'Warm Pond' - Pahoa, Big Island of Hawaii
December 15, 2010
Pahoa, Hawaiian
LAVA UPDATE! POHOIKI, ROADS AND BOAT RAMP AREAS
I spent the weekend in the Lava Zone, It's hard to explain, Heartbreaking but Awesome, This has been our playground for East Hawaii residents.This world we call home is just Incredible. I will have several more videos of other areas to share. I am editing as fast as I can to get them out. Thanks to all for your patience and support..
Raining in the Summer Sun @ Pohoiki Rd, Pahoa, Big Island Hawaii
One sunny day on Hawaii, I was walking down the road when the clear sky brought forth rain! Immediately pulled out my iPod touch and shot a video of this WEIRD phenomenon.
Update: TEN THOUSAND HOURS IN PARADISE, my new book about Hawaii adventure is now out, and getting tons of 5-star reviews. Learn more on my website →
The pohoiki boat ramp that got taken by lava in 2018
The pohoiki boat ramp that got taken by lava flow in 2018. Lasted 145 days. Quite a site to see if u in hilo u should check it out. Probably a 45 min drive frm hilo town.
HAWAII Kilauea Eruption USGS Boat Ramp STILL in Danger! (8/10/2018)
HVN HAWAII VOLCANO NEWS- Please SUBSCRIBE & More videos Live at: Thanks for watching our video. TO SEE THIS VIDEO IN HD- Click the settings cog in the bottom right corner of the video. Click Quality + 720p HD - or it will be blurry) ava continues to enter the ocean near the Isaac Hale Beach Park on Kīlauea Volcano's lower East Rift Zone. Although lava output from fissure 8 remains low, the ocean entry was still active during HVO's helicopter overflight on August 9, 2018. Numerous small streams of lava were oozing into the ocean near Ahalanui, creating weak plumes of laze. The southern flow margin remained close to the Isaac Hale Beach park, but had not appreciably advanced toward the Pohoiki boat ramp. Lava was also observed entering the ocean along the northern Kapoho lobe.
Also, our News channel HVN, provides spectacular views of the eruption in our aerial videos as well as Daily Updates from USGS and Hawaii Civil Defense.
The HVN Reporters are LIVE..Monday-Wednesday-Friday 6pm (PST) 8pm (CST) 9pm (EST)
Do you want to help the locals on the Big Island?
The Salvation Army continues to operate a distribution center at the Pahoa Community Center on Tuesday, Thursday, and Saturday from 9 AM to 12 PM and 2 PM to 5 PM. If you have items you wish to donate, please coordinate with the Salvation Army at (808) 756-0306.
Also, if you wish to donate money to the suffering local people of the Big Island of Hawaii, please contact the Hawaii Red Cross at:
Please do NOT give money to You Tube channels. They are NOT authorized by the County of Hawaii. Mahalo !
This video is courtesy of our friends at Paradise Helicopters, Hawaii County Civil Defense and Pele. Mahalo nui loa !
If you haven't had a chance yet, Please Click SUBSCRIBE for notification of Future Updates!
Tūtū Pele Aloha ????
Mahalo (Thank you) for staying current with the latest update: HAWAII Kilauea Eruption USGS Boat Ramp STILL in Danger! (8/10/2018)
For more information:
Hawaii News Now
#HawaiiVolcanoEruption #HawaiiKilaueaVolcano #HawaiiVolcanoNews
#HawaiiVolcanoEruption #HawaiiKilaueaVolcano #HawaiiVolcanoNews
HAWAII ERUPTION: HCCD LAVA at Pohoiki Boat Ramp STALLED! (July 29, 2018)
HVN HAWAII VOLCANO NEWS- Please SUBSCRIBE & More videos at: Thanks for watching our video. TO SEE THIS VIDEO IN HD- Click the settings cog in the bottom right corner of the video. Click Quality + 720p HD - or it will be blurry) This is a Civil Defense message for Monday, July 30 at 6:00 in the morning. Hawaiian Volcano Observatory reports a 4.1 magnitude occurred on the south flank of Kilauea last night just after 10 PM that was felt as far away as Kalapana to Hilo. No damage was reported. Earthquakes continue at Kilauea Summit and Fissure 8 continues to erupt into the channel sending lava flows into the ocean at Ahalanui, creating a large laze plume. HVO field crews report fluctuations in the channel level with spillovers occurring locally along the channel.
Yesterday’s flyover reports the margin of the flow remains approximately 500 feet from the Pohoiki Boat Ramp at Isaac Hale Park with the main ocean entry approximately 0.75 miles northeast of Pohoiki Boat Ramp.State Highways reports no new cracks on Highway 11, but requests motorists between mile marker 28 and 32 stay on the pavement, be alert for changes in roadway conditions, and drive with caution.
Isaac Hale Beach Park, also known as Pohoiki, is an oceanfront park, boat launch and surf location on Pohoiki Bay in the Puna District.
Also, our News channel HVN, provides spectacular views of the eruption in our aerial videos as well as Daily Updates from USGS, Hawaii Civil Defense and Hawaii State Agencies
The HVN Reporters are LIVE..Monday-Wednesday-Friday 6pm (PST) 8pm (CST) 9pm (EST)
Do you want to help the locals on the Big Island?
The Salvation Army continues to operate a distribution center at the Pahoa Community Center on Tuesday, Thursday, and Saturday from 9 AM to 12 PM and 2 PM to 5 PM. If you have items you wish to donate, please coordinate with the Salvation Army at (808) 756-0306.
Also, if you wish to donate money to the suffering local people of the Big Island of Hawaii, please contact the Hawaii Red Cross at:
Please do NOT give money to You Tube channels. They are NOT authorized by the County of Hawaii. Mahalo !
This video is courtesy of our friends at Paradise Helicopters, Hawaii County Civil Defense and Tutu Pele. Mahalo nui loa !
If you haven't had a chance yet, Please Click SUBSCRIBE for notification of Future Updates!
Tūtū Pele Aloha ????
SAVE POHOIKI from Geothermal Industrialization- Henry Curtis
SAVE POHOIKI COMMUNITY FESTIVAL AT KALANI HONUA- Aug. 10, 2013. Sponsored by Puna Pono Alliance to stop the proposed Geothermal industrialization.
Henry Curtis (Life of the Land) - activist & energy systems expert. Pohoiki- the only boat ramp and surfing spot in Puna & on one of the most scenic roads in the state of Hawaii. Inhabited by organic farmers and eco-retreat homes and a place of enchanting scenery.
Lava flows from Mount Vesuvius and damages houses in Naples, Italy and people eva...HD Stock Footage
CriticalPast is an archive of historic footage. The vintage footage in this video has been uploaded for research purposes, and is presented in unedited form. Some viewers may find some scenes or audio in this archival material to be unsettling or distressing. CriticalPast makes this media available for researchers and documentarians, and does not endorse or condone any behavior or message, implied or explicit, that is seen or heard in this video.
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Lava flows from Mount Vesuvius and damages houses in Naples, Italy and people evacuate the city.
Mount Vesuvius erupts in Naples, Italy. Lava flows down the mountain. Molten lava and smoke rise from it. Lava pours over banks, toward buildings. A soldier stands and watches. Lava flows and damages a house. Clouds of smoke engulf the town. People carry their luggage in carts and evacuate the city. Woman cries and walks with a man Location: Naples Italy. Date: March 21, 1944.
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land project POHOIKI BEACH 1:3:14
this is around... my property..and a ride to hot pond..
Pohoiki Boat Ramp Could Be Used Again Big Maybe, Sept 18, 2018
NYSTV - Real Life X Files w Rob Skiba - Multi Language
If you've never heard of Rob Skiba, this is a good introduction. His knowledge base include ancient aliens, modern aliens, UFOs, Flat Earth, End Time Prophecies, the illuminati, elongated skulls, he was the one who took the boat across Lake Michigan and filmed the Chicago skline, pretty much proving it wasn't a mirage, he just launched a weather balloon with cameras, a truly interesting guest.
This is an interview he did with NYSTV (Now You See TV) which has the best talks on the Illuminati.
Check out Jon Pounders and David Carrico on the Midnight Ride.
Rob's website is testingtheglobe.com.
Free Truth Productions
Choice = Abundance = Freedom
freetruthproductions.com
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Classic Movie Bloopers and Mistakes: Film Stars Uncensored - 1930s and 1940s Outtakes
Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1917 and 1960. More bloopers:
This period is often referred to as the Golden Age of Hollywood. An identifiable cinematic form emerged during this period called classical Hollywood style.
Classical style is fundamentally built on the principle of continuity editing or invisible style. That is, the camera and the sound recording should never call attention to themselves (as they might in films from earlier periods, other countries or in a modernist or postmodernist work).
Throughout the early 1930s, risque films and salacious advertising, became widespread in the short period known as Pre-Code Hollywood. MGM dominated the industry and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether. MGM stars included at various times King of Hollywood Clark Gable, Norma Shearer, Greta Garbo, Joan Crawford, Jean Harlow, Gary Cooper, Mary Pickford, Henry Fonda, Marilyn Monroe, Elizabeth Taylor, Judy Garland, Ava Gardner, James Stewart, Katharine Hepburn, Vivien Leigh, Grace Kelly, Gene Kelly, Gloria Stuart, Fred Astaire, Ginger Rogers, John Wayne, Barbara Stanwyck, John Barrymore, Audrey Hepburn and Buster Keaton. Another great achievement of American cinema during this era came through Walt Disney's animation. In 1937, Disney created the most successful film of its time, Snow White and the Seven Dwarfs.
Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented film-making. One reason this was possible is that, with so many movies being made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane, directed by Orson Welles and often regarded as the greatest film of all time, fits that description. In other cases, strong-willed directors like Howard Hawks, Alfred Hitchcock and Frank Capra battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz, Gone with the Wind, Stagecoach, Mr. Smith Goes to Washington, Destry Rides Again,Young Mr. Lincoln, Wuthering Heights, Only Angels Have Wings, Ninotchka, Babes in Arms, Gunga Din, and The Roaring Twenties. Among the other films from the Golden Age period that are now considered to be classics: Casablanca, The Adventures of Robin Hood, It's a Wonderful Life, It Happened One Night, King Kong, Citizen Kane, Swing Time, Some Like It Hot, A Night at the Opera, All About Eve, The Searchers, Breakfast At Tiffany's, North by Northwest, Dinner at Eight, Rebel Without a Cause, Rear Window, Double Indemnity, Mutiny on the Bounty, City Lights, Red River, The Manchurian Candidate, Bringing Up Baby, Singin' in the Rain, To Have and Have Not, Goodbye, Mr. Chips, Roman Holiday, Giant and Jezebel.
The style of Classical Hollywood cinema, as elaborated by David Bordwell, has been heavily influenced by the ideas of the Renaissance and its resurgence of mankind as the focal point.
Thus, classical narration progresses always through psychological motivation, i.e. by the will of a human character and its struggle with obstacles towards a defined goal. The aspects of space and time are subordinated to the narrative element which is usually composed of two lines of action: A romance intertwined with a more generic one such as business or, in the case of Alfred Hitchcock films, solving a crime.
Time in classical Hollywood is continuous, since non-linearity calls attention to the illusory workings of the medium. The only permissible manipulation of time in this format is the flashback. It is mostly used to introduce a memory sequence of a character, e.g. Casablanca.
Likewise, the treatment of space in classic Hollywood strives to overcome or conceal the two-dimensionality of film (invisible style) and is strongly centered upon the human body. The majority of shots in a classical film focus on gestures or facial expressions (medium-long and medium shots). André Bazin once compared classical film to a photographed play in that the events seem to exist objectively and that cameras only give us the best view of the whole play.
Calling All Cars: Gold in Them Hills / Woman with the Stone Heart / Reefers by the Acre
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The Wicked Flea / The Squealing Rat / 26th Wife / The Teardrop Charm
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Our Miss Brooks: Connie the Work Horse / Babysitting for Three / Model School Teacher
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.