Sabine Geraudie - Passage sur Nice Azur TV
Passage sur Nice Azur TV du 29/08/2012
La Chaise Bleue de Nice
Nice : Sabine Géraudie et la magie de l'art
Sabine Géraudie, dite SAB, est une artiste niçoise très inspirée. Fraîche, naturelle et dynamique, la maman des chaises bleues n'a pas fini de vous surprendre.
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Sabine Geraudie - Passage sur France 3
Passage de SAB au journal télévisé de France 3, suite à la remise d'une création originale de la maison Ferret d'après une de ses oeuvres à Dee Dee Bridgewater, marraine du Festival de Jazz de Nice 2012.
Nizza - Die Metropole an der Côte d’Azur
Die Stadt ist eine lebendige, attraktive Großstadt mit barocken und mittelalterlichen Vierteln und gleichzeitig ein pompöser Badeort. Wer sie besucht, genießt beides: Großstadt- und Strandfeeling.
Lolita (1997) - Full Movie HQ Video
Um bom filme para ver ou rever e refletir...
Baseado no Romance de Vladimir Nabokov, este filme foi realizado por Adrian Lyne. Conta com a belíssima performance de três atores bastante conhecidos: Jeremy Irons, Dominique Swain e Melanie Griffith. Um filme muito aclamado e controverso, assim como o Romance que lhe deu origem.
13 ASTUCES POUR LES JOUETS QUE TU AURAIS AIMÉ CONNAÎTRE PLUS TÔT
Regarde ces super astuces avec des jouets ! Apprends à réaliser des figurines en bois, des dinosaures, des astuces pour les barbies et encore plein d'autres idées ! :)
TIMESTAMPS:
0:20 Barbie à la mode
5:19 Une planque pour tes bonbons
8:06 Décoration d’œufs
12:03 Paille chenille
Pour ne rien perdre de Sympa, abonnez-vous !:
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T.S. Eliot's The Waste Land documentary (1987)
Read by noted actors Michael Gough, Edward Fox, and Eileen Atkins, T. S. Eliot’s The Waste Land powerfully expresses the disillusionment and disgust of the post–World War I era in Europe. In this program, Professor Frank Kermode, of Cambridge University; Eliot biographer Peter Ackroyd; and poets Sir Stephen Spender and Craig Raine examine the complex nature of Eliot’s influential poem, analyze its appeal, and trace the reasons why it became one of the best-known emblems of the 20th century.
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»»﴿───► See more on the Authors Playlist:
This is part of the Ten Great Writers of the Modern World series:
Ten Great Writers Seminar:
Franz Kafka:
Fyodor Dostoevksy:
Henrik Ibsen:
James Joyce:
Luigi Pirandello:
T.S. Eliot:
Joseph Conrad:
Virginia Woolf:
Thomas Mann:
Kiloutou - Démonstration d'une sableuse hydrogommeuse pneumatique sur meuble ancien (bois)
L'école de formation Kiloutou vous présente, en toute sécurité, le fonctionnement et l'utilisation du matériel de location.
Ici :
Travail réalisé en basse pression. Décapage pour la restauration d'un vieux meuble.
Kiloutou vous propose à la location le compresseur nécessaire à cette hydrogommeuse, avec le granula à la vente ainsi que toute la gamme de matériel destinée au nettoyage ou décapage sur toutes surfaces extérieures : sableuse à surpression, hydrosableuse et nettoyeur haute pression eau chaude ou eau froide
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The Great Gildersleeve: Gildy Considers Marriage / Picnic with the Thompsons / House Guest Hooker
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Fish Fry / Gildy Stays Home Sick / The Green Thumb Club
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Gildy Gets Eyeglasses / Adeline Fairchild Arrives / Be Kind to Birdie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Young Love: The Dean Gets Married / Jimmy and Janet Get Jobs / Maudine the Beauty Queen
Janet Waldo (born February 4, 1924) is an American actress and voice artist with a career encompassing radio, television, animation and live-action films. She is best known in animation for voicing Judy Jetson, Penelope Pitstop and Josie McCoy in Josie and the Pussycats. She was equally famed for radio's Meet Corliss Archer, a title role with which she was so identified that she was drawn into the comic book adaptation.
Waldo appeared in several dozen films in uncredited bit parts and small roles, although she was the leading lady in three Westerns, two of them starring Tim Holt. Her big break came in radio with a part on Cecil B. DeMille's Lux Radio Theater. In her radio career, she lent her voice to many programs, including Edward G. Robinson's Big Town, The Eddie Bracken Show, Favorite Story, Four-Star Playhouse, The Gallant Heart, One Man's Family, Sears Radio Theater and Stars over Hollywood. She co-starred with Jimmy Lydon in the CBS situation comedy Young Love (1949--50), and she had recurring roles on The Adventures of Ozzie and Harriet (as teenager Emmy Lou), The Red Skelton Show and People Are Funny.
However, it was her eight-year run starring as teenager Corliss Archer on CBS's Meet Corliss Archer that left a lasting impression, even though Shirley Temple starred in the film adaptations, Kiss and Tell and A Kiss for Corliss. The radio program was the CBS answer to NBC's popular A Date with Judy. Despite the long run of Meet Corliss Archer, less than 24 episodes are known to exist. Waldo later turned down the offer to portray Corliss in a television adaptation.
In 1948 the Meet Corliss Archer comic book, using Waldo's likeness, published by Fox Feature Syndicate, appeared for a run of three issues from March to July 1948, using the original scripts. The same year, Waldo married playwright Robert Edwin Lee, the writing partner of Jerome Lawrence. The couple had two children, and remained married until his death in 1994.
Waldo made a rare on-screen television appearance when she appeared as Peggy, a teen smitten with Ricky Ricardo on a 1952 episode of I Love Lucy titled The Young Fans with Richard Crenna. Ten years later, Waldo again worked with Lucille Ball, this time playing Lucy Carmichael's sister, Marge, on The Lucy Show. That episode, Lucy's Sister Pays A Visit also featured actor Peter Marshall. She also appeared on an episode of The Andy Griffith Show as Amanda. In addition, Waldo reprised the role of Emmy Lou for some early TV episodes of The Adventures of Ozzie and Harriet. Later, she was the female lead opposite Anthony Franciosa in the short-lived sitcom Valentine's Day (1964).
Shirley Mitchell (born November 4, 1919) is an American film and television actress.
After moving to Chicago, she appeared in the network broadcast of The First Nighter and played small parts in various soap operas including The Story of Mary Marlin and The Road of Life. After moving to Los Angeles, she played opposite Joan Davis in The Sealtest Village Store. She also starred as Louella in The Life of Riley and joined the cast of Fibber McGee and Molly as Alice Darling in 1943. Her most prominent radio role was that of the charismatic Southern belle Leila Ransom on The Great Gildersleeve radio show beginning in September 1942. In 1953, Shirley joined the cast of I Love Lucy playing the part of Lucy Ricardo's friend Marion Strong. As of 2012, she is the only recurring adult cast member still living following the deaths of Doris Singleton in 2012 and Peggy Rea in 2011. In 1962, she played Mrs. Colton on the CBS-TV comedy series Pete and Gladys, and between 1965--1967, she appeared as neighbor Marge Thornton on NBC-TVs Please Don't Eat the Daisies. In the same year she appeared in Episode 13, Season 2 of The Dick Van Dyke Show when she played Shirley Rogers opposite Bob Crane as Harry Rogers in Somebody Has to Play Cleopatra. In 1963, she appeared on the television program The Beverly Hillbillies as Opal Clampett (the wife of Jake Clampett, an out-of-work actor). In 1966, she appeared in Green Acres as a nurse and as Oliver's old friend Wanda. Between 1967 and 1968, she portrayed Kate Bradley's cousin Mae Belle Jennings on Petticoat Junction. In 1968, she appeared in the Season 1 finale of The Doris Day Show as Mrs. Loomis, a woman who accuses Billy of stealing $5.00 from her purse after she dropped it.
In 1972, she was the voice of Laurie Holiday on the Hanna-Barbera cartoon series, The Roman Holidays.
In 1994, Mitchell voiced the Sneetches, cousins, Thidwick's mother and Sue the Second Fish in Storybook Weaver and later in 2004, deluxe version in Storybook Weaver Deluxe.
In 2012, she voiced her guest star as Betty White in MAD episode, Betty White & the Huntsman / Ancient Greek Mythbusters.