Leggendario Sforza-Savoia. Cristoforo de Predis ~ Milano, 1476; Biblioteca Reale, Torino.
- Inferno. Giovanni da Modena. Basilica of St Petronio, Bologna ~ 15th century.
- Jacques Le Grant. Le livre des bonnes moeurs ~ 15th c. Chantilly, Musée Condé.
- Jaws of Hell ~ 15th century.
- La selva dei suicidi. Dante's Divina Commedia illuminated by Giovanni di Paolo ~ ca.1450.
- Lateinischer Psalter aus England. Gloucester ~ 13th century. BSB.
- Litigatio Christi cum Belial. Jacobi de Ancharano (aka de Teramo). Straßburg ~ 1461.
- Livre de la vigne nostre seigneur ~ 1450-1470 Bodleian Library.
- Master of Cervera altarpiece ~ 1494; Museu Episcopal de Vic, Spain.
- Mettener Regel. Germany ~ 1414 Bayerische Staatsbibliothek.
- Michael Pacher (attr.) ~ ca.1475; Photo- Sailko.
- Nürnberg Chronicle. Michel Wolgemut ~ 1483 BSB.
- Pèlerinage de la vie humaine. Maître d’Antoine Rolin illuminator ~ 15th c. Bibliothèque de Genève.
- Peregrinação da vida humana. Mestre de António Rolin Illuminator ~ 15 TH C. Biblioteca de Genebra.
- Saint Michael & the Devil detail. Carlo Crivelli ~ 1476; National Gallery LondonSaint Michael & the Devil detail. Carlo Crivelli ~ 1476; National Gallery London.
- Saint Michael and the Devil. Anonymous. España ~ ca.1405 Met Museum.
- Sammelhandschrift. Süddeutschland oder Österreich ~ 1475 Österreichische Nationalbibliothek.
- Sammelhandschrift. Thomasin Circlaere ~ 12th century.
- St Augustine, De civitate Dei ~ 14th century. Strasbourg, Bibliothèque nationale et universitaire.
- Taddeo di Bartolo. The Last Judgment (detail) ~ ca.1394 Collegiata di San Gimignano, Tuscany.
- The Ottobeuren Collectar. Germany ~ 12th c. British Library.
- Traité des quatre dernières choses. Jean Le Tavernier. Brussels ~ ca.1455.
Trilha sonora:
Ager Sonus (Necropolis) - Shards of Umm el-Qaab (CD Baby: Cryo Chamber - All Rights Reserved)
Ager Sonus (Necropolis) - Valley of the Kings (CD Baby: Cryo Chamber - All Rights Reserved)
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I restauri della chiesa di Tiglio (Barga)
Sono in corso costosi restauri per gli affreschi della cupola della chiesa di Tiglio nel comune di Barga. Contribuisci anche tu.
Campane della Cattedrale - Giovinazzo (BA) - scampanio
Cattedrale di Santa Maria Assunta, Giovinazzo (BA)
5 campane
* * *
scampanio festivo in occasione della celebrazione della novena della Madonna di Corsignano, patrona della città.
Futura Di Berardo - Womanizer (Britney Spears Cover)
Realizzato negli studi di Arts Factory (Teramo) nel 2016
Registrazione, Mixaggio e Mastering audio: Flavio Pistilli
Riprese video: Nicoletta Dale/Flavio Pistilli
Montaggio e post-produzione Audio/Video: Flavio Pistilli
Insegnante: Nicoletta Dale
faremusika.it - segreteria@faremusika.it
La chiesa di S. Eustachio
Tocco da Casauria,The church of S. Eustace, a.d.1200
October 24, 2013 the ceremony of delivery of the work to the contractor for the renovation of the Church of S. Eustace
Atri: Don Giuseppe Bonomo ci spiega i lavori in corso nella Cattedrale
ATRI - Don Giuseppe Bonomo, parroco della Concattedrale di Atri, in questo servizio ci spiega i lavori effettuati per la messa in sicurezza della chiesa a seguito delle scosse sismiche.
La dolce vita show: il Melos Clarinet Ensemble si esibisce nella biblioteca dell'Istituto Braga
Il Melos Clarinet Ensemble diretto da Federico Paci per La dolce vita show, programma di di Rete8 presso l'Istituto Musicale Pareggiato Gaetano Braga di Teramo. Conduce Pasquale Pacilio, partecipano Vincenzo Olivieri, il direttore Antonio Castagna, l'assessore alla cultura della Regione Abruzzo Bruno Sabatini, l'assessore alla cultura del Comune di Teramo Mauro Di Dalmazio e il Presidente della Provincia e dell'Istituto Ernino D'Agostino.
Rete8 nasce nel 1988 ad Atessa in provincia di Chieti, dalle ceneri della vecchia TeleMaiella poi Tvm-Tvl, il primo editore fu Franco Mammarella, l’emittente irradia i suoi programmi dai canali uhf 50 e uhf 57. Fin dalla nascita il palinsesto dell’emittente si basa sull’autoproduzione. Le prime trasmissioni sono un tg in dialetto, il Tg8, il varietà Video Liscio, le rubriche il 7 e mezzo di Marchetti, Agorà in piazza, e Bologna in meta. A teatro con Rete8, le rubriche di attualità Made in Italy, Corso San Gregorio, Cartomanzia, spettacoli di cabaret, Glamour Tv, Costume e Società. Negli anni ’90 vi è un cambio di editore e di sede, che viene trasferita dapprima a Chieti Scalo, quindi nella ex sede di Telemare, in viale Abruzzo 374 a Chieti. Rete8 si affilia alla syndication Cinquestelle. Rilevata dal proprietario di cliniche Pierangeli, Rete 8 inizia una nuova vita. Il palinsesto propone il programma di intrattenimento DOLCE VITA TV SHOW diretta settimanale dai più disparati angoli dell’Abruzzo con musica, danza, spettacolo, giochi e interviste. Fra gli altri programmi segnaliamo la rubrica di approfondimento 99 L’AQUILA, IL FATTO, MEDICINA FACILE, OTTOVOLANTE, NOI CITTADINI, SPAZIO L’AQUILA, EMMAUS con Padre Guglielmo, VELO’ (rubrica di ciclismo), la candid camera CAMERA SMILE, e lo spettacolo ROBA DA MATTI – VINCENZO OLIVIERI SHOW. Rete 8 rete 8 abruzzo logo a coloriè diretta da Pasquale Pacilio, mentre il direttore del Tg è Lorenzo Labarile, fra gli altri collaboratori Silvio Sarta (ex Rai). L’emittente si evidenzia perché non mette in onda né film né telefilm ma solo programmi d’informazione autoprodotti. Ogni giorno vanno in onda due edizioni del “TG8” e del “TG8 Sport”, una rassegna stampa, la pagina economica. Molto seguite: “8volante” approfondimento del direttore, “Dolce vita Tv show” in diretta con spettacolo, musica e giochi e “12 ore per” in diretta da mezzogiorno a mezzanotte con quattro sedi esterne per focalizzare un argomento importante. Nel 2011 Rete8 manda in onda il nuovo programma di Michele Santoro. Appartiene allo stesso gruppo editoriale di Rete 8 anche Telemare, altra storica emittente abruzzese.
Chiesa di Sant'Antonio Abate - Forio: Divino Incanto d'Organi
Gaeta:Chiesa di S.Francesco-AIR DIGIT STUDIO
Offida - Santa Maria della Rocca a rischio
Il Comune torna alla normalità dopo l'alluvione
Vigili del Fuoco - Amatrice - Vista aerea Chiesa di Sant’ Agostino - www.HTO.tv
Vigili del Fuoco - Amatrice - Vista aerea Chiesa di Sant’ Agostino dopo il crollo della parete sinistra -
Campane della Chiesa di Gioiella di Castiglione del Lago (PG) v.589
Chiesa dei SS.Lorenzo, Cristoforo e Michele Arcangelo.
Suonate per la messa domenicale delle 9:30 e per l’Angelus festivo (durano 1 minuto):
- [04:51] Battiore delle 8:45 e distesa delle 3 campane minori;
- [07:51] Battiore delle 9:15 e distesa delle 2 campane mezzane;
- [10:51] Distesa del sonello alle 9:25 come ultimo segnale messa;
- [12:22] Battiore delle 12:00 e distesa delle 3 campane minori.
Concerto di 4 campane a slancio + sonello a battaglio cadente veloce, fuse probabilmente dalla Bastanzetti di Arezzo. Originariamente elettrificate dalla Italsonor, la manutenzione è affidata alla OES Brevetti Scarselli, che ha di recente sostituito il programmatore originale con un Netclock touch, oltre ad aver dotato alla cella campanaria di reti antipiccione rimbombate:
I: Lab3 (batte le ore)
II: Sib3 crescente
III: Do4 (batte i quarti assieme al campanone)
IV: Mib4 calante
Sonello: La4
Credo sia l’unico concerto umbro (e in generale del centro Italia) che ricorda molto quelli del Triveneto: infatti qui il sonello viene usato solamente come ultimo richiamo per la messa, in quanto il plenum solenne è a 4 campane. Quest’ultimo è probabilmente programmato per 1 minuto come le altre suonate, per cui l’unica possibilità che ho per sentirlo un po’ più a lungo è per la festa patronale di S.Lorenzo, il 10 Agosto. Al 90% il timer così ridotto è legato alle pronunciatissime oscillazioni della torre, osservabili in particolare durante il suono del mezzogiorno ripreso dal lato campanone, che pur se fermo, oscillava leggermente.
Per quanto concerne la meccanica, ci troviamo davanti al solito impianto Italsonor, ditta assolutamente introvabile in Umbria quanto diffusissima in Abruzzo-Molise con la filiale “ACO” di Fara Filiorum Petri (CH): le 3 campane maggiori bene o male se la cavano, la piccola già inizia ad avere qualche problema a battere da entrambi i lati a causa del motore 12 poli monocamma (quindi spinta in salita), decisamente troppo dolce e perciò non adatto per lo slancio, oltre alla ruota leggermente sovradimensionata rispetto al diametro della campana. Peggio ancora capita sul sonello, che pur se inceppato a slancio, batte a battaglio cadente poiché il batacchio, pur provandoci in particolare all'inizio, non riesce a percuotere il labbro superiore. Per tal motivo, molte campane abruzzesi elettrificate dalla ACO sono dotate di battagli sufficientemente lunghi per lo scopo.
Per quanto riguarda il video, chiedo scusa per le riprese assolutamente non eccezionali, ma la cella campanaria non è sufficientemente visibile dal basso, sia a causa della chiesa che delle abitazioni limitrofe, per cui le uniche inquadrature possibili erano controluce, e siccome la messa festiva viene celebrata soltanto la domenica mattina, o le riprendevo così, o non avrei proprio fatto il video. Mi auguro a questo punto che la processione del patrono si svolga al pomeriggio...
A 3:38 ho inquadrato la chiesa della vicina Casamaggiore, già immortalata qualche tempo fa [
Sisma centro Italia - Soccorsi dei Vigili del Fuoco - Amatrice 29 Agosto - Gatto - www.HTO.tv
Nelle immagini dei Vigili del Fuoco, le drammatiche conseguenze del sisma che ha colpito diversi comuni dell’Italia centrale alle 3:36 del 24 Agosto.
Di parole sull’argomento ne sono già state profuse a fiumi ma, personalmente, credo non ne esistano di tali da riuscire a descrivere esaustivamente la devastazione ed il dolore generati da questa tragedia. Credo che la cosa più sensata sia “demandare” il compito, direttamente, alle immagini girate dai Vigili del Fuoco.
Le immagini testimoniano la violenza del terremoto, le immediate operazioni di soccorso alle popolazioni colpite, l’incessante, ed instancabile, opera dei Vigili del Fuoco per cercare ed estrarre dalle macerie, il più delle volte a mani nude, i sopravvissuti e recuperare i corpi dei meno fortunati.
Un lavoro immane, svolto con la proverbiale abnegazione tipica del Corpo, non solo nei momenti immediatamente successivi alla catastrofe, ma che continua ancor oggi per rendere possibile la vita dei sopravvissuti e di quanti sono impossibilitati a rientrare nelle proprie abitazione perché crollate o gravemente danneggiate, in maniera dignitosa.
Un’opera che si perpetua ben oltre la “mera” emergenza e che prosegue anche per recuperare, e mettere in salvo, l’enorme patrimonio artistico di quei territori.
Agli Uomini ed alle Donne del Corpo Nazionale dei Vigili del Fuoco, impegnati nei soccorsi, va tutta la nostra gratitudine ed incondizionata riconoscenza.
Michela Cossidente
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