S.S. WEB - Dead Man's Bar / Hangin' Around / Drag Me Straight To Hell / Stay -Milan Italy 2016.04.17
SS WEB live @Upcycle Milan Bike Cafe, Milan, Italy, on April 17th, 2016.
Real country, bar driven folk, Whisky, ....., what matters, they are great musician! Go to see their shows. they are fantastic. Enjoy!
Dead Man's Bar (0:00)
Hangin' Around (2:00)
Drag Me Straight To Hell (3:47)
Stay (5:05)
2018 - NOTTE BIANCA ROMANA
Acqui Terme - 23 Giugno 2018
NOTTE BIANCA ROMANA
musica e ballo all'officina del Bar Dante
video realizzato con cellulare Huawei P8
Enemy Machine Live @ Festa della Birra Osteria 46
Enemy Machine (ex Brad Commemorecha) in una ripresa live alla festa della birra all'OSTERIA46 di Acqui Terme
Pietruccio Montalbetti dei Dik Dik intervistato da Mantrasound per Egea Music @Leroi TorinoBeat
Pietruccio Montalbetti dei Dik Dik,presenta l'anteprima del nuovo album della band prodotto e distribuito da Egea Music: egeamusic.com ai microfoni di Mantrasound,nella kermesse di Torino Beat presso lo storico Live Club del Leroi Music Hall di via Stradella Torino.
Gli esordi,la British invasion,Kerouac e l'incontro fraterno con Lucio Battisti.Questo è l'Artista che ha oltre il bagaglio musicale l'esperienza di un viaggiatore alla riscoperta di se stesso in mezzo alle Tribù,trovando documentazioni e scoop che diventano libri documentati da vari reportage,dallo stesso Montalbetti.
Mantrasound per Egea Music,il programma radiofonico di Riplive.
dikdik.it
egeamusic.com
facebook.com/mantrasound
twitter.com/Mantrasound
riplive.it (Ogni Domenica dalle 21:00)
mantrasoundradioweb@gmail.com
Thruxton
Перегон из Москвы в Питер
Regalo a Luca Rancilio in occasione dell'inaugurazione Officina Rancilio
Regalo a Luca Rancilio per il compleanno in occasione dell'inaugurazione Officina Rancilio
2° raduno Jeep® & Harley-Davidson al Motor Village Torino
Stile di vita, sentimento, emozione, e libertà a due e quattro ruote. Questo è quello che abbiamo vissuto insieme durante il 2° raduno Jeep® & Harley-Davidson. Per chi non c'era, ecco quello che vi siete persi. E per chi c’era, potete sognare ancora con noi! #FreedomLovers
The Real Men in Black - Black Helicopters - Satanism - Jeff Rense and Jim Keith - Multi - Language
Men in Black instances straddle the lines between mysticism and science. Occultism and UFOs. Material reality and fantasy. Partaking of all, defined by none. Since ancient times, these mysterious beings have stalked the planet and in recent years, they have tried to silence witnesses of UFO sightings with threats of harassment and even worse.
Who are these strange beings garbed all in black?
Are they Government agents?
Aliens?
Creatures from another dimension?
Casebook by Jim Keith
This was a radio broadcast of a show called Sightings Radio with Jeff Rense.
rense.com
His guest is Jim Keith and they ddiscuss topics ranging from Nicotine found in the blood of cattle mutilations, lips removed from cattle, the actual documents that created AIDS, not just a paper trail, blood and it's relation to the Mothman, Implants of Whitley Streiber and how he (whitley) thinks he might be mind controlled, The Monatak Project, Cathy Obrien, Satanism and how it is involved with UFOs and how recently, abductees are taken to fancy hotels instead of space ships.
Free Truth Productions
Truth and Freedom go hand in hand...
FreeTruthProductions.com
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Calling All Cars: Ice House Murder / John Doe Number 71 / The Turk Burglars
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.