Virtual reality amusement park opens in Tokyo
Japanese game maker Bandai Namco Entertainment has opened its latest Virtual Reality (VR) amusement park, VR ZONE SHINJUKU, in Tokyo.
Subscribe to us on YouTube:
Download our APP on Apple Store (iOS):
Download our APP on Google Play (Android):
Follow us on:
Facebook:
Instagram:
Twitter:
Pinterest:
Tumblr:
Weibo:
Vlog #28: Till Next Time, Hokkaido
Hokkaido (part 2/2)
7-13 July 2015
It's been so long since we had a last vacation together as a family! Off to Hokkaido for the first time to experience their pretty summer!
DAY FOUR:
Otokoyama Sake Brewery & Museum
Lunch at Tenguyama
Otaru Canal
Otaru Music Box Museum
Kitaichi Glass
Okurayama Jumping Hill
Gateaux Kingdom Hotel
DAY FIVE:
Lake Toyako
Cherry Farm
Sunflower Field (we came across while driving & trespassed oops)
Shouwa Sinzan Bear Ranch
Mount Showa
Noboribetsu Date Jidaimura (Ninja land)
Shikotsu-Toya National Park
DAY SIX:
Shopping at Mitsui Outlet Mall Park Kitahiroshima
More shopping at Tanukikoji Shopping Arcade
DAY SEVEN:
Home sweet home!
Music: Where You Wanna Be by Charles William & Bloom by The Paper Kites
Filmed by: Gopro Hero 4 Silver, Canon G15, Canon E0S 650D
Edited on: Final Cut Pro 7
JAPANTRIP「東京都庁（新宿） Tokyo Metropolitan Government Building (Tocho)」Shinjuku
The Tokyo Metropolitan Government Building (東京都庁, Tōkyō Tochō) in Shinjuku is often visited by tourists for its free observation decks which provide good panoramic views of Tokyo and beyond. The 243 meter tall building has two towers, and each houses an observatory at a height of 202 meters. It had been the tallest building in Tokyo until it was overtaken by the Midtown Tower in 2007.
日本橋 たいめいけん 凧の博物館の男子トイレ Men's toilet at the museum of taimeiken kite
撮影日 2017年03月17日
たいめいけん 凧の博物館の男子トイレです。
レバー式
ウォシュレット 無
トイレの住所は、東京都中央区日本橋1-12-10 たいめいけん5階です。
撮影機種 コンパクトデジタルカメラCANON PowerShot SX610 HS
トイレ見る 映像全部
Shooting date March 17, 2017. Taimeiken is a male toilet at a museum of kites. Lever type. Washlet No Toilet is located on the 5th floor of taimeiken Nihonbashi, Chuo-ku, Tokyo 1-12-10. Camera model compact digital camera CANON PowerShot SX 610 HS
拍摄日期是5月17日男子厕所，.taimeiken风筝博物馆2017年03。杠杆式，坐浴盆，免费的。卫生间地址是日本桥，中央区，东京10年1月12日taimeiken5楼。拍摄模式的紧凑型数码相机佳能PowerShot SX610 HS
शूटिंग की तारीख 2017 03 मई 17 पुरुषों के शौचालय की, .taimeiken पतंग संग्रहालय है। लीवर प्रकार। Bidet से मुक्त हो। शौचालय का पता Nihonbashi, Chuo-ku, टोक्यो 1-12-10 taimeiken5 मंजिल है। शूटिंग मॉडल कॉम्पैक्ट डिजिटल कैमरा कैनन PowerShot SX610 एचएस
Fecha de la toma 2017 03 17 de mayo de .taimeiken museo cometa del baño de hombres. Palanca tipo. Bidet libre. Dirección de WC es Nihonbashi, Chuo-ku, Tokio 1-12-10 taimeiken5 suelo. Fotomodelo cámara digital compacta Canon PowerShot SX610 SA
Дата съемки составляет 03 2017 17 мая .taimeiken кайт музей мужской туалет. Рычажного типа. Биде свободной. Туалет адрес Nihonbashi, Минато-ку, Токио 1-12-10 taimeiken5 этаж. Съемка модели компактный цифровой фотоаппарат Canon PowerShot SX610 HS
Date de prise de vue est 2017 03 17 mai .taimeiken musée du cerf-volant de la toilette des hommes. Levier de type. Bidet-libre. Adresse de toilettes est Nihonbashi, Chuo-ku, Tokyo 12/01/10 taimeiken5 étage. Modèle de tournage appareil photo numérique compact CANON PowerShot SX610 HS
تاريخ اطلاق النار هو 2017 03 17 مايو، .taimeiken متحف طائرة ورقية من المرحاض للرجال. رافعة نوع. بيديه خالية عنوان مرحاض نيهونباشي، تشو-كو، طوكيو 1-12-10 taimeiken5 الأرض. نموذج اطلاق النار المدمجة كاميرا رقمية كانون PowerShot SX610 HS
Data de gravação é de 2017 03 17 de Maio, .taimeiken Kite Museum of banheiro dos homens. Lever tipo. Bidê-free. Endereço de WC é Nihonbashi, Chuo-ku, Tokyo 1-12-10 taimeiken5 chão. Modelo de rodagem compacta câmera digital Canon PowerShot SX610 HS
Tarikh penangkapan adalah 2017 03 May 17, .taimeiken muzium layang-layang tandas lelaki. Lever jenis. Bidet bebas. Address Tandas adalah Nihonbashi, Chuo-ku, Tokyo 1-12-10 taimeiken5 lantai. Model Menembak padat kamera digital CANON PowerShot SX610 HS
শুটিং তারিখ 2017 03 মে 17 পুরুষদের টয়লেট, .taimeiken ঘুড়ি মিউজিয়াম. লিভার টাইপ. Bidet মুক্ত. টয়লেট ঠিকানা Nihonbashi, Chuo-Ku, Tokyo 1-12-10 taimeiken5 মেঝে হয়. শুটিং মডেল কম্প্যাক্ট ডিজিটাল ক্যামেরা ক্যানন PowerShot SX610 এইচএস
Togoshi-Ginza after typhoon, Tokyo - 戸越銀座, 東京
3 minutes de vie japonaise dans les environs de la station Togoshi-Ginza après le passage d'un typhon. (Shinagawa, Tokyo)
----
2 minutes of japanese life around Togoshi-Ginza station after typhoon. (Shinagawa, Tokyo)
Recorded with eos 650D (Canon 24mm f/2.8, Kenko NDX, Rode stereo mic pro)
tripod + Steadicam merlin2
【浮世絵 名所絵】葛飾北斎 富嶽三十六景
富嶽は富士山の別名。19世紀後半のヨーロッパでジャポニスムと呼ばれる潮流を起こした北斎の代表作。初めは題名の通り36図出版されましたが、非常に好評であったため、後から10図が追加されて最終的に46図になりました。当初の36図を「表富士」、追加の10図を「裏富士」と呼びます。「富嶽三十六景」は単なる風景画の域を超え、日本人の心の風景を描き出しています。
日本が世界に誇る浮世絵をアップしていきます。チャンネル登録はこちらです。
葛飾北斎の再生リスト
浮世絵 春画の再生リスト
Un mes en Tokyo - 01. El Barrio de Nakano
Primer día completo en Tokyo después de la llegada! En este caso visitamos nuestro barrio, Nakano, y sus increíbles tiendas en Nakano Broadway! :)
BJP451 1 A.M (Gozen Ichi-ji)
Done by the students of faculty of Information Management in Library of class IM2444B batch 2013 for requirement of Final Project Third Language for subject BJP451 - Japanese Language II under Mdm. Suzana Hamzah
Characters
Adrianna Cristie Bte Jaudi -- Aura Sakura
Dyg Arwinna Haszlin Binti Abg Sulaiman -- Aika Yoshiko
Eliza Dora Spencer -- Suzy Midori
Tiffy Anak Patan -- Aya Michiko
Synopsis
Aya, Suzy, Aura and Aika were best friends who stay at the same house in their hostel. All four of them had just had their mid-semester break and are ready to start new semester ahead. But what they did not know is that Aya and Suzy had already died in a fatal car accident when they are on the way to their hostel. The entity of Aya and Suzy decided to hunt both Aura and Aika as their soul are not leaving in peace, and are missing their family and their best friends. Aura and Aika remain clueless despite many weird, spooky things had happened each time the clock reached 1 a.m., the time when Aya and Suzy died. The death news finally made known to both of them as Aura found a condolence post in Facebook regarding the death of Aika and Suzy. Both are in the state of terrified and sad at the same time.
**Credit:
Intro TV a 10 sek countdown
日本橋兜町 東証Arrows（東京証券取引所） 2階 東証ホール近くの男子トイレ Tokyo Stock Exchange Men's Toilet
撮影日 2017年03月17日
東証Arrows（東京証券取引所） 2階 東証ホール近くの男子トイレです。
レバー式
ウォシュレット 無
トイレの住所は、東京都中央区日本橋兜町2番1号です。
撮影機種 コンパクトデジタルカメラCANON PowerShot SX610 HS
トイレ見る 映像全部
Shooting date March 17, 2017. It is a male toilet near the TSE Hall on the second floor of the Tokyo Stock Exchange Arrows (Tokyo Stock Exchange). Lever type. No washlets. The address of the toilet is No. 2 No. 1 Kabutocho Nihonbashi, Chuo-ku, Tokyo. Camera model compact digital camera CANON PowerShot SX 610 HS
拍摄2017年3月17日。TSE箭头（东京证券交易所）是男人的厕所附近的二楼大厅TSE。杠杆式。卫洗丽亩。厕所地址是日本桥，中央区，东京兜町，2号1号。拍摄模式的紧凑型数码相机佳能PowerShot SX610 HS
17 Mar में 2017 शूटिंग। त्से तीर (टोक्यो स्टॉक एक्सचेंज) पुरुषों के शौचालय के पास एक दूसरी मंजिल त्से हॉल है। लीवर प्रकार। म्यू Washlet। शौचालय का पता Nihonbashi, Chuo-ku, टोक्यो Kabuto-चो, नंबर 2 नंबर 1 है। शूटिंग मॉडल कॉम्पैक्ट डिजिटल कैमरा कैनन PowerShot SX610 एचएस
Disparos 17 de Mar de 2017. Las flechas TSE (Tokyo Stock Exchange) es un segundo piso TSE pasillo cerca de baño de hombres. Tipo de palanca. WASHLET Mu. Dirección del inodoro es Nihonbashi, Chuo-ku, Tokio Kabuto-cho, Nº 2 Nº 1. Fotomodelo cámara digital compacta Canon PowerShot SX610 SA
Съемка 17 Март 2017. TSE Стрелки (Токийская фондовая биржа) является второй этаж TSE зал рядом с мужской туалет. Рычажного типа. Washlet Му. Туалет адрес Nihonbashi, Минато-ку, Токио Кабуто-чо, № 2 № 1. Съемка модели компактный цифровой фотоаппарат Canon PowerShot SX610 HS
Tir 17 mars 2017. TSE Arrows (Tokyo Stock Exchange) est un deuxième étage TSE hall près de la toilette des hommes. Type de levier. Washlet Mu. Adresse de toilettes est Nihonbashi, Chuo-ku, Tokyo Kabuto-cho, n ° 2 n ° 1. Modèle de tournage appareil photo numérique compact CANON PowerShot SX610 HS
اطلاق النار 17 مارس 2017. بورصة الأسهم (بورصة طوكيو) هو الطابق الثاني قاعة بورصة طوكيو قرب مرحاض الرجال. نوع رافعة. Washlet مو. عنوان المرحاض نيهونباشي، تشو-كو، طوكيو كابوتو-تشو، رقم 2 رقم (1). نموذج اطلاق النار المدمجة كاميرا رقمية كانون PowerShot SX610 HS
Tiro 17 de março de 2017. TSE Arrows (Tokyo Stock Exchange) é um segundo andar TSE hall de perto o banheiro dos homens. Tipo alavanca. Washlet Mu. Endereço WC é Nihonbashi, Chuo-ku, Tokyo Kabuto-cho, No. 2 No. 1. Modelo de rodagem compacta câmera digital Canon PowerShot SX610 HS
Menembak 17 Mac 2017. TSE Arrows (Bursa Saham Tokyo) adalah lantai TSE dewan kedua berhampiran tandas lelaki. Jenis tuil. Washlet Mu. Alamat tandas adalah Nihonbashi, Chuo-ku, Tokyo Kabuto-cho, No. 2 No. 1. Model Menembak padat kamera digital CANON PowerShot SX610 HS
17 মার্চ 2017 শুটিং. টকিও তীরচিহ্নগুলি (টোকিও স্টক এক্সচেঞ্জ) পুরুষদের টয়লেট কাছাকাছি একটি তিনতলা টকিও হল. লিভার টাইপ. মু Washlet. টয়লেট ঠিকানা Nihonbashi, Chuo-Ku, Tokyo Kabuto-চো, নং 2 নং 1. শুটিং মডেল কম্প্যাক্ট ডিজিটাল ক্যামেরা ক্যানন PowerShot SX610 এইচএস
Ibusuki Beach
Geothermal vent, right at the beach. Take that, Yellowstone!
大阪 中之島公会堂ライトアップ2012 Osaka City Central public Hall Illumination 2012
大阪 中之島公会堂ライトアップ 2012年のものです
幻想的なプロジェクションマップです
Suspense: 'Til the Day I Die / Statement of Employee Henry Wilson / Three Times Murder
The aim for thrillers is to keep the audience alert and on the edge of their seats. The protagonist in these films is set against a problem -- an escape, a mission, or a mystery. No matter what sub-genre a thriller film falls into, it will emphasize the danger that the protagonist faces. The tension with the main problem is built on throughout the film and leads to a highly stressful climax. The cover-up of important information from the viewer, and fight and chase scenes are common methods in all of the thriller subgenres, although each subgenre has its own unique characteristics and methods.[8]
A thriller provides the sudden rush of emotions, excitement, sense of suspense and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace thrills. In this genre, the objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. It keeps the audience cliff-hanging at the edge of their seats as the plot builds towards a climax. Thrillers tend to be fast-moving, psychological, threatening, mysterious and at times involve larger-scale villainy such as espionage, terrorism and conspiracy.
Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it thrills, it is a thriller. As the introduction to a major anthology explains:
...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.
—James Patterson, June 2006, Introduction, Thriller[9]
Writer Vladimir Nabokov, in his lectures at Cornell University, said: In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine.
Subways Are for Sleeping / Only Johnny Knows / Colloquy 2: A Dissertation on Love
Subways Are for Sleeping is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The original Broadway production played in 1961-62.
The musical was inspired by an article about subway homelessness in the March 1956 issue of Harper's and a subsequent 1957 book based on it, both by Edmund G. Love, who slept on subway trains throughout the 1950s and encountered many unique individuals. With the profits from his book, Love then embarked on a bizarre hobby: over the course of several years, he ate dinner at every restaurant listed in the Manhattan yellow pages directory, visiting them in alphabetical order.
After two previews, the Broadway production, directed and choreographed by Michael Kidd, opened on December 27, 1961 at the St. James Theatre, where it ran for 205 performances. The cast included Orson Bean, Sydney Chaplin, Carol Lawrence, Gordon Connell, Grayson Hall, and Green's wife Phyllis Newman (whose costume, consisting solely of a towel, was probably Freddy Wittop's easiest design in his distinguished career), with newcomers Michael Bennett and Valerie Harper in the chorus.
Subways Are for Sleeping opened to mostly negative reviews. The show already was hampered by a lack of publicity, since the New York City Transit Authority refused to post advertisements on the city's buses and in subway trains and stations for fear they would be perceived as officially sanctioning the right of vagrants to use these facilities as overnight accommodations. Producer David Merrick and press agent Harvey Sabinson decided to invite individuals with the same names as prominent theatre critics (such as Walter Kerr, Richard Watts, Jr. and Howard Taubman) to see the show and afterwards used their favorable comments in print ads. Thanks to photographs of the seven critics accompanying their blurbs (the well-known real Richard Watts was not African American), the ad was discovered to be a deception by a copy editor. It was pulled from most newspapers, but not before running in an early edition of the New York Herald Tribune. However, the clever publicity stunt allowed the musical to continue to run and it eventually turned a small profit.
Newman won the Tony Award for Best Featured Actress in a Musical, and nominations went to Bean for Best Featured Actor and Kidd's choreography.
Suspense: The Lodger
Often the two overlap. However, pure crime films/novels focus on a specific crime or set of crimes, and solving the mystery or tracking down the criminal(s), with no or little violence but more drama throughout. Thrillers are usually fiction-based and fast in pace, while crime fiction tend to be more leisurely paced, dramatic and realistic. Generally, violence is also lacking in a crime fiction, but this depends if the work is based on the mafia, where violence is intense.[17]
Some crime films showcase more on the gangster life, personal drama of the criminals and even their biographical film (i.e., The Godfather). Crime-thrillers, on the other hand, have more threat and suspense in them and may involve espionage (spying), frequent killings and other non-criminal conflicts (i.e., Heat). Unlike crime thrillers, crime films usually offer a more serious, grim and realistic portrayal of the criminal environment, emphasizing character development and complex narratives over suspense sequences, chase scenes and violence.[18]
In crime fiction, the hero might be a police officer, or a private eye, who can still be tough and resourceful. He is pitted against villains determined to destroy him, although, unlike in thrillers, not necessarily other people, the country or the stability of the free world. Unlike in crime fiction, thrillers keep the emphasis away from the gangster, melodrama or the detective in the crime-related plot, and rather focus more on the suspense and danger that is generated.
Calling All Cars: Curiosity Killed a Cat / Death Is Box Office / Dr. Nitro
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
1600 Pennsylvania Avenue / Colloquy 4: The Joe Miller Joke Book / Report on the We-Uns
After Miller's death, John Mottley (1692--1750) brought out a book called Joe Miller's Jests, or the Wit's Vade-Mecum (1739), published under the pseudonym of Elijah Jenkins Esq. at the price of one shilling. This was a collection of contemporary and ancient coarse witticisms, only three of which are told of Miller. This first edition was a thin pamphlet of 247 numbered jokes. This ran to three editions in its first year.
Later (not wholly connected) versions were entitled with names such as Joe Miller's Joke Book, and The New Joe Miller to latch onto the popularity of both Joe Miller himself and the popularity of Mottley's first book. It should be noted that joke books of this format (i.e. Mr Smith's Jests) were common even before this date. It was common practice to learn one or two jokes for use at parties etc.
Owing to the quality of the jokes in Mottley's book, their number increasing with each of the many subsequent editions, any time-worn jest came to be called a Joe Miller, a Joe-Millerism, or simply a Millerism.
Joke 99 states:
A Lady's Age happening to be questioned, she affirmed she was but Forty, and called upon a Gentleman that was in Company for his Opinion; Cousin, said she, do you believe I am in the Right, when I say I am but Forty? I ought not to dispute it, Madam, reply'd he, for I have heard you say so these ten Years.
Joke 234 speaks of:
A famous teacher of Arithmetick, who had long been married without being able to get his Wife with Child. One said to her 'Madam, your Husband is an excellent Arithmetician'. 'Yes, replies she, only he can't multiply.'
Joe Miller was referred to in Charles Dickens' A Christmas Carol (1843), by the character Scrooge, who remarks Joe Miller never made such a joke as sending [the turkey] to Bob's will be!
Joe Miller was also referred to in James Joyce's Ulysses (1922) in the limerick that Lenehan whispers during the Aeolus episode to Stephen Dedalus, the last line of which is I can't see the Joe Miller. Can you?.
According to Leonard Feinberg, the 1734 edition contains one of the oldest examples of gallows humor.
Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers
There were several variations of program introductions. A typical early opening is this from April 27, 1943:
(MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG)
THE MAN IN BLACK: Suspense!
This is The Man in Black, here again to introduce Columbia's program, Suspense.
Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in Citizen Kane - The Magnificent Ambersons in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, Salute to the Marines.
Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called The Diary of Sophronia Winters.
The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with The Diary of Sophronia Winters and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in...
(MUSIC: ... UP, DRAMATICALLY)
THE MAN IN BLACK: ... Suspense!
Words at War: Eighty-Three Days: The Survival Of Seaman Izzi / Paris Underground / Shortcut to Tokyo
The French Résistance has had a great influence on literature, particularly in France. A famous example is the poem Strophes pour se souvenir, which was written by the communist academic Louis Aragon in 1955 to commemorate the heroism of the Manouchian Group, whose 23 members were shot by the Nazis.
The Résistance is also portrayed in Jean Renoir's wartime This Land is Mine (1943), which was produced in the USA.
In the immediate post-war years, French cinema produced a number of films that portrayed a France broadly present in the Résistance.[188][189] The 1946 La Bataille du rail depicted the courageous efforts of French railway workers to sabotage German reinforcement trains,[190] and in the same year Le Père tranquille told the story of a quiet insurance agent secretly involved in the bombing of a factory.[190] Collaborators were hatefully presented as a rare minority, as played by Pierre Brewer in Jéricho (1946) or Serge Reggiani in Les Portes de la nuit (1946), and movements such as the Milice were rarely evoked.
In the 1950s, a less heroic interpretation of the Résistance to the occupation gradually began to emerge.[190] In Claude Autant-Lara's La Traversée de Paris (1956), the portrayal of the city's black market and general mediocrity revealed the reality of war-profiteering during the occupation.[191] In the same year, Robert Bresson presented A Man Escaped, in which an imprisoned Résistance activist works with a reformed collaborator inmate to escape.[192] A cautious reappearance of the image of Vichy emerged in Le Passage du Rhin (1960), in which a crowd successively acclaim both Pétain and de Gaulle.[193]
After General de Gaulle's return to power in 1958, the portrayal of the Résistance returned to its earlier résistancialisme. In this manner, in Is Paris Burning? (1966), the role of the resistant was revalued according to [de Gaulle's] political trajectory.[194] The comic form of films such as La Grande Vadrouille (1966) widened the image of Résistance heroes to average Frenchmen.[195] The most famous and critically acclaimed of all the résistancialisme movies is Army of Shadows (L'Armee des ombres), which was made by the French film-maker Jean-Pierre Melville in 1969. The film was inspired by Joseph Kessel's 1943 book, as well as Melville's own experiences, as he had fought in the Résistance and participated in Operation Dragoon. A 1995 television screening of L'Armee des ombres described it as the best film made about the fighters of the shadows, those anti-heroes.[196]
The shattering of France's résistancialisme following the events of May 1968 emerged particularly clearly in French cinema. The candid approach of the 1971 documentary The Sorrow and the Pity pointed the finger on anti-Semitism in France and disputed the official Résistance ideals.[197][198] Time magazine's positive review of the film wrote that director Marcel Ophüls tries to puncture the bourgeois myth—or protectively askew memory—that allows France generally to act as if hardly any Frenchmen collaborated with the Germans.[199]
Franck Cassenti, with L'Affiche Rouge (1976); Gilson, with La Brigade (1975); and Mosco with the documentary Des terroristes à la retraite addressed foreign resisters of the EGO, who were then relatively unknown. In 1974, Louis Malle's Lacombe, Lucien caused scandal and polemic because of his absence of moral judgment with regard to the behavior of a collaborator.[200] Malle later portrayed the resistance of Catholic priests who protected Jewish children in his 1987 film Au revoir, les enfants. François Truffaut's 1980 film Le Dernier Métro was set during the German occupation of Paris and won ten Césars for its story of a theatre production taking place while its Jewish director is concealed by his wife in the theatre's basement.[201] The 1980s began to portray the resistance of working women, as in Blanche et Marie (1984).[202] Later, Jacques Audiard's Un héros très discret (1996) told the story of a young man's traveling to Paris and manufacturing a Résistance past for himself, suggesting that many heroes of the Résistance were imposters.[203][204] In 1997, Claude Berri produced the biopic Lucie Aubrac based on the life of the Résistance heroine of the same name, which was criticized for its Gaullist portrayal of the Résistance and over-emphasis on the relationship between Aubrac and her husband.[205]
In the 2011 video game Call of Duty: Modern Warfare 3, in which a hypothetical World War III is depicted, a French resistance movement is formed to act against Russian occupation. The playable characters of many factions in-game receive assistance from this Resistance . This is in line with previous, World War II-based Call of Duty games, which often featured involvement with the Resistance of that era.
Calling All Cars: Muerta en Buenaventura / The Greasy Trail / Turtle-Necked Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
八丁堀 ファミリーマート八丁堀三丁目店のトイレ FamilyMart Hatchobori 3-chome toilet
撮影日 2017年03月17日
ファミリーマート八丁堀三丁目店のトイレです。
押しボタン式
ウォシュレット 有
トイレの住所は、東京都中央区八丁堀3丁目 8-3です。
撮影機種 コンパクトデジタルカメラCANON PowerShot SX610 HS
トイレ見る 映像全部
Shooting date March 17, 2017. It is a toilet of FamilyMart Hatchobori 3-chome shop. Pushbutton type Washlet There is a toilet address 8-3, Hatchobori 3-chome Chuo-ku, Tokyo. Camera model compact digital camera CANON PowerShot SX 610 HS
拍摄2017年3月17日是，全家堀三街店厕所。按钮式，坐浴盆是马桶地址，中央区，东京堀3丁目8-3。拍摄模式的紧凑型数码相机佳能PowerShot SX610 HS
शूटिंग 17 Mar में 2017 है। FamilyMart Hatchobori तीसरा सड़क की दुकान शौचालय। पुश बटन। Bidet हां। शौचालय पता है, Chuo-ku, टोक्यो Hatchobori 3-chome, 8-3। शूटिंग मॉडल कॉम्पैक्ट डिजिटल कैमरा कैनन PowerShot SX610 एचएस
Disparos 17 de Mar 2017 es. FamilyMart Third Street Hatchobori tienda de aseo. Pulsar un botón. Bidet Sí. Dirección del inodoro es, Chuo-ku, Tokio Hatchobori 3-chome, 8-3. Fotomodelo cámara digital compacta Canon PowerShot SX610 SA
Съемка 17 марта 2017 является. ФамилиМарт Hatchobori Third Street магазин туалет. Push-кнопку. Биде Да. Туалет адрес, Минато-ку, Токио Hatchobori 3-темэ, 8-3. Съемка модели компактный цифровой фотоаппарат Canon PowerShot SX610 HS
Tir 17 mars 2017 est. FamilyMart Hatchobori Third Street magasin toilettes. Bouton-poussoir. Bidet Oui. Adresse de toilettes est, Chuo-ku, Tokyo Hatchobori 3-chome, 8-3. Modèle de tournage appareil photo numérique compact CANON PowerShot SX610 HS
اطلاق النار 17 مارس 2017 هو. فاميلى Hatchobori الشارع الثالث مخزن المرحاض. الضغط على زر. بيديه نعم عنوان مرحاض، تشو-كو، طوكيو Hatchobori 3 تشومي، 8-3. نموذج اطلاق النار المدمجة كاميرا رقمية كانون PowerShot SX610 HS
Tiro 17 de março de 2017 é. FamilyMart Hatchobori Third Street loja do toalete. Push-button. Bidé Sim. Endereço de WC é, Chuo-ku, Tokyo Hatchobori 3-chome, 8-3. Modelo de rodagem compacta câmera digital Canon PowerShot SX610 HS
Menembak 17 Mac 2017 adalah. FamilyMart Hatchobori Third Street kedai tandas. Tekan butang. Bidet Ya. Address Tandas adalah, Chuo-ku, Tokyo Hatchobori 3-chome, 8-3. Model Menembak padat kamera digital CANON PowerShot SX610 HS
শুটিং 17 মার্চ 2017 হয়. FamilyMart Hatchobori থার্ড স্ট্রিট দোকান টয়লেট. পুশ-বাটন. Bidet হ্যাঁ. টয়লেট ঠিকানা, Chuo-Ku, Tokyo Hatchobori 3-chome, 8-3. শুটিং মডেল কম্প্যাক্ট ডিজিটাল ক্যামেরা ক্যানন PowerShot SX610 এইচএস