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William Ricketts Sanctuary

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William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
William Ricketts Sanctuary
Phone:
+61 3 9751 1300

Hours:
Sunday10am - 4:30pm
Monday10am - 4:30pm
Tuesday10am - 4:30pm
Wednesday10am - 4:30pm
Thursday10am - 4:30pm
Friday10am - 4:30pm
Saturday10am - 4:30pm


William Ricketts was an Australian potter and sculptor of the arts and crafts movement. Born in Richmond, Victoria, in 1898, William settled permanently in Mount Dandenong, Victoria, in 1934. Although not trained as a potter and never technically superior , the power of his vision of a modern Australia that embraces Aboriginal spirituality and respect for the natural world was his general message throughout his artworks. His major works include the Dromana in the Seawinds Garden, Arthurs Seat, Victoria, and Gun Brute at the William Ricketts Sanctuary, Mount Dandenong, Victoria. Many smaller works are in the collection of the Powerhouse Museum in Sydney. Photographic records of his sculptures, particularly those from the sanctuaries of Pitchi Richi and Mount Dandenong, which have been vandalised, are held in the archives of Australia's libraries. Ricketts, never rich, supported himself through commissioned sales of his art and made pieces as gifts. These signed original small pieces are increasingly sought after for private collections. From 1949 to 1960 he made frequent trips into Central Australia to live with Pitjantjatjara and Arrernte Aboriginal Australians, whose traditions and culture inspired his sculpture. He was not an Aboriginal by blood but considered himself adopted by the Pitjantjatjara nation. He left many of his central Australian works at Pitchi Richi near Alice Springs – a bird sanctuary run by his friend Leo Corbet – as he considered the landscape integral to these sculptures. From 1912 to 1920 Ricketts developed skills in playing violin, crafting jewellery, and clay modelling. In 1934 he started his major artistic work, creating the sculpture park now named William Ricketts Sanctuary. He worked on this project until his death in 1993. In the 1970s, he spent two years in India, mostly at the Sri Aurobindo Ashram spiritual center in Puducherry, developing spiritual empathy with Indian people and knowledge of their philosophy.
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