Best Attractions and Places to See in Acqui Terme, Italy
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List of Best Things to do in Acqui Terme, Italy
La Bollente
Cattedrale Nostra Signora Assunta
Pasta Fresca di Emiliana Pesce
Villa Ottolenghi Wedekind
L'Acqua Marcia
Museo Archeologico di Acqui Terme
Basilica of St. Peter
Fontana delle Ninfee
Centro storico di Acqui Terme
Teatro Romano
Hotel Roma Imperiale **** Hotel Review 2017 HD, Acqui Terme, Italy
Save money booking hotel Hotel Roma Imperiale in Acqui Terme, Italy
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Property Location
When you stay at Hotel Roma Imperiale in Acqui Terme, you'll be next to a golf course and convenient to Nuove Terme Thermal Spa and Cattedrale di Santa Maria Assunta. This 4-star hotel is within close proximity of La Bollente and Basilica of St. Peter.
Rooms
Make yourself at home in one of the 25 air-conditioned rooms featuring minibars. Complimentary wireless Internet access keeps you connected, and digital programming is available for your entertainment. Bathrooms have sh...
Grand Hotel Nuove Terme **** Hotel Review 2017 HD, Acqui Terme, Italy
Save money booking hotel Grand Hotel Nuove Terme in Acqui Terme, Italy
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Property Location
When you stay at Grand Hotel Nuove Terme in Acqui Terme, you'll be next to a golf course and minutes from Nuove Terme Thermal Spa and Cattedrale di Santa Maria Assunta. This 4-star hotel is within close proximity of Basilica of St. Peter and La Bollente.
Rooms
Make yourself at home in one of the 142 air-conditioned rooms featuring minibars. Complimentary wireless Internet access keeps you connected, and satellite programming is available for your entertainment. Private bath...
Hotel Valentino *** Hotel Review 2017 HD, Acqui Terme, Italy
Save money booking hotel Hotel Valentino in Acqui Terme, Italy
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Property Location
With a stay at Hotel Valentino in Acqui Terme, you'll be convenient to Nuove Terme Thermal Spa and Cattedrale di Santa Maria Assunta. This spa hotel is within close proximity of La Bollente and Basilica of St. Peter.
Rooms
Make yourself at home in one of the 50 air-conditioned rooms featuring minibars. Complimentary wireless Internet access keeps you connected, and digital programming is available for your entertainment. Private bathrooms with showers feature bidets and hai...
Italy Vlog 5 // Bagni San Filippo Hot Springs!!
We went to the hot springsssss in san filippo and it was fun uwu
StaceStover Alba Market & Milano, Italy
Trip Day: Sat, 3/19/2011
VISITING THE VATICAN & ROME (Eternal City) | Travel w/Alehk
La Citta Eterna was AMAZING!! That 10+ hour flight had all of us drained out and exhausted. By the time we got to our Airbnb I was very exhausted that I was already forgetting that I had to VLOG LOL.. . .My friends and I visited the Vatican Museum while visitng Rome and it was beautiful because we got to see so many sculptures,paintings,artwork, Sarcophagus,and much more historical items in the musuem. I honeslty recommend the Vatican Museum a must do if you ever visit rome. My MA's celebrated fathers day for me by making me and others breakfast... what a beaitiful gesture lol.
Stay tuned for Part 2 of my trip in Rome,Italy this saturday at 3pm
as we went sighseeing and saw many historical landmarks that are very popular and known worldwide!!!
Bushwick Tarantella by Kevin MacLeod is licensed under a Creative Commons Attribution license (
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St Francis of Assisi
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Epiphany in Italy | First gala for us for this year! | Filipina and Italian Couple
Today is January 6,2019 and yes its sunday kaya gagala with bf, samahan niyo po kami sa gala namin, and we didn’t expect na mageenjoy pala kami panoorin ang mga bata. Maraming salamat po sa panonood. Please subsbcribe po sa aming channel, salamat po! -Kristina and Alexis
#EpiphanyDay #LaBefana #KristinasVlog
Certosa di Pavia, Pavia, Lombardy, Italy, Europe
The church is built on a Latin cross plan, with a nave, two aisles and transept, typical of Gothic architecture. The chancel terminates with an apse. It is covered by crossed vaults on Gothic arches and is inspired, on a reduced scale, by the Duomo of Milan. The vaults are alternatively decorated with geometrical shapes and starry skies. The transept and the main chapel end with square-plan chapels with smaller, semi-circular apses on three sides. The façade of the church is famous for its exuberant decorations, typical of Lombard architecture, every part being decorated with reliefs, inlaid marble and statues. Sculptors who worked on it include Cristoforo Mantegazza and Giovanni Antonio Amadeo himself. In addition to applied sculpture, the facade itself has a rich sculptural quality because of the contrast between richly textured surfaces, projecting buttresses, horizontal courses and arched openings, some of which are shadowed, while those in the small belfries are open to the sky. The sober form of the roughly finished brick front can be seen in a fresco by Ambrogio Bergognone in the apse of the right transept, painted in 1492-1495, when work was commencing on the new facade, portraying Gian Galeazzo Visconti offering the model of the Certosa to the Blessed Virgin. Its profile, with roofs on three levels, has been compared to the churches of San Giovanni in Monza and San Petronio in Bologna; among the architects in close correspondence at all three projects, Borlini ascribes the form of the original facade at the Certosa to Giacomo da Campione, who was working at Pavia while his uncle Matteo was completing San Giovanni in Monza. The architect Giovanni Solari, in building the double row of arcades down the flanks of the church, modified its appearance. After his death he was succeeded in Pavia by his son Guiniforte Solari, but work came to a halt with the death of Guiniforte in 1478. In 1492 Gian Giacomo Dolcebuono took up the construction, assisted on site, for he was cocurrently occupied with the cathedrals at Pavia and at Milan and other churches, by his inseparable collaborator on both cathedrals, Giovanni Antonio Amadeo. In their hands the project was thoroughly redesigned. Scores of artists were involved. The classicist style portal is by Benedetto Briosco (1501). The porch has a large arch of classicist form resting on paired Corinthian columns which are each surmounted by a very strongly modelled cornice on which the arch rests, the construction being derived from the Classical, used by Brunelleschi, and employed here for a bold and striking effect. The decoration is of bas-reliefs illustrating the History of the Certosa. Above the central arch is a shallow balcony of three arches, above which rises the central window. This campaign was interrupted in 1519 as work was going forward by the condition of French occupation in Lombardy after the War of the League of Cambrai. French troops were encamped round the Certosa. Notations of work on the facade did not resume until 1554, when a revised design under the direction of Cristoforo Lombardo was approved for the completion of the facade above the second arcade; there marble intarsia was substituted for the rich sculptual decorations of the lower area. Some final details were added by Galeazzo Alessi. Gian Galeazzo Visconti, hereditary lord and first Duke of Milan, commissioned the building of the Certosa to the architect Marco Solari, inaugurating the works and laying the foundation stone on August 27, 1396, as recorded by a bas-relief on the facade. The location was strategically chosen midway between Milan and Pavia, the second city of the Duchy, where the Duke held his court. The church, the last edifice of the complex to be built, was to be the family mausoleum of the Visconti. It was designed as a grand structure with a nave and two aisles, a type unusual for the Carthusian Order. The nave, in the Gothic style, was completed in 1465. However, since the foundation, the Renaissance had spread in Italy, and the rest of the edifice was built according to the new style, redesigned by Giovanni Solari continued by his son Guiniforte Solari and including some new cloisters. Solari was followed as director of the works by Giovanni Antonio Amadeo, (1481-1499). The church was consecrated on May 3, 1497. The lower part of the façade was not completed until 1507. The construction contract obliged the monks to use part of the revenue of the lands held in benefice to the monastery to continue to improve the edifice. Consequently, the Certosa includes a huge collection of artworks of all centuries from the 15th to the 18th.
National Roman Museum, Altemps Palace: The Courtyard (Sangallo, Peruzzi, and Longhi) (manortiz)
National Roman Museum - Palazzo Altemps
The seat of the National Roman Museum at Palazzo Altemps houses important collections of antiquities consisting of Greek and Roman sculptures that in the 16th and 17th centuries belonged to various families of the Roman nobility. The placement of the statues inside the rooms reproduces the antiquarian taste for the ostentatious display typical of that time. A feature common to the sculptures is the recourse to additional restoration, desired by collectors not only for aesthetic sense but also to confer dignity to the figures represented.
Il palazzo deve il suo nome al cardinale proveniente dall'Alto Tirolo, Marco Sittico Altemps, che lo acquistò nel 1568 eleggendolo a sua dimora romana. L'edificio ospita importanti collezioni di antichità e una significativa raccolta di opere egizie. Nelle sale ancora in parte affrescate è possibile ammirare sculture greche e romane appartenute nei secoli XVI e XVII a varie famiglie della nobiltà romana. Il nucleo più consistente è costituito dalla collezione Boncompagni Ludovisi, insieme alle collezioni Mattei e Del Drago e da alcune opere d'arte della famiglia Altemps. Sono inoltre visibili singoli esemplari provenienti da diverse collezioni.Le sculture sono presentate secondo il gusto antiquario per l'ostentazione dei capolavori dell'antichità propria di quel tempo.Le statue sono state restaurate nei secoli XVI e XVII con integrazioni eseguite da eccellenti scultori dell'epoca quali Gian Lorenzo Bernini, Alessandro Algardi e Ippolito Buzio. La sezione dedicata alla raccolta egizia costituisce una delle più significative testimonianze sulla diffusione dei culti egizi a Roma. La visita del Palazzo si svolge su due piani disposti intorno ad un bellissimo cortile decorato da una fontana monumentale. L'edificio conserva parte degli affreschi e delle decorazioni originari che si possono ammirare soprattutto nella loggia dipinta e nella chiesa dedicata a papa Sant'Aniceto. Al di sopra del fabbricato svetta l'altana, una torre-belvedere sormontata dallo stambecco rampante, stemma della famiglia Altemps.
Cardinal Paolo Sardi turns 80 years old. Cardinal Electors goes down to 115 | Vatican
Italian Cardinal Paolo Sardi turned 80 years old today, reducing the number of cardinal electors to 115. .
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Mi trovo in vacanza a Palermo, con questi brevi video voglio sfatare il mito che Palermo sia una città incivile.