The Best of Telemann
Georg Philipp Telemann (24 March [O.S. 14 March] 1681 – 25 June 1767) (German pronunciation: [ˈteːləman]) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
Telemann is one of the most prolific composers in history[1] (at least in terms of surviving oeuvre)[2] and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonizations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him.
Georg Philipp Telemann
Essercizii Musici
Part A (12 Solo sonatas)
1. Violin Sonata, TWV 41:F4
3. Flute Sonata, TWV 41:D9
5. Viola da Gamba Sonata, TWV 41:a6
7. Recorder Sonata, TWV 41:d4
9. Oboe Sonata, TWV 41:B6
11. Suite in C major, TWV 32:3
13. Violin Sonata, TWV 41:A6
15. Flute Sonata, TWV 41:G9
17. Viola da gamba Sonata, TWV 41:e5
19. Recorder Sonata, TWV 41:C5
21. Oboe Sonata, TWV 41:e6
23. Suite in C major, TWV 32:3
Part B (12 Trio sonatas)
2. Trio No.1 for Recorder, Oboe, Continuo, TWV 42:c2
4. Trio No.2 for Viola da gamba, Cembalo, Continuo, TWV 42:G6
6. Trio No.3 for Violin, Oboe, Continuo, TWV 42:g5
8. Trio No.4 for Flute, Cembalo, Continuo, TWV 42:A6
10. Trio No.5 for Violin, Recorder, Continuo, TWV 42:a4
12. Trio No.6 for Flute, Viola da gamba, Continuo, TWV 42:h4
14. Trio No.7 for Recorder, Viol, Continuo, TWV 42:F3
16. Trio No.8 for Recorder, Cembalo, Continuo, TWV 42:B4
18. Trio No.9 for Flute, Violin, Cello, Continuo, TWV 42:E4
20. Trio No.10 for Violin, Viola da gamba, Continuo, TWV 42:D9
22. Trio No.11 for Flute, Oboe, Continuo, TWV 42:d4
24. Trio No.12 for Oboe, Cembalo, Continuo, TWV 42:Es3
For more:
Miniature museum in Hamburg
Historische Musik am MKG im Bach-Jahr 2014: Gambensonate, Wq 136
Zum 300. Geburtstag von Carl Philipp Emanuel Bach (1714--1788) zeigt das Museum für Kunst und Gewerbe Hamburg (MKG) vom 7. März bis 30. Dezember 2014 in der Ausstellung 'Aus der Seele muß man spielen ...' Klangwelt und Instrumentenbau zur Zeit C. P. E. Bachs 25 Musikinstrumente aus der Epoche des Spätbarock und der Empfindsamkeit. Für eine App spielen junge Musiker Werke des „Hamburger Bach und seiner Zeitgenossen auf den historischen Instrumenten, die teils Jahrzehnte nicht gespielt wurden. Alle Stücke und die ganze Geschichte über C. P. E. Bach sind per Audio- und Videoclip auf der App zu hören.
C. P. E. Bachs zählt zu den bedeutendsten Musikern des 18. Jahrhunderts. Die Ausstellung gibt einen Überblick über sein Leben und Schaffen, berichtet von seiner Zeit als Cembalist am Hof Friedrich II. in Berlin und von seinen späteren Hamburger Jahren als Musikdirektor der fünf Hamburger Hauptkirchen. Sie erzählt außerdem von der Entstehung der bürgerlichen Musikkultur im 18. Jahrhundert. Bachs Klaviersonaten waren für ein bürgerliches Publikum bestimmt und sehr beliebt. Die Ausstellung spannt den zeitlichen Rahmen über die Lebenszeit Bachs hinaus und verfolgt die Traditionslinien insbesondere des Hamburgischen Instrumentenbaus bis in das 17. Jahrhundert zurück.
Historische Musik am MKG im Bach-Jahr 2014: Royer, La Marche
Zum 300. Geburtstag von Carl Philipp Emanuel Bach (1714--1788) zeigt das Museum für Kunst und Gewerbe Hamburg (MKG) vom 7. März bis 30. Dezember 2014 in der Ausstellung 'Aus der Seele muß man spielen ...' Klangwelt und Instrumentenbau zur Zeit C. P. E. Bachs 25 Musikinstrumente aus der Epoche des Spätbarock und der Empfindsamkeit. Für eine App spielen junge Musiker Werke des „Hamburger Bach und seiner Zeitgenossen auf den historischen Instrumenten, die teils Jahrzehnte nicht gespielt wurden. Alle Stücke und die ganze Geschichte über C. P. E. Bach sind per Audio- und Videoclip auf der App zu hören.
C. P. E. Bachs zählt zu den bedeutendsten Musikern des 18. Jahrhunderts. Die Ausstellung gibt einen Überblick über sein Leben und Schaffen, berichtet von seiner Zeit als Cembalist am Hof Friedrich II. in Berlin und von seinen späteren Hamburger Jahren als Musikdirektor der fünf Hamburger Hauptkirchen. Sie erzählt außerdem von der Entstehung der bürgerlichen Musikkultur im 18. Jahrhundert. Bachs Klaviersonaten waren für ein bürgerliches Publikum bestimmt und sehr beliebt. Die Ausstellung spannt den zeitlichen Rahmen über die Lebenszeit Bachs hinaus und verfolgt die Traditionslinien insbesondere des Hamburgischen Instrumentenbaus bis in das 17. Jahrhundert zurück.
Bradford Tracey (harpsichord) Georg Philipp Telemann, Werke für Cembalo solo
Bradford Tracey am Cembalo von Christian Zell (1728) im Museum fúr Kunst und Gewerbe Hamburg.
Released 1978 by Harmonia Mundi 1C 065-99 788, Aufnahmeort: Museum fúr Kunst und Gewerbe Hamburg.
Aufnahme: P. Dery, Technik: Sonart, Titelbild: Cembalo von Zell 1728, Gestaltung: B&M Wiesinger, Photo: Beatrice Frehn
Thanks to Daniël, who let me browse the famous Daniël Beuman harpsichord collection.
SEITE 1
Ouverture in g
00:00 Lento-Allegro-Lento
05:09 Larghetto e scherzando
08:26 Allegro
Solo C-dur aus Essercizii Musici
11:25 Largo
13:49 Allemanda
18:51 Lura
21:59 Corrente
24:45 Minuet I - Minuet II
27:55 Giga
SEITE 2
Ouverture in Es
30:50 Lento-Allegro-Lento
36:08 Souave e scherzando
39:19 Allegro
Solo F-dur aus Essercizii Musici
42:25 Cantabile
47:46 Bourree
49:35 Sarabande
51:53 Gavotte I - Gavotte II
54:07 Passepied
55:25 Gigue
The music of the rococo excelled in the intimate art of the miniature.
In order to find recreation at the Clavier for the spirit
wearied by other studies the bourgeois dilettante or the lady
with musical tastes resorted to the character-pieces and dances
which, since the end of the 17th century, had been appearing on
the market, either singly or in cycles, in ever greater numbers.
Franyois Couperin published his Pieces de Clavecin in fairly
informal Ordres, while Domenico Scarlatti preferred Essercizii
in one movement. The Clavier-collections of the German composers
presented a colourful assortment of pieces with the most flowery
titles. Numerous were the composers of such music ;
Johann Kuhnau, J. S. Bach 's official predecessor in Leipzig ; the
Bach sons and pupils ; Johann Joseph Fux, court director of
music in Vienna, together with his pupils Gottlieb Muffat and
Georg Christoph Wagenseil; Christoph Graupner from Darmstadt
and Johann Mattheson and Georg Philipp Telemann from
Hamburg; all of these prepared for print collections with such
titles as: Componimenti Musicali, Monthly Fruits for the Clavier,
Bouquet, Musical Leisure Hours for the Heart's Delight or, in a
more schoolmasterly tone, plainly and simply Clavier-Übung
(Exercises for the Keyboard). Even a great master like J. S. Bach
did not compose exclusively fugues and other pieces of pro- -
found art for the organists, but deigned also to favour the
heart's delight of the dilettante with dances and other pieces
in the gallant style . Part I of the Clavier-Ubung illustrates this.
Around the year 1740, Georg Philipp Telemann (1681-1767),
who as director of the music in Hamburg from 1721 on had a
whole variety of tasks to perform, still found time to have published
in his own firm a collection of Essercizii MusicL These
contained not only Trios for different instruments but also two
Soli for Clavier. About the year 1755 Telemann, now over
seventy, had published by the Nuremberg publisher Balthasar
Schmid VI Overtures, each provided with two following movements,
trifles in the French, Polish and Italian manner, for the
Clavier. As the titles indicates, this music contained elements of
the French, Polish and Italian styles. With these Telemann will
have gained aquaintance in a variety of ways; as a student in
Leipzig, celebrated for its trade fair; at the courts of Sorau and
Eisenach where he was musical director (Kapellmeister) and as
director of music in the free imperial town of Frankfurt. In comparison
with the baroque gravity of some of Bach's suite movements,
the style of Telemann's composition is rather more
trifling, in spite of its smoothness and finish . In his largely twopart
ant three-part writing - the harmony may be further filled
out at will - Simple harmony, catchy melodies and dance-like
rhythms are the rule . In the Soli from the Essercizii the basic
plan of the baroque suite is still recognisable; but in the groups
of thirds, in the 'sighing ' figures, in the triplets and bizarre suspensions
we see typical characteristics of the empfindsamer Stil
('sensitive' or 'affected' style) such as it began to appear in the
years directly after 1740. In the overtures the French model
retains formal importance, while the two following movements
come close to the two-part sonata-form of Scarlatti. Form, however,
provides here little more than a frame-work for graceful '
figuration, charming melodies and cheerful, carefree rhythms.
This is light music of the most nobre kind , unique Creation of
an epoch in which galanterie was a principle.
Historische Musik am MKG im Bach-Jahr 2014: Fantasie fis Moll
Zum 300. Geburtstag von Carl Philipp Emanuel Bach (1714--1788) zeigt das Museum für Kunst und Gewerbe Hamburg (MKG) vom 7. März bis 30. Dezember 2014 in der Ausstellung 'Aus der Seele muß man spielen ...' Klangwelt und Instrumentenbau zur Zeit C. P. E. Bachs 25 Musikinstrumente aus der Epoche des Spätbarock und der Empfindsamkeit. Für eine App spielen junge Musiker Werke des „Hamburger Bach und seiner Zeitgenossen auf den historischen Instrumenten, die teils Jahrzehnte nicht gespielt wurden. Alle Stücke und die ganze Geschichte über C. P. E. Bach sind per Audio- und Videoclip auf der App zu hören.
C. P. E. Bachs zählt zu den bedeutendsten Musikern des 18. Jahrhunderts. Die Ausstellung gibt einen Überblick über sein Leben und Schaffen, berichtet von seiner Zeit als Cembalist am Hof Friedrich II. in Berlin und von seinen späteren Hamburger Jahren als Musikdirektor der fünf Hamburger Hauptkirchen. Sie erzählt außerdem von der Entstehung der bürgerlichen Musikkultur im 18. Jahrhundert. Bachs Klaviersonaten waren für ein bürgerliches Publikum bestimmt und sehr beliebt. Die Ausstellung spannt den zeitlichen Rahmen über die Lebenszeit Bachs hinaus und verfolgt die Traditionslinien insbesondere des Hamburgischen Instrumentenbaus bis in das 17. Jahrhundert zurück.
Georg Philipp Telemann - Suite in A minor for recorder, strings, and continuo TWV 55:a2
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Georg Philipp Telemann - Suite in A minor for recorder, strings, and continuo TWV 55:a2
Georg Philipp Telemann (24 March 14 March] 1681 – 25 June 1767) (German pronunciation: [ˈteːləman]) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
Telemann is one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonizations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him.
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Duo Aphrodite MCs in Hamburger Kunsthalle - Die Lange Nacht der Museen
Aphrodite MCs - Elektronische Soundwelten und Videoprojektionen.
Hamburger Kunsthalle
Die Lange Nacht der Museen in Hamburg 2014.
ELBJAZZ
JORGE BOLET Recital April 1987 Metropolitan Museum NEW YORK
CHOPIN: Four Ballades; LISZT: from Annees de pelerinage: Petrarch Sonnets 47, 104, 123; Apres une lecture de Dante; Encores: BIZET-GODOWSKY: Adagietto; CHOPIN: Nocturne; GODOWSKY: Elegy. Jorge Bolet recital April 1987 Metropolitan Museum NEW YORK
Soundtravelers Trailer
Recorded & filmed by Lukas Diller in MdbK Leipzig
Soundtravelers:
Christopher Kunz - Saxophon
Barnabas Herrmann - Voice/Flute
Milena Gürtler - Voice/Dancing/Performance
Friederike Merkel - Recorder
Martin Steuber - Guitar
Babett Niclas - Harp
Alejandro Barría - Cello
Lily Ketelsen - Voice/Violin
JORGE BOLET Recital 24 March 1981 HAMBURG
BEETHOVEN: Sonata #31, Op 110; REGER: Telemann Variations; LISZT: 3 Petrarch Sonnets: 47, 104, 123; MOZART/LISZT: Don Juan Fantasy. Jorge Bolet piano recital 24 March 1981 HAMBURG
KomponistenQuartier Hamburg
Das KomponistenQuartier entsteht im Herzen Hamburgs. Ein Ort, an dem die Musikgeschichte hautnah erlebbar wird. Mehr Infos unter komponistenquartier.de
Zeichnung und Idee: Dr. Birgit Kiupel, Film und Animation André Piontek. Copyright: Dr. Birgit Kiupel
BOURRE: DIE ERWACHENDE THETIS (G. PHILIPP TELEMANN) - KONZERTGRUPPE D. SCHOLA CANTORUM BASILIENSIS
BOURRE: DIE ERWACHENDE THETIS (G. PHILIPP TELEMANN) - KONZERTGRUPPE D. SCHOLA CANTORUM BASILIENSIS
Album:
Musik aus Hamburgs Geschichte (1961) (Polydor Records) (Deutsche Grammophon) (Sonderauflage für das Museum Hamburgische Geschichte)
Interpreten- und Titelliste:
Konzertgruppe der Schola Cantorum Basiliensis Originalinstrumente, Leitung: August Wenzinger:
- Bourre: Die erwachende Thetis von Georg Philipp Telemann
Wikipedia: Georg Philipp Telemann:
Georg Philipp Telemann (* 14. Märzjul./ 24. März 1681greg. in Magdeburg; † 25. Juni 1767 in Hamburg) war ein deutscher Komponist des Barock. Er prägte durch neue Impulse, sowohl in der Komposition als auch in der Musikanschauung, maßgeblich die Musikwelt der ersten Hälfte des 18. Jahrhunderts.
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جولتنا اليوم فرقة موسيقية تعزف في شتوتغارت شارع الملك بطريقة احترافية- قناة ريبورتاج
ريبورتاجنا اليوم عن مدينة شتوتغارت الألمانية وجوله في شارع الملك وفرقة موسيقية رائعة واحترافية تعزف بالشارع أتمنى ان تنال إعجابكم من قناة ريبورتاج
جولتنا اليوم فرقة موسيقية تعزف في شتوتغارت شارع الملك بطريقة احترافية السياحه في شتوتغارت
معلومة عن مدينة شتوتغارت
شتُوتغَارت (بالألمانية: Stuttgart، أصد: [ˈʃtʊtɡaɐ̯t]) هي عاصمة ولاية بادن فورتمبرغ (بالألمانية: Baden-Württemberg) في جنوب ألمانيا، وهي سادس أكبر مدن ألمانيا، عدد سكانها حوالي 600 ألف نسمة (احصائية ديسمبر 2008)، في حين أن المنطقة الحضرية يبلغ عدد سكانها 5.3 مليون نسمة (2008)، تبلغ مساحة المدينة حوالي 207 كم2.
هناك مدينة تقع في وسط منطقة مكتظة بالسكان، وتحيط بها بلدات على شكل دوائر، تسمى هذه المنطقة منطقة شتُوتغارت البالغ عدد سكانها 2.7 مليون نسمة.
المصدر وكيبيديا
Reportage Channel قناة ريبورتاج
تابعونا ايضا ????
فيس بوك
جوجل بلس
تويتر
Tafelklavier Hornung & Möller: Intonation?
g und gis wurden mit neuen Hämmern belegt und klingen deutlich schlechter.
Violin, Joachim Tielke (1641--1719), Hamburg, ca. 1685. Ex. 1
Double from the Sarabande of Partita No. 1 in B minor by J. S. Bach (1685--1750). Performed by Sean Avram Carpenter.
Violin, Purchase, Clara Mertens Bequest, in memory of André Mertens, 1992 (1992.333). Learn more about this instrument:
Production support was provided by The Donna and Marvin Schwartz Foundation
A production of the Digital Media Department, The Metropolitan Museum Art
Produced and Directed by Christopher Noey
Edited by Sarah Cowan
Camera by Wayne de la Roche and Jessica Glass
Lighting by Ned Hallick
Sound Recording and Post-Production Audio by David Raymond
Production Coordinator: Stephanie Wuertz
Production Assistants: Corinne Colgan, Robin Schwalb
Organized by the Department of Musical Instruments
J. Kenneth Moore, Frederick P. Rose curator-in-charge
Jayson Kerr Dobney, Associate Curator and Administrator
Susana Caldeira, Assistant Conservator
Joseph Peknik III, Principal Technician
Pamela Summey, Programs Coordinator
Marian Eines, Associate for Administration
JUGENDSTIL 09/17 ► Lolita, Katzen, Telemann
Wieder einmal haben wir unser kleines 30-Minuten-Format gesprengt! Diesmal waren folgende Themen zu gut, um sich an Regeln zu halten:
Hier spielt die Musik! Zu Besuch im Thiem 20
Big in Japan! Lolita-Mode kommt nach Magdeburg
Letzte Rettung Tier-WG? Ein Gnadenhof unter der Lupe
Heute der Hit, morgen schon vergessen! Die unnötigsten Trends der letzten Jahre
Barock goes Musical! Teleman in pop
Europa kommt nach Sachsen-Anhalt! Das Eurocamp in Zeitz
Mehr Jugendstil gibt es wie immer auf jugendstil-magazin.de
Magic Afternoon Premier
MAGIC AFTERNOON
In the city of Hamburg , a group of actors come together to present the premier of the theater play MAGIC AFTERNOON under the direction of Angela Richter in Kampenagel. This video is the second part of a documentary film wich show us the preparation of the play during three months.
1h.05min, Color
Directed by: Jacqueline Delaye.
Activities of First Lady Melania Trump
Activities of First Lady Melania Trump.
While many of Melania Trump's outfits have proven controversial, it's specifically her shoes that tend to stir the pot. Whether she's wearing footwear that some deem impractical for the occasion or just a pair of heels with an astounding price tag, Melania's collection simply can't be ignored. How could you look away from the pair of Christian Louboutin So Kate pumps ($1,395) Melania wore to visit Lily's Place, an infant recovery center in West Virginia? Her kelly-green dress ($450) was designed by Ceffin, a label founded by the British prime minister's wife Samantha Cameron, and it was bright enough to turn heads on its own (Melania nixed the self-tie belt for a wide crocodile style instead). But it was her rainbow stilettos that definitely stood out by a mile. Read on for a closer look, then check out the exact pieces Melania was wearing.
Melania Trump hits back at Ivana Trump over ‘first lady’ comment. Steve Bannon may take on Hatch. A profile of Democrat Kathie Allen.
Happy Tuesday. First lady Melania Trump slapped back at Ivana Trump after she claimed to be the “first lady” because she was President Donald Trump’s first wife. Ivana Trump, who’s new memoir “Raising Trump,” is set to be released today, said she has a direct line to the White House and her ex-husband, but said she doesn’t use it because Melania Trump is there.
Ivana Trump told GMA she spoke to her former husband about once a fortnight.
I have the direct number to White House, but I no [sic] really want to call him there because Melania is there, she said.
I don't want to cause any kind of jealousy or something like that because I'm basically first Trump wife. I'm first lady, OK?
Librarian snubs Melania Trump book offer
Melania mocked after anti-bullying speech
Who is the new first family of the US?
Melania Trump responded with a barbed statement through her spokeswoman Stephanie Grisham.
Mrs Trump has made the White House a home for [their son] Barron and The President, it read.
She loves living in Washington, DC and is honoured by her role as First Lady of the United States. She plans to use her title and role to help children, not sell books.
There is clearly no substance to this statement from an ex. Unfortunately only attention seeking and self-serving noise.
The exchange is thought to be the only public row between a US first lady and a president's former wife.
Sources:
Meyer's Windmühle - Lebendiges Müllerhandwerk aus Bardowick