Severnaya Polyana Северная Поляна Lesnaya Лесная Borok Борок P56 Russia Россия 31.7.2016 #1270
Der Weg ist das Ziel... komm fahr mit in meinem Goggomobil =G=
Sightseeing in Krisenregionen, Armenviertel, Bürgerkriegsgebieten.
Along radioactive Death-Zones, MOAs, No-Go and Civil-War Areas.
Not Indians but foreigners dancing the Indian classical way!
Kassiyet Adilkhankyzy performing Bharatnatyam at 3rd International Dance Festival.
Kassiyet Adilkhankyzy belongs to Kazakhstan. She was attracted to Bharatnatyam at the age of seven in Almaty, Kazakhstan. This led her to take classes at the Indian Cultural Center where she trained for 10 years. She has received intensive training in Bharatnatyam under Guru Saroja Vaidyanathan at Ganesa Natyalaya. Kassiyet has given a number of public performances at prestigious venues in Kazakhstan and India.
3rd International Dance Festival:
The ICCR organized the 3rd International Dance Festival, showcasing performances by foreign artistes, who have achieved high level of proficiency in Indian Classical dance. The first International Dance Festival was held during 2-4 August 2010 in New Delhi.
These artistes have done commendable work in promoting Indian dance and culture abroad. Most of them have learnt advanced level of classical dance in India either at a dance institution or with a Guru and have taken on a significant personal commitment to disseminate their knowledge in Indian as well as in their home countries. For some, their love for the Indian culture has made them shift their base to India.
The council has invited artistes from, Russia, Spain, Argentina, Poland, Iran and Kazakhasthan. Through this Festival, ICCR plans to showcase the intrest with which the Indian classical dances are being learnt and taught abroad by foriegn nationals. The Festival has showcased a rich variety of Dance forms from the Indian Classical Dance heritage ranging from Bharatnatyam, Odissi, Kathak and Kathakali
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16th Beijing International Tourism Festival, 2014 - Indian Folk Dance Ensemble 3
Beijing International Tourism Festival (BITF) is the No.1 of Top 10 Festivals in China.
Being a cultural exhibition platform for different peoples in the world, the festival not only comprises cultural programs, but also focuses on mass activities, folk-custom activities and entertainments. The festival is a high-profile cultural festival featuring everything from folk arts to tourism-related activities.
Contact: Mr. Yajing XUE .
E-mail: yajing.xue@gmail.com
We welcome all kinds of performance ensembles from all over the world to participate in it. For more information as well as Terms and Conditions of Beijing International Tourism festival, please consult Mr. Yajing Xue for more information.
Please visit the website for more information about China's festival:
For more amazing photos of this festival 2014, please visit below website:
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Beautiful Indian Woman Dancing A Dance of India
Free video about Indian dance. This free video was created for you by and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this Indian dance video.
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In India, dance has a religious origin. In the Hindu mythology, the Indian dance is a sacred act, an activity that is older than the earth itself is in accordance to the Shiva, the god of creation and destruction have the world destroyed and recreated with his Indian dance.
They are called classical Indian dances of India to those included in the Natya-Shâstra, an artistic treatise attributed to rishi Bharata written circa 400 B.C. An important issue to consider is that the concept of classical Indian dance is distinctly western stamp, and-by analogy alluded to in the case of India to artistic representations of ancient tradition: the term actually Natya, resulting in simplified form as Indian dance has a broader meaning than the word is in the West, as it involves singing, music, theater and other disciplines.
Bharata Natyam is an original solo Indian dance of southern India, having many technical difficulties and, therefore, must in general be studied from an early age. Odissi classical Indian dance is another described in the Natya-Shâstra ; Over 2,000 years of tradition, which recognizes origins in Orissa, in the scheme of worship Jagannatha. Shabdam, dance accompanied by a poem or a song about a topic or devotional love. It is the first narrative section of the show. In this Indian dance technique Interpreter body is divided into three parts: the head, legs and head. The movements and expressions are intended to describe and represent strong emotions. The Indian dance is accompanied by a poetry whose theme is the love between Krishna and Radha.
Many of the ancient sculptures in Hindu temples are based on Bharata Natyam dance postures, since the Bharatanatyam becomes the earthly representation of the Indian dance of Apsarās, the celestial dancers. In the most essential sense, a Hindu deity is a revered being in his temple / residence, which provides a standard set of religious services called Sodasa upacharas among which are music and Indian dance, pleasing to the senses. Thus, many Hindu temples traditionally maintained complements of musical and Indian dance training, like the Indian rulers. The dance form Bharatanatyam and Carnatic music and is deeply based in Bhakti. Is said to be the embodiment of music in visual form, a ceremony, and an act of devotion. Dance and music are inseparable forms: only Sangeetam (words or raga or melody) can Indian dance be conceptualized.
Bharatanatyam is considered a Indian fire dance, a mystical manifestation of the fire element in the human body. It is one of the five major styles, one for each element, that include element of water and element of air. The movements of an authentic Bharatanatyam dancer resemble the movement of a dancing flame. Currently, Bharatanatyam is rarely practiced as Natya Yoga, a traditional meditative sacred, except by very few orthodox schools.
Local kings used to invite Indian dancers to see them dance in the court, prompting the emergence of a new category of dancers-called rajanarthaki - which in turn influenced the technique and repertoire of the recitals. A devadasi had to be content to go unnoticed in their Indian dance, and offered surrendered to his Lord. The karanas 108 are transitional movements that mark the Bharatanatyam and other classical dances of India. Most of this 108 karanas have a static pose that acts as its centerpiece. It is assumed that the artist must stand and hold it for a specified period of about half a second.
The series of steps adavus are established, and its implementation varies greatly from one style to another. Most schools recognize 108 basis adavus, while others increase this figure to 150. Few professional Indian dancers use more than 60. A combination of adavus called Jathi generally developed in an exercise Nritta parts of Bharatanatyam.
Kathak : narrative Indian dance originated at about the sixteenth century, showing influences of the Mughal court, characterized by twists and quick steps. Kathakali : originated in Kerala in the seventeenth century, is a form of danced drama that includes forms of Bharata Natyam, Mudras and vocal and instrumental music. Sattriya : orginada is a ceremonial dance in Assam in the fifteenth century, with topics usually mythological. Chhau : tribal martial Indian dance form of Orissa, originally appeared as part of the solar festivities for the month between March and April.
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Nam Chau Resort - Vietnam Mui Ne
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Fitted with tiled flooring, air-conditioned villa includes a wardrobe, seating area, a minibar and a TV with cable channels. Offering shower facility, the attached bathroom also comes with slippers, towels and free toiletries.
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The property is just 600 metres from the Red Sand Dunes. Storm Kiteboarding Centre is within 6.4 km away. Quarter 5, Mui Ne, Vietnam
15th Beijing International Tourism Festival, 2013 - Brazil Folk Dance (GAS) 5
Beijing International Tourism Festival (BITF) is the No.1 of Top 10 Festivals in China.
Being a cultural exhibition platform for different peoples in the world, the festival not only comprises cultural programs, but also focuses on mass activities, folk-custom activities and entertainments. The festival is a high-profile cultural festival featuring everything from folk arts to tourism-related activities.
Contact: Mr. Yajing XUE .
E-mail: yajing.xue@gmail.com
We welcome all kinds of performance ensembles from all over the world to participate in it. For more information as well as Terms and Conditions of Beijing International Tourism festival, please visit:
I hope you would like it.