Ukrainian Christian churches, the pilgrim, Ukraine, travel
Armenian Cathedral of the Assumption of the Blessed Virgin Mary - a monument of national importance in Lviv, which belongs to the UNESCO World Heritage Site, is the only church of the Armenian Apostolic Church in western Ukraine, Ukrainian cathedral of the Diocese of the Armenian Apostolic Church.
Armenian church built in the second half of the XIV century (1363-1370 years), master of Dora, or Dorhi and for centuries it was the social and religious center of the Armenian colony in Lviv. In 1367, the church became a cathedral: in Lviv was founded diocesan center of the Armenians of Russia and Wallachia. Later the church was formed around one of the most interesting ensembles, which included the bell tower (1571, P. Krasovskii), Archbishop's Palace (XVIII century), Armenian bank (XVII century), the Benedictine monastery (1682), a commemorative column with the figure of St. Christopher and a wooden altar with the song Calvary» (XVIII century), fencing with a gate (XVII-XIX centuries).
Art Nouveau | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:03:04 1 Naming
00:05:49 2 History
00:05:58 2.1 Influences
00:09:19 2.2 Origins of Art Nouveau – Brussels (1893–1898)
00:13:54 2.3 Paris – Maison de l'Art Nouveau (1895)
00:15:29 2.4 Paris iExposition Universelle/i (1900)
00:18:02 3 Local variations
00:18:12 3.1 Art Nouveau in France
00:21:13 3.2 Art Nouveau in Belgium
00:23:49 3.3 iNieuwe Stijl/i in the Netherlands
00:27:01 3.4 Modern Style and Glasgow School in Britain
00:30:11 3.5 iJugendstil/i in Germany
00:34:29 3.6 Secession in Austria-Hungary
00:34:39 3.6.1 Vienna Secession
00:37:38 3.6.2 Hungarian iSzecesszió/i
00:41:17 3.6.3 Other variations
00:43:27 3.7 iStile Liberty/i in Italy
00:45:18 3.8 iModernismo/i in Spain
00:49:39 3.9 iArte Nova/i in Portugal
00:51:01 3.10 iJugendstil/i in the Nordic countries
00:51:11 3.10.1 Finland
00:53:11 3.10.2 Norway
00:54:22 3.10.3 Sweden and Denmark
00:54:59 3.11 iModern/i in Russia
00:59:00 3.12 iJūgendstils/i (Art Nouveau in Riga)
01:00:39 3.13 iStyle Sapin/i in La Chaux-de-Fonds, Switzerland
01:01:26 3.14 iTiffany Style/i and Louis Sullivan in the United States
01:04:44 3.15 Art Nouveau in Argentina
01:06:17 3.16 Art Nouveau in the rest of the world
01:07:45 4 Characteristics
01:11:14 5 Relationship with contemporary styles and movements
01:13:00 6 Genres
01:13:26 6.1 Posters and graphic art
01:16:12 6.2 Painting
01:18:25 6.3 Glass art
01:21:53 6.4 Metal art
01:23:06 6.5 Jewellery
01:25:36 6.6 Architecture and ornamentation
01:29:03 6.7 Sculpture
01:30:09 6.8 Furniture
01:35:25 6.9 Ceramics
01:38:31 6.9.1 Mosaics
01:38:59 6.10 Textiles and wallpaper
01:41:07 7 Museums
01:42:12 8 See also
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SUMMARY
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Art Nouveau (; French: [aʁ nuvo]) is an international style of art, architecture and applied art, especially the decorative arts, known in different languages by different names: Jugendstil in German, Stile Liberty in Italian, Modernisme in Catalan, etc. In English it is also known as the Modern Style (not to be confused with Modernism and Modern architecture). The style was most popular between 1890 and 1910. It was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash curves, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewelry and metal work. The style responded to leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In Britain, it was influenced by William Morris and the Arts and Crafts movement. German architects and designers sought a spiritually uplifting Gesamtkunstwerk (“total work of art”) that would unify the architecture, furnishings, and art in the interior in a common style, to uplift and inspire the residents.The first Art Nouveau houses and interior decoration appeared in Brussels in the 1890s, in the architecture and interior design of houses designed by Paul Hankar, Henry Van de Velde, and especially Victor Horta, whose Hôtel Tassel was completed in 1893. It moved quickly to Paris, where it was adapted by Hector Guimard, who saw Horta's work in Brussels and applied the style for the entrances of the new Paris Metro. It reached its peak at the 1900 Paris Internationa ...