Conrad Schick Museum. Models of Jerusalem. The old city of Jerusalem. Tour guide: Zahi Shaked
Zahi Shaked A tour guide in Israel and his camera
+972 54 6905522 zahigo25@walla.com
צחי שקד, מורה דרך ומדריך תיירים. מצלם אותם בכל הזדמנות 0546905522
Schick became increasingly interested and involved in constructing models and
reliefmaps mostly of Jerusalem and the Holy places. As he knows Jerusalem better then any other of his contemporaries and because of his skill in topography he
was the right person to make these models. All together he made 16 models
He made two different sort of models 1862, one of the
Church of Holy Sepulchre and its surroundings, the other
one of the Jewish Temple.
The first model was build by order of the Ottoman governor of Jerusalem, Sureyya Pasha, who needed it to
clarify disputes over ownership of property in that area,
which would assist him with discussing the issue with his
superior in Constantinople. The background to the issue
was the Crimean War (1853-56) which had been sparked
off by disputes of the ownership of the Holy Places in the
Holy Land.
The Greek Orthodox Patriarchate then ordered a copy,
so did the King of Württemberg in 1862. The Ottomans
later ordered two more models, both contemporary and
not mainly historically. There purpose was to exhibit
them at the International Exhibition of Vienna 1873. He
also made one model for use in Liverpool.
Some models became parts of a travelling exhibition,
known as the Palestine Exhibition. It is also mentioned
that the Governor of Jerusalem ordered a model as a gift
for Queen Victoria. It is said to have been copies in Stuttgart, Moscow and Constantinople.
In some of his models he made the buildings movable
and could then be used to describe the process of building during time. This was the case with the model of the
Haram-als-Sharif, the Temple Mount. It was made in the scale of 1:200, out of wood and painted with
oil. The entire model was actually divided
into four different parts.
1. The first of the Mount itself, in steps of
land contours, cisterns etc.
2. The second showed Salomon's buildings
compound of a number of individual buildings, placed on this first base. Removing
the buildings showed the destruction of the
Temple by the Caldeans.
3. The third pieces were about the Zerubabel and Herod Temple and showed how the
Temple might have looked these days.
4. Finally the forth part described the buildings of the present day.
This model took Schick about 8 years to
construct until 1885 and was finished in a
room of his house and soon became a great
attraction for both pilgrims and scholars -
maybe here at Bet Tabor!
This was his miniature masterpiece and here he summarized most of his knowledge about Jerusalem. He later
made some copies of this model which were sold. 1896
he also published his book Die Stiftshütte, der Tempel in
Jerusalem und der Tempelplatz der Jetztzeit.
Many of these models still exist, one in the Basel Mission house, two at Christ Church and two at Schmid's
Girl School both in Jerusalem. One model was sold for
800 gold pieces Napoleon and the income for
that made it possible for him to build his own
house on the Street of the Prophets (Ha-neviim 58).
His models still maintain there value in two
respects: as work of art, and also as a depiction of the contemporary situatio
Jüdische Kulturbund Project
Gail Prensky, creator and director of The Jüdische Kulturbund Project, tells the story of Jewish musicians and performing artists who organized in 1933 Nazi Germany and performed until the Final Solution in 1941. This event also featured live music performances by Sarah Baumgarten and Patrick O'Donnell.
For transcript and more information, visit
The Jewish Art Initiative
he new way to more educated and appreciated Jewish Community in Greater Boston Area.
Jewish Art Initiative is a new project by Jewish Educational & Cultural Center Makor.
The major goal of the Jewish Art Initiative project is to unite different representatives from the Jewish artistic community of the Greater Boston Area into one active project dedicated to intensive learning and participation of the different parts of the Jewish community in promoting, studying and sharing great values of Jewish arts and culture.
Read more at
Jewish Symbolism, Jewish Traditional Art, Folk and Contemporary Art, music, literature and dance all together are inspiring Jewish people to love their national visual and other arts. This project will share with children, families, young adults and general audience knowledge of Judaism, Jewish History, and Philosophy of Ahavat Yisroel.
Jewish Art Initiative represents a true goal of the Jewish community in Greater Boston of strengthening of different parts within community. Carefully planned events would be targeting Jewish mainstream community through the interactive learning process.
Israel Diaspora Relations: Past, Present and Future
The historical connections between Babylon and Jerusalem, beginning with the Talmuds through to Israel- Diaspora relations today and into the future. Panel discussion taken place on May 3, 2018 at the Center for Jewish History.
Inspired by Leon H. Charney
Author of
Battle of Two Talmuds: Judaism’s Struggle with Power, Glory and Guilt
The Mystery of the Kaddish
The Legacy of Leon Charney
Prof. Nathaniel Laor
Professor of Philosophy, Psychiatry and Medical Education, Tel Aviv University
Moderator
Prof. David Myers
President & CEO of the Center for Jewish History
Professor of History at UCLA
Panelists:
Prof. Aaron J. Koller
Associate Professor of Near Eastern and Jewish Studies at Yeshiva University
Prof. Marjorie Lehman
Associate Professor of Talmud and Rabbinics at The Jewish Theological Seminary
Prof. Shaul Magid
Professor of Religious Studies at Indiana University
Center for Jewish History NEH Senior Scholar
Alana Newhouse
Editor and Founder of Tablet Magazine
Musical Performance
Breath and Hammer
David Krakauer, clarinet and Kathleen Tagg, piano
Presented by: Center for Jewish History, Yeshiva University & Beit Hatfutsot of America
The Sunday Mass - Epiphany of the Lord (January 8, 2017)
1st Reading: Isaiah 60.1-6
2nd reading: Ephesians 3.2-3a, 5-6
Gospel: Matthew 2.1-12
Presider: Rev. Robert Mignella
The Sunday Mass is broadcast on CTV (Toronto) every Sunday morning at 8:30 a.m. for those unable to make their way to their local parish due to illness or limited ability.
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Roman Catholic Archdiocese of Toronto -
History Repeating: A Conversation with Artist Ori Gersht and Curator Al Miner
Co-presented by Artist & the Jewish Museum
Part of the event series Dialogue and Discourse
Thursday, September 6, 2012 -- 6:30pm
The Jewish Museum
1109 Fifth Avenue at 92nd Street
New York, NY 10128
On the occasion of his first major survey exhibition, Ori Gersht: History Repeating at the Museum of Fine Arts, Boston (August 28 - January 6), Gersht and exhibition curator Al Miner will discuss Gersht's evolving body of work and the diverse threads of history woven throughout his oeuvre. With a special introduction by Norman Kleeblatt, Chief Curator of the Jewish Museum.
In evocative and innovative films and photographs, Ori Gersht weds the past and the present. With the latest technology he takes a discerning look at multiple histories and the ways they are communicated: histories that have shaped his own identity and helped define the state of contemporary society. Gersht's images, with sources ranging from 19th century still life painting to the Holocaust, reveal the links between history and memory, creation and destruction, and beauty and violence while exploring the passage of time.
About Ori Gersht
Ori Gersht (b. 1967, Tel Aviv; lives and works in London) is an artist working in photography and new media. He received an M.A. in Photography from the Royal College of Art, London and a B.A. in Photography, Film and Video from the University of Westminster, London. Gersht has had numerous solo exhibitions internationally, most recently This Storm is What We Call Progress at the Imperial War Museum, Midnight Moment, a large-scale public installation in the heart of Time Square NYC, Lost in Time at the Santa Barbara Museum of Art, CA and Ori Gersht: Falling Petalsat CRG Gallery, New York; Angles Gallery, Los Angeles; and Noga Gallery, Tel Aviv. His upcoming solo exhibition History Repeating at the Museum of Fine Art, Boston, curated by Al Miner, is his first major survey exhibition. He is represented by CRG Gallery, New York; Angles Gallery, Los Angeles; and Noga Gallery, Tel Aviv.
About Al Miner
Al Miner is the Assistant Curator of Contemporary Art at the Museum of Fine Arts, Boston since September 2010. Miner curated Ori Gersht: History Repeating, the first survey exhibition of the Israeli photographer and new media artist and authored a major monograph of the same title. He is also organizing the upcoming exhibition Daniel Rich: Platforms of Power, the New York painter's first museum solo exhibition, open September 29 through March 31. Prior to the Museum of Fine Arts, Boston, Miner worked at the Hirshhorn Museum and Sculpture Garden in Washington D.C. where he curated major projects and commissions by artists Dan Graham and Yoko Ono, served as coordinating curator for the first North American retrospective of the work of the German artist, Blinky Palermo and managed the major two-part video exhibition, The Cinema Effect. Miner is the recipient of numerous fellowships and his passion for the art and artists of our time stems from his own background and practice as an artist.
History of the Jews in Latin America and the Caribbean | Wikipedia audio article
This is an audio version of the Wikipedia Article:
History of the Jews in Latin America and the Caribbean
Listening is a more natural way of learning, when compared to reading. Written
language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
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Now learn the vast amount of general knowledge available on Wikipedia through
audio (audio article). You could even learn subconsciously by playing the audio
while you are sleeping! If you are planning to listen a lot, you could try using
a bone conduction headphone, or a standard speaker instead of an earphone.
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In case you don't find one that you were looking for, put a comment.
This video uses Google TTS en-US-Standard-D voice.
SUMMARY
=======
The history of the Jews in Latin America began with conversos who joined the Spanish and Portuguese expeditions to the continents. The Spanish permitted only Christians to take part in New World expeditions after its Crown expelled the Jews in 1492.
After the expulsion, many Sephardic Jews migrated to the Netherlands, France and eventually Italy, from where they joined other expeditions to the Americas. Others migrated to England or France and accompanied their colonists as traders and merchants. By the late 16th century, fully functioning Jewish communities were founded in the Portuguese colony of Brazil, the Dutch Suriname and Curaçao; Spanish Santo Domingo, and the English colonies of Jamaica and Barbados. In addition, there were unorganized communities of Jews in Spanish and Portuguese territories where the Inquisition was active, including Colombia, Cuba, Puerto Rico, Mexico and Peru. Many in such communities were crypto-Jews, who had generally concealed their identity from the authorities.
By the mid-17th century, the largest Jewish communities in the Western Hemisphere were located in Suriname and Brazil. Several Jewish communities in the Caribbean, Central and South America flourished, particularly in those areas under Dutch and English control, which were more tolerant. More immigrants went to this region as part of the massive emigration of Jews from eastern Europe in the late 19th century. During and after World War II, many Ashkenazi Jews emigrated to South America for refuge. In the 21st century, fewer than 300,000 Jews live in Latin America. They are concentrated in Argentina, Brazil and Mexico, with the first considered the center of the Jewish population in Latin America.
Legends, Fictions, and the Manuscripts that Illustrate Christ's Story
September 22, 2011, The Getty Center
Illuminated manuscripts from the Middle Ages are significant for the literary texts they preserve. But they are also important, historically and culturally, for their illustrations of the life of Christ. These artistic representations tell tales of their own, and the visual stories are not always found in the corresponding texts. A careful examination of these images shows clearly and convincingly that medieval artists were not only familiar with the stories of the canonical Gospels, but also with many noncanonical apocryphal tales of Jesus. The apocryphal stories, in some instances, were understood to be Gospel truth on par with accounts found in Scripture. Bart D. Ehrman, the James A. Gray Professor of Religious Studies at the University of North Carolina at Chapel Hill, explores both canonical and apocryphal narratives of Jesus's life.
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Carvings In and Out of Time: Afterlives of Rock-Cut Monuments in the Ancient Near East (Session 3)
Thursday, February 16
Rhode Island Hall, Room 108
Session 3
3:00pm – Laurel Bestock (Brown) Introduction
3:15– Robert Rollinger (University of Innsbruck) Ancient Near Eastern monuments and their cultural recycling: from Herodotus and Ctesias through the Alexander historians
4:00pm – Jonathan Ben Dov (University of Haifa) Transformations of Neo-Babylonian Reliefs in the Jewish Literary Imagination
4:45—Closing Remarks Jonathan Ben Dov
Clarice Smith Distinguished Lecture Series: Deborah Butterfield and Horse Sculptures
Deborah Butterfield's sculptural forms are based on her unique subject, horses. Constructed in wood, and cast in bronze, the freestanding sculptures are shown in two scales: life size works and smaller bronzes. With extraordinary focus and conviction, Butterfield works independently of the tides of trends and art movements. She has become a master of three-dimensional images of horses, building her sculptures with no sketches or maquettes, working directly with wood pieces or found metal scraps.
Lectures begin at 6:30 p.m. Free tickets in the G Street Lobby at 6 p.m.
The Clarice Smith Distinguished Lectures in American Art highlight excellence and innovation in American art through evenings with an outstanding artist, critic, and scholar.
This annual series is made possible by the generosity of Clarice Smith.
Alan Wilson Historian - The Hidden History of Britain
Turn on captions for English subtitles.
Alan Wilson is a British historian specialising in the origins and ancient history of the British and the history of the ancient British kings including two real King Arthurs.
Arthurian research:
In 1976, after a chance meeting with historical researcher, Anthony Thomas 'Baram' Blackett, at the public library in Newcastle upon Tyne, the two men decided to put up many thousands of pounds of their own money to fund full-time research into the origins of King Arthur. The Arthurian stories, so popular today, came out of South-Eastern Wales into France, via the Normans, in the 12th century and this encouraged them to start their search in the same place. The search soon moved beyond Wales to include the English Midlands which had been dominated by the old Welsh Kingdoms for centuries.
To date, Wilson and Blackett have published seven books that provide information based upon Old Welsh records that date to the 12th Century. They believe that these provide a final solution to the King Arthur story and have clearly identified the true sites of the battles of Badon (Mynydd Baedan) and Camlann.
In 1983, Wilson and Blackett discovered what they believe to be King Arthur's memorial stone at the small ruined church of St Peter-super-Montem on Mynydd-y-Gaer in Mid-Glamorgan, which they subsequently purchased. The stone was offered to the National Museum of Wales (Amguedda Werin Cymru) for analysis, but the offer was not taken up. Subsequently it went on public display in various venues for some time. Following this, they employed the services of two archaeologists, (Professor Eric Talbot and Alan Wishart) in 1990, to lead a dig at the same place. During the excavations, which were authorised by the Royal Commission on the Ancient and Historical Monuments of Wales, several artefacts were discovered including an ancient axe, a knife and a small cross weighing two and a half pounds, that reads Pro Anima Artorius (For The Soul Of Arthur). The cross was subsequently tested by an independent metallurgical house, Bodycote PLC, and found to be made of electrum, and so certified. The cross was offered up to the National Museum of Wales for public testing, but this also was declined.Wilson and Blackett had already identified the church as an ancient historical site possibly originally dating from the first century A.D. Other major Welsh kings are buried locally.
More recently, Wilson and Blackett began a search for what was known as 'The Greatest Work of the Cymru' - Cyfrangon. This is allegedly a massive, hollow, man-made hill concealed somewhere in Wales (similar to Silbury Hill). Treasure hunters in Wales have long sought this fabled hill in which, it is believed, lie several objects of tremendous historical and archaeological value, many of which may be covered in gold or copper.
The use of deep ground probing metal detection and analysis equipment revealed non ferrous metal artefacts some fifteen feet below the surface of the hill at Twyn y Glog, near Ynysybwl in mid Glamorgan. Further investigation by collaborators proved that the original height of the hill lies some 30 or more metres below the Ordnance Survey height, and that the hill is therefore an artificial construct. (Berkly, G., 2007).
No further tests have been made to date (10 September 2007).
Lecture tours:
Alan Wilson and his colleague lectured extensively in the United Kingdom, including Manchester and Jesus College at the University of Oxford, and Alan Wilson gave the prestigious Bemis Lecture in Boston in 1993. Research into claims that the Welsh settled in mid-western America in antiquity led to Wilson and his colleague, Baram Blackett, accepting invitations from American supporters to visit US sites of historical significance in 1994. The visit led to several television appearances and the deciphering of alphabetic inscriptions claimed to be in the old 'Coelbren' alphabet. Wilson also concluded that the many snake mounds in the American Mid-west were of ancient Khumric-British construction. Whilst in America, the two men were also commissioned to produce a detailed genealogy for the Bush family (friends and supporters of President George H. W. Bush).
Published works:
Arthur, King of Glamorgan and Gwent (with Baram Blackett, MT Byrd Partnership, 1980)
Arthur and Charter of the Kings (with Baram Blackett, MT Byrd Partnership, 1981)
Arthur The War King (with Baram Blackett, MT Byrd Partnership, 1982-3)
Artorius Rex Discovered (with Baram Blackett, MT Byrd Partnership, 1986)
The Holy Kingdom (with Adrian Gilbert and Baram Blackett, Bantam, 1998)
King Arthur Conspiracy (with Grant Berkley and Baram Blackett, Trafford, 2005)
Moses in the Hieroglyphs (with Grant Berkley and Baram Blackett, Trafford, 2006)
The Discovery of the Ark of the Covenant (with Grant Berkley and Baram Blackett, Trafford, 2007)
Panel 1 Conflict Antiquities
Full title of Symposium: Conflict Antiquities: Forging a Public/Private Response to Save Iraq and Syria's Endangered Cultural Heritage More info:
Welcoming Statements (The Grace Rainey Rogers Auditorium)
Thomas P. Campbell Director and CEO, The Metropolitan Museum of Art
Antony J. Blinken Deputy Secretary of State
Irina Bokova Director-General, UNESCO
Speakers on the first panel on “Looting and Destruction of Iraqi and Syrian Cultural Heritage; What We Know, What Can Be Done” will be:
Michael Danti, American Schools of Oriental Research
Andrew Keller, Deputy Assistant Secretary of State, Bureau of Economic and Business Affairs, Department of State
Robert Hartung, Deputy Assistant Secretary of State, Bureau of Diplomatic Security, Department of State
Lev Kubiak, Assistant Director, International Operations, Homeland Security Investigations, Department of Homeland Security
Richard W. Downing, Deputy Assistant Attorney General, U.S. Department of Justice
Mauro Miedico, Chief of Section, Terrorism Prevention Branch, United Nations Office on Drugs and Crime
Professor Gary Anderson: Jewish Attitudes on Wealth and Poverty
The Program in Judaic Studies presents: “Metaphysics or Morals: The Place of Charity in Second Temple Judaism” (Gary Anderson, University of Notre Dame). Sponsored by Ruth & Joseph Moskow Endowment in Judaic Studies.
The Hidden Power by Thomas Troward
Support New Wellness Living and this 'New Thought Series':
Via Paypal: paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=PQRGZ58MG9EDA
The Hidden Power assembles Thomas Troward's essays on New Thought and other areas of mental science. Included in this volume are: The Hidden Power, The Perversion of Truth, The I Am, Affirmative Power, Submission, Completeness, The Principle of Guidance, Desire as the Motive Power, Touching Lightly, Present Truth, Yourself, Religious Opinions, A Lesson from Browning, The Spirit of Opulence, Beauty, Separation and Unity, Externalisation, Entering into the Spirit of It, The Bible and the New Thought, Jachin and Boaz, Hephziba, Mind and Hand, The Central Control, What is Higher Thought, and Fragments.
Thomas Troward was an English author whose works influenced the New Thought Movement and mystic Christianity.
According to Alcoholics Anonymous (AA) archivist Nell Wing, early AA members were strongly encouraged to read Thomas Troward's Edinburgh Lectures on Mental Science. In the opening of the 2006 film The Secret (2006 film), introductory remarks credit Troward's philosophy with inspiring the movie and its production.
Works by Thomas Troward include:
The Edinburgh Lectures on Mental Science 1904
The Dore Lectures on Mental Science
The Creative Process in the Individual
Bible Mystery and Bible Meaning
The Law and the Word
The Hidden Power and Other Papers on Mental Science
Source: Wikipedia.org| Amazon.com
Kenneth Frampton: The Mask and the Face: Building vs Architecture
Architecture Spring 2018 Lecture Series - February 22, 2018 in Slocum Hall.
Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has worked as an architect and as an architectural historian and critic, and is now Ware Professor at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zurich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Medrisio. Frampton is the author of numerous essays on modern and contemporary architecture, and has served on many international juries for architectural awards and building commissions. In addition to Modern Architecture: A Critical History, his publications include Studies in Tectonic Culture, Labour, Work and Architecture, and A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form.
Here be Dragons 2018: Track A
Sea monsters such as the kraken, prister, and rosmarus indicated uncharted territory on elaborate new maps of the world in medieval times. Despite many advances in mapping technology and data acquisition in the last 500 years, our ocean remains largely uncharted and poorly understood.
Here be Dragons convened explorers, innovators, artists, scientists, and storytellers to identify the uncharted territories that still exist in ocean exploration and storytelling. In response, MIT students will work with explorers to develop and present collaborative projects to deploy new and emerging technologies in the field that address gaps in our understanding and sharing of the ocean. Select proposals will be funded for Rapid Field Deployments.
In collaboration with the National Geographic Society and New England Aquarium.
Find the full program and more information at:
License: CC-BY-4.0 (
AROUND THE WORLD without visas
You will not surprise anyone with around-the-world travel in the 21st century. People span the globe by land, water and air, on foot and by bicycles, alone and with their families. Generally speaking, any around the world travel is, in fact, a journey home with the longest detour.
Nonsense! Thus, around the world travelers are forced to think of new vehicles – from stilts to a children's scooter, or of new conceptual ideas.
Valery Shanin can not complain about lack of ideas. The professional traveler, writer and journalist, began his first circumnavigation back in 1999. He returned home only in 2002, traveling mostly hitchhiking. On the one hand, he has spent 1080 days for this travel. And on the other – only 280 dollars! This way having made one of the most economical circumnavigations.
Five years later, Valery Shanin had another idea. How about trying to circle the Earth as quickly as possible, by saving time instead of money? How many days would be necessary for this purpose? 108 – such is Valery's answer. After having returned home from such a high-speed expedition, Shanin decided, that the subject of circumnavigations was settled for him.
But how can the traveler stay still at home? And here, a new idea turned out! It came obviously from the former traveling experience, that was often connected with the burdensome procedure of obtaining visas. Communication with the embassy and consulate officials, unfortunately, inevitably saddens any most interesting travel. However, there are countries, visa-free for Russians! So, it is possible to go traveling, without addressing consulates. This is how the project The World without Visas was brought to life.
Valery decided to begin with no less, than with a circumnavigation.
Around the world without visas! - Shanin put forward the loud slogan, and left for Europe, Africa, Middle East, Indochina, South East Asia, Oceania, South America, Carribean islands. 38 countries in 255 days and with no one visit to any consulate.
Tim Lee - Liberty University Convocation
On November 6th, 2015, at Convocation, North America’s largest weekly gathering of Christian students, Tim Lee encouraged students to have their hope in God, instead of in a political party or any human.
Tim Lee joined the Marine Corps in 1969 and served in Southeast Asia. Lee lost his legs in a landmine explosion in March of 1971 in Vietnam. In 1973, he was called to preach and began a life of full-time ministry in 1979.
This Footage was captured on November 6, 2015, at Liberty University. Liberty University is not affiliated with the Department of Defense nor any Military Service.
Gendered Experiences in, and Memories of, the Nazi Holocaust
December 2, 2015
Gendered Experiences in, and Memories of, the Nazi Holocaust
Dr. Azadeh Aalai, Assistant Professor of Psychology, Queensborough Community College
Dr. Rochelle G. Saidel, founder and executive director of the Remember the Women Institute
Dr. Marianne Hirsch, William Peterfield Trent Professor of English and Comparative Literature at Columbia University and Director of the Institute for Research on Women, Gender, and Sexuality
Drs. Azadeh Aalai, Rochelle Saidel, and Marianne Hirsch discuss victims’ gendered experiences in and memories of the Nazi Holocaust. Dr. Aalai, an Assistant Professor of Psychology at Queensborough Community College, draws on her research on warfare & genocide, as well her seminar work at the United States Holocaust Memorial Museum, to reveal gendered variations in Holocaust experiences. Dr. Saidel, the founder and executive director of the Remember the Women Institute, offers insights from her co-edited volume, Sexual Violence against Jewish Women during the Holocaust. Dr. Hirsch, the William Peterfield Trent Professor of English and Comparative Literature at Columbia University and Professor in the Institute for Research on Women, Gender, and Sexuality, completes the panel with thoughts on the gendered transmission of memories of violence across generations.
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