Suspense: Blind Spot
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
Calling All Cars: Banker Bandit / The Honor Complex / Desertion Leads to Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Words at War: Assignment USA / The Weeping Wood / Science at War
The Detroit Race Riot broke out in Detroit, Michigan in June 20, 1943, and lasted for three days before Federal troops restored order. The rioting between blacks and whites began on Belle Isle on June 20, 1943 and continued until the 22nd of June, killing 34, wounding 433, and destroying property valued at $2 million.
In the summer of 1943, in the midst of World War II, tensions between blacks and whites in Detroit were escalating. Detroit's population had grown by 350,000 people since the war began. The booming defense industries brought in large numbers of people with high wages and very little available housing. 50,000 blacks had recently arrived along with 300,000 whites, mostly from rural Appalachia and Southern States.[2]
Recruiters convinced blacks as well as whites in the South to come up North by promising them higher wages in the new war factories. Believing that they had found a promised land, blacks began to move up North in larger numbers. However, upon arriving in Detroit, blacks found that the northern bigotry was just as bad as that they left behind in the deep South. They were excluded from all public housing except Brewster Housing Projects, forced to live in homes without indoor plumbing, and paid rents two to three times higher than families in white districts. They also faced discrimination from the public and unfair treatment by the Detroit Police Department.[3] In addition, Southern whites brought their traditional bigotry with them as both races head up North, adding serious racial tensions to the area. Job-seekers arrived in such large numbers in Detroit that it was impossible to house them all.
Before the attack on Pearl Harbor, the U.S. government was concerned about providing housing for the workers who were beginning to pour into the area. On June 4, 1941, the Detroit Housing Commission approved two sites for defense housing projects--one for whites, one for blacks. The site originally selected by the commission for black workers was in a predominantly black area, but the U.S. government chose a site at Nevada and Fenelon streets, an all-white neighborhood.
To complete this, a project named Sojourner Truth was launched in the memory of a black Civil War woman and poet. Despite this, the white neighborhoods opposed having blacks moving next to their homes, meaning no tenants were to be built. On January, 20, 1942, Washington DC informed the Housing Commission that the Sojourner Truth project would be for whites and another would be selected for blacks. But when a suitable site for blacks could not be found, Washington housing authorities agreed to allow blacks into the finished homes. This was set on February 28, 1942.[4] In February 27, 1942, 120 whites went on protest vowing they would keep any black homeowners out of their sight in response to the project. By the end of the day, it had grown to more than 1,200, most of them were armed. Things went so badly that two blacks in a car attempted to run over the protesters picket line which led to a clash between white and black groups. Despite the mounting opposition from whites, black families moved into the project at the end of April. To prevent a riot, Detroit Mayor Edward Jeffries ordered the Detroit Police Department and state troops to keep the peace during that move. Over 1,100 city and state police officers and 1,600 Michigan National Guard troops were mobilized and sent to the area around Nevada and Fenelon street to guard six African-American families who moved into the Sojourner Truth Homes. Thanks to the presence of the guard, there were no further racial problems for the blacks who moved into this federal housing project. Eventually, 168 black families moved into these homes.[5] Despite no casualties in the project, the fear was about to explode a year later.[6]
In early June 1943, three weeks before the riot, Packard Motor Car Company promoted three blacks to work next to whites in the assembly lines. This promotion caused 25,000 whites to walk off the job, effectively slowing down the critical war production. It was clear that whites didn't mind that blacks worked in the same plant but refused to work side-by-side with them. During the protest, a voice with a Southern accent shouted in the loudspeaker, I'd rather see Hitler and Hirohito win than work next to a nigger.
The Great Gildersleeve: Birdie Sings / Water Dept. Calendar / Leroy's First Date
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Loose Change - 2nd Edition HD - Full Movie - 911 and the Illuminati - Multi Language
Why were 4 planes allowed to fly over restricted airspace with no transponder signals for over an hour? Why did the owner of the WTC take out a multi billion dollar terrorist insurance policy months before? Why did Jeb Bush, then Head of Security for the WTC remove all the bomb sniffing dogs? Why did the lead hijacker use the U.S. Pensacola Naval Air Station as his address when he rented a car?
So many unanswered questions that deserve further examination, but not even mentioned in the 911 Commission Report.
This is the best documentary on 911. there are other Loose Change Editions but they have been watered down by Alex Jones and others. The second edition is the one you want to watch.
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NYSTV - The Genesis Revelation - Flat Earth Apocalypse w Rob Skiba and David Carrico - Multi Lang
So Flat Earth is OFFICIALLY a thing now. Whether you believe it or think it's crazy, people are talking about it. Everyone knows someone who is looking into it.
Rob Skiba has been at the fore front, along with Mark Sargent and Patricia Steere. He's the one who took the boat across lake Michigan with a camera to prove that the Chicago Skyline (which is visible despite the fact it should be under 8 miles of curvature) wasn't a mirage.
For all you Flat Earther's out there.
Most of you are hesitant about this topic because there's been a globe in every classroom since kindergarten.
If Flat Earth is real, then this is the biggest one. All the other lies were told just to cover this one up.
Free Truth Productions
If the Truth was easy, everyone would be seeking it...
freetruthproductions.com
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מה שטוחה
平らな地球
bumi datar
ბინა დედამიწაზე
жалпақ жер
ដីនៅលើដី
ಫ್ಲಾಟ್ ಭೂಮಿಯ
평지
ແຜ່ນດິນດ່ຽວ
plokšti žemė
plakana zeme
tany
papa whenua
рамна земја
ഫ്ലാറ്റ് ഭൂമി
хавтгай газар
सपाट पृथ्वी
bumi rata
art ċatta
सस्तो पृथ्वी
vlakke aarde
flat jord
dziko lapansi lathyathyathya
ਫਲੈਟ ਧਰਤੀ
płaska ziemia
Terra plana
pământ plat
плоская земля
පැතලි පෘථිවිය
plochá zemina
ravna zemlja
dhulka dhulka
tokë të sheshtë
равна земља
lefatše le bataletseng
bumi datar
platt jord
ardhi ya gorofa
பிளாட் பூமி
ఫ్లాట్ భూమి
заминаи рост
โลกดิน
düz dünya
плоска земля
فلیٹ زمین
tekis tuproq
trái đất phẳng
פלאַך ערד
ilẹ alapin
扁平的地球
umhlaba flat
Exposing the Secrets of the CIA: Agents, Experiments, Service, Missions, Operations, Weapons, Army
Allan James Francovich (March 23, 1941 – April 24, 1997) was an American maker of investigative films, including documentaries on CIA covert operations and the Lockerbie disaster. More:
Francovich suffered a fatal heart attack in a Customs area at George Bush Intercontinental Airport in Houston, Texas, on April 17, 1997 whilst entering the United States from England; he was 56.
His father, Aldo Francovich, worked as a mining engineer for Cerro de Pasco mining company in Peru; as a child he lived in high altitude mining towns and witnessed the extreme poverty of the miners. He attended an elite preparatory school in Lima then came to the U.S. to attend Notre Dame University, where he completed a B.A. He lived in Paris for several years, studying free-lance at the Sorbonne before coming to Berkeley. There he finished an M.A. in Dramatic Arts at UC, Berkeley; he also studied film briefly at Stanford and received a grant to study film from the American Film Institute in 1970. He and translator and writer Kathleen Weaver were married in 1970; the two separated amicably and were divorced in 1986. She collaborated on his films during the time of their marriage.
His films and papers are archived by the Pacific Film Archive, in Berkeley, California.
Victor L. Marchetti, Jr. (born December 23, 1929) is a former special assistant to the Deputy Director of the Central Intelligence Agency and a prominent paleoconservative critic of the United States Intelligence Community and the Israel lobby in the United States.
While serving as an active-duty American soldier, Marchetti was recruited into the intelligence agencies in 1952 during the Cold War to engage in espionage against East Germany. Marchetti joined the Central Intelligence Agency in 1955, working as a specialist on the USSR. He was a leading CIA expert on Third World aid, with a focus on USSR military supplies to Cuba after the end of the Kennedy administration.
In 1966 Marchetti was promoted to the office of special assistant to the Chief of Planning, Programming, and Budgeting, and a special assistant to CIA Director Richard Helms. Within three years Marchetti became disillusioned with the policies and practices of the CIA, and resigned in 1969, writing an exposé of the CIA in a book published in 1971 entitled The Rope Dancer.
Later Marchetti published books critical of the CIA with author John D. Marks. The books included, The CIA and the Cult of Intelligence (1973). Before this book was published, the CIA demanded that Marchetti remove 399 passages, but Marchetti stood firm and only 168 passages were censored. It is the first book the federal government of the United States ever went to court to censor before its publication. The publisher (Alfred A. Knopf) chose to publish the book with blanks for censored passages and with boldface type for passages that were challenged but later uncensored. The publication of this book was one of the events that led to the establishment of the Church Committee by Frank Church.
In 1976 Marchetti published Foreign and Military Intelligence and in 1978 he published an article about the JFK assassination in the far-right newspaper of the Liberty Lobby, The Spotlight. Marchetti, a proponent of the organized crime and the CIA conspiracy theory, claimed that the House Select Committee on Assassinations revealed a CIA memo from 1966 that named E. Howard Hunt, Frank Sturgis and Gerry Patrick Hemming in the JFK assassination. Marchetti also claimed that Marita Lorenz offered sworn testimony to confirm this.
In 1981, sued the Liberty Lobby and Marchetti for defamation and won $650,000 in damages. Liberty Lobby appealed the case with lawyer, Mark Lane. Marchetti, Liberty Lobby and Lane won the appeal in 1995. Lane wrote a book, Plausible Denial, to describe the unfolding of that historic trial.
NYSTV - Ancient Aliens - Flat Earth Paradise and The Sides of the North - Multi Language
Is the North Pole the site of the original EDEN? Were the mythological times of titans and gods just an account of our antediluvian past? Were the Fallen Angels posing as gods of old? Will they reinvent themselves as Ancient Aliens so they can take credit for engineering the human race as is the case with Annunaki and Sumerian accounts of creation?* Was this their plan from the beginning and the Sumerian Texts was a sort of psyops for future generations?
Join David Carrico of FOJC Radio and Jon Pounders of NYSTV for information you won't hear anyone else talking about.
*According the the Sumerian Tablets, some of the oldest recorded written documents in the world, The annunaki (sky gods) came down to the Middle East and engineered the human race by combining their DNA with the DNA of primitive man, thus jump starting our evolution and giving birth to the human race.
This account is utter BS.
Here's the proof. If you go read any magazine or newspaper or history book in the mainstream, you'll read about an utterly distorted and skewed account of history from the winners (History is written by the winners). Why should the Sumerian Tablets be any different? It was all just a long planned psyops to get people into falsely believing that ENKI aka Lucifer, and not GOD spawned the human race... He's tricky one with the ability to plan his moves thousands of years in advance....
Free Truth Productions
Truth is its own reward...
freetruthproductions.com
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Suspense: Wet Saturday - August Heat
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
You Bet Your Life: Secret Word - Chair / People / Foot
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
NYSTV - Real Life X Files w Rob Skiba - Multi Language
If you've never heard of Rob Skiba, this is a good introduction. His knowledge base include ancient aliens, modern aliens, UFOs, Flat Earth, End Time Prophecies, the illuminati, elongated skulls, he was the one who took the boat across Lake Michigan and filmed the Chicago skline, pretty much proving it wasn't a mirage, he just launched a weather balloon with cameras, a truly interesting guest.
This is an interview he did with NYSTV (Now You See TV) which has the best talks on the Illuminati.
Check out Jon Pounders and David Carrico on the Midnight Ride.
Rob's website is testingtheglobe.com.
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The Great Gildersleeve: Christmas Shopping / Gildy Accused of Loafing / Christmas Stray Puppy
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Suspense: The Name of the Beast / The Night Reveals / Dark Journey
The Number of the Beast (Greek: Ἀριθμὸς τοῦ θηρίου, Arithmos tou Thēriou) is the numerical value of the name of the person symbolized by the beast from the sea, the first of two symbolic beasts described in chapter 13 of the Book of Revelation. In most manuscripts of the New Testament the number is 666, but the variant 616 is found in critical editions of the Greek text, such as the Novum Testamentum Graece.
Most scholars believe that the number of the beast equates to Emperor Nero, whose name in Greek when transliterated into Hebrew, retains the value of 666, whereas his Latin name transliterated into Hebrew, is 616. The mark of the beast is used to distinguish the beast's followers. Revelation 13:17 says that the mark is the name of the beast or the number of his name. Because of this, it is widely thought among dispensationalists that the mark will be some future representation of the actual number 666. It has also been speculated that the mark may be an Imperial Roman seal, or the Emperor's head on Roman coins.
The Great Gildersleeve: Leroy's Toothache / New Man in Water Dept. / Adeline's Hat Shop
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Our Miss Brooks: First Day / Weekend at Crystal Lake / Surprise Birthday Party / Football Game
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
The Book of Enoch Complete Edition - Multi Language
The book of Enoch is a very interesting book. We have only recovered fragments although a full version was discovered once but auctioned off to a private collector, never to be seen again.
The fragments we did recover were translated and told a phenomenal story.
The Book of Enoch was written in the past, but was specifically written for the Final Generation.
It is the only book in the world, as far as I know, that confers a blessing from God to all who read it. Automatically!
The book of Enoch could only be understood in today's time.
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The Tale of Two Thrones - The Archangel and Atlantis w Ali Siadatan - NYSTV
This was the Now You See TV broadcast of Ali Siadatan's appearance. If you are a true truth seeker this is a must listen.
NYSTV - Subscribe to their channel if you haven't. The most cutting edge info. This video is subtitled in 100? (that was our goal) languages to spread the truth of this weird plane (of existence i.e. Earth ;).
So if you know about the Illuminati, and how much control they have, this video delves into the ancient history of the Illuminati and where they came from.
Ali is one of the foremost experts on the topic. His video UFOs Angels & Gods is a definite must watch.
As usual, if there are any mistakes in any of the translation, please feel free to correct them. It takes a looooong time creating subtitles but I'll try to get as many out as I can.
-Free Truth Productions... Truth for all!!!
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863-1 Videoconference with Supreme Master Ching Hai: SOS - Save the Planet, Multi-subtitles
★EdenRules/伊甸園/Vườn Địa Đàng :
★Subscribe/訂閱/Đăng Ký :
Held in Xalapa City, Mexico, this festive international conference features some very moving messages from prominent public figures from Mexico, Formosa (Taiwan), Philippines and the United Kingdom. All the speakers supported the green efforts of Supreme Master Ching Hai and agree that our days are numbered and we need to do something about the dire state of our planet.
Supreme Master Ching Hai encouraged the public to take responsibility for themselves and set an example for others or even their leaders. Adding, “The good leaders do care. They have children and they want to protect them and the future generations.” Hosting a range of enlightening questions from members of the audience, you will be both captivated and moved by Her profound words of wisdom, such as: “Living in virtue is the only protection; these virtues will be smiled upon by Heaven. We have to respect life and then we will beget life.”
★★★★★★★
墨西哥沙拉巴市所舉行的這場國際會議中，來自墨西哥、福爾摩沙（台灣）、菲律賓及英國等傑出公眾人物，在會中發表了感人的言論。演講者均支持清海無上師致力環保，並同意我們時間所剩不多，須採取行動來因應地球嚴峻的情勢。
清海無上師鼓勵大眾要為自己負責，為他人甚至領袖樹立榜樣：「好的領導人會關心，他們也有子女，也想保護孩子及下一代。」對於觀眾們極富啟發性的提問，她睿智的答覆令人深受感動，如：「道德生活是唯一的保護，上天會嘉許這些善行。我們必須尊重生命，才能獲得生命。」
清海無上師簡介
為了那一點點愛，我們上天下地探索，只為尋獲那一點點愛，
將此愛與眾生分享，無論他們在世上哪個角落。
—— 清海無上師
在無數與清海無上師相遇的人眼中，無上師可說是「愛」的化身！
她是一位知名的慈善家、藝術家和靈性導師。她的愛心和奉獻超越文化與種族的藩籬，嘉惠世界各地數以百萬計的人們。其中包括：窮困的人、醫學研究機構、孤苦的老人、身心障礙者、難民，以及遭受地震、水患等受難者，只要人們有需求，她便無私地奉獻所有。
經由這些善舉，我們見證「源源不絕的慈悲心」正是這位深具愛心女士的標誌。而「世界會」會員，也依循著她的愛心典範，成長茁壯。
清海無上師出生於悠樂中部。小時候，她總是盡其所能地幫助醫院裏的病人和窮苦的人。長大後，她到歐洲留學，擔任義務護理人員，以及為紅十字會翻譯。很快地，清海無上師便發現，痛苦存在於所有文化和世界上每個角落。因此，找尋解除這些苦難的方法，成為她生活中最重要的目標。
清海無上師曾與一位德國醫生結婚，過著幸福美滿的婚姻生活。儘管「分離」對他們來說，是個極為困難的抉擇，然而為了無上師高雅的理想，她的先生最後還是同意分離。隨後，清海無上師便展開靈性追尋之旅。
經過一段漫長旅程，最後，她在印度喜馬拉雅山的深山裡，找到一位開悟的明師，傳授她「觀音法門」——觀內在光和音的打坐法門。經過一段時間的精進修行之後，她達到完全證悟的境界。
“你必須把時間留給自己，往內靜思、回歸自己的本性，記起自己內在的本質，並發展它，讓自己像個藝術家般閒情逸致、滿懷愛心、沒有壓力，然後你才能給予。如果你不了解快樂，你就無法給予快樂；如果你沒有和平，你就無法給予和平。
—— 清海無上師
離開喜馬拉雅山後不久，在眾人的誠摯懇求下，清海無上師將「觀音法門」傳授給渴求真理的人們，鼓勵求道者往內找尋自己偉大的品質。
社會各階層的人士，經由修行「觀音法門」後，發現他們生活更滿足、平靜，充滿喜悅。隨後，美國、歐洲、亞洲、南美洲以及聯合國，均邀請清海無上師蒞臨演講，並傳授「觀音法門」。
“我們能分享什麼就開始分享，然後就可以感受到內在的微細變化，我們的意識會注入更多的愛力，這就是一個起步。我們來到這裡是為了學習成長，也為了學習使用我們無限的愛力和創造力，讓我們所處的任何環境變得更好！
—— 清海無上師
清海無上師本身是一位善行義舉的典範，同時她也鼓勵大家美化我們所居住的世界。
經由修行觀音法門，清海無上師發展出多樣渾然天成的才華，透過繪畫、音樂、詩作、珠寶和服裝設計等藝術創作，將來自天國的靈思融入生活之中。
1995年，在大眾的懇求下，首度在國際各流行重鎮，展開服裝設計巡迴展，其中包括倫敦、巴黎、米蘭和紐約等地。清海師父用這些藝術創作的收入從事慈善工作，以獨立的資金來源展現她的務實觀－－我們都應該靠自己的力量幫助他人。
雖然清海無上師不追求外界的認可，但世界各國的官方和私人組織，為表揚她的無我奉獻，在諸多場合頒發給她各式獎項，包括：「世界和平獎」、「顧氏和平獎」、「世界精神領袖獎」、「世界公民人道獎」以及服務大眾傑出人士和提升人權方面的獎章。
她以愛心消弭世上的仇恨，她為絕望的人帶來希望，
她以寛容化解誤會，她散發出偉人光芒，
她是全人類的慈悲天使。
—— 前夏威夷檀香山市長花士先生
清海無上師是當代致力於幫助他人發現及創造美好未來的人士之一。如同許多歷史上的偉人一樣，無上師也有她自己的夢想：
我有一個夢想
我夢想全世界和平
我夢想世界不再有殺生，小孩們可以過著和諧安樂的生活
我夢想國際間能彼此握手言和、互相保護、互相幫助
我夢想這個幾千百萬億年愛心造就的美麗的星球不會被摧毀
我夢想它將會在和平、美麗與愛中延續下去
Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Author, Journalist, Stand-Up Comedian: Paul Krassner Interview - Political Comedy
Paul Krassner (born April 9, 1932) is an author, journalist, stand-up comedian, and the founder, editor and a frequent contributor to the freethought magazine The Realist, first published in 1958. More Krassner:
Krassner became a key figure in the counterculture of the 1960s as a member of Ken Kesey's Merry Pranksters and a founding member of the Yippies.
The Realist was published on a fairly regular schedule during the 1960s, then on an irregular schedule after the early 1970s. In 1966, Krassner published The Realist's controversial Disneyland Memorial Orgy poster, illustrated by Wally Wood, and he recently made this famed black-and-white poster available in a digital color version. The Realist also distributed a red, white and blue Cold War bumper sticker that read Fuck Communism.
Krassner's most notorious satire was the article The Parts That Were Left Out of the Kennedy Book, which followed the censorship of William Manchester's book on the Kennedy assassination, The Death of a President. At the climax of the grotesque-genre short-story, Lyndon B. Johnson is described as having sexually penetrated the bullet-hole wound in the throat of John F. Kennedy's corpse. According to Elliot Feldman, Some members of the mainstream press and other Washington political wonks, including Daniel Ellsberg of Pentagon Papers fame, actually believed this incident to be true. In a 1995 interview for the magazine Adbusters, Krassner commented: People across the country believed - if only for a moment - that an act of presidential necrophilia had taken place. It worked because Jackie Kennedy had created so much curiosity by censoring the book she authorized - William Manchester's 'The Death Of A President' - because what I wrote was a metaphorical truth about LBJ's personality presented in a literary context, and because the imagery was so shocking, it broke through the notion that the war in Vietnam was being conducted by sane men.
In 1966, he reprinted in The Realist an excerpt from the academic journal the Journal of the American Medical Association, but presenting it as original material. The article dealt with drinking glasses, tennis balls and other foreign bodies found in patients' rectums. Some accused him of having a perverted mind, and a subscriber wrote I found the article thoroughly repellent. I trust you know what you can do with your magazine.
Krassner revived The Realist as a much smaller newsletter during the mid-1980s when material from the magazine was collected in The Best of the Realist: The 60's Most Outrageously Irreverent Magazine (Running Press, 1985). The final issue of The Realist was #146 (Spring, 2001).
Krassner remains a prolific writer. In 1971 he published a collection of his favourite works for The Realist, as How A Satirical Editor Became A Yippie Conspirator In Ten Easy Years. In 1981 he published the satirical story Tales of Tongue Fu, in which the hilarious misadventures of the Japanese-American man Tongue Fu are mixed with a wicked social commentary. In 1994 he published his autobiography Confessions of a Raving, Unconfined Nut: Misadventures in Counter-Culture. In July 2009, City Lights Publishers will release Who's to Say What's Obscene?, a collection of satirical essays that explore contemporary comedy and obscenity in politics and culture.
He published three collections of drug stories. The first collection, Pot Stories for the Soul (1999), is from other authors and is about marijuana. Psychedelic Trips for the Mind (2001), is written by Krassner himself and collects stories on LSD. The third, Magic Mushrooms and Other Highs (2004), is by Krassner too, and deals with magic mushrooms, ecstasy, peyote, mescaline, THC, opium, cocaine, ayahuasca, belladonna, ketamine, PCP, STP, toad slime, and more.