La tour Goguin et son parc . Ville de Nevers 58
Visite de la tour goguin qui se trouve au bord de Loire. fut construite à la fin du XIVe siècle.Le parc va du bord de Loire à la porte du croux en passant devant le musée de la faÏence de la ville de Nevers 58000
Tour Cuffy dit Tour Goguin. Ville de Nevers 58
Visite autour de la tour Goguin qui se trouve au bord de Loire à Nevers 58000
Nevers France
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Logement étudiant Nevers SuitÉtudes
La résidence Suit'Etudes Nevers fait face à la Loire, près de la Tour Goguin. Son environnement est très agréable et propice aux études. La résidence met à disposition des logements du studio au T2. Les services inclus : Accueil, gardien, ascenseur, salle de détente avec accès Internet Haut débit, laverie automatique (lave linge et sèche linge), salle de fitness.
Découvrir Nevers et son Agglomération en 60 secondes !
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La Rivière la Nièvre traversant La Ville de Nevers 58
Promenade le long de la rivière la Nièvre traversant la ville de Nevers 58000, passant devant la médiathèque Jean Jaurès
©Le Neversois Photographe
#Nevers #nevers58 #villedeNevers
Au coeur des vergers de pêches avec Yannick Giraud / Inside peachs' orchards with Yannick Giraud
Derrière chaque produit Ravifruit se cache une histoire d'hommes, de terroirs rigoureusement sélectionnés et soigneusement cultivés, pour vous offrir le meilleur de la nature.
Each Ravifruit's product hide a story of men, and lands carefully selected and cultivated, to offer you the best of the nature.
La préfecture de la Nièvre.Ville De Nevers 58
visite guidée de la préfecture du département de la Nièvre situé place de la résistance à côté de la porte de Paris à Nevers58000
#nevers #nevers58 #villedeNevers
Tour des Bastides 2008
Epreuve cyclo sportive en Gironde
Présentation de la Fondation Bemberg
Niché au coeur de l'Hotel d'Assezat, la Fondation Bemberg fait partie des lieux incontournables pour tous les amoureux d'art. Et alimenté continuellement par son fondateur Georges Bemberg, la collection étoffe de jour en jour. Philippe Cros, directeur de la fondation nous en dit un petit peu plus.
????????️???? USON NEVERS RUGBY #77 Chez notre partenaire le CENTRE SCOLAIRE NOTRE DAME
Max Curie et Lucas Blanc rendent visite à notre partenaire, le Centre Scolaire Notre Dame. Au programme, rencontre et échange avec une classe de 6ème avant d'aller au gymnase jouer avec les pros !
Un grand merci à notre partenaire pour son accueil.
Centre Scolaire Notre-Dame
22 rue Jeanne d'Arc
58000 Nevers
03 86 71 87 00
Réalisation
Claire Braunstein
Musique
Alok, Bruno Martini feat. Zeeba
Hear me now
Credits
Uson Nevers Rugby 2018
Le fleuve La Loire traverse La Ville de Nevers 58
promenade au bord de la Loire,nevers58000
Photo : Le Neversois Photographe
#nevers #nevers58 #villedeNevers
سيرك عمارالنعامة 3/ CIRQUE AMAR NAAMA 3/ 2014
CIRQUE AMAR NAAMA 3 / 2014
سيرك عمارالنعامة 3
80 nuances de grès au musée de la Renaissance d'Ecouen
Sensoprint cartes de visite Pêche
Cette vidéo évoque la douceur du verger, les chats et les cartes de visite pêche Sensoprint. Une essence de papier créa toucher pêche sans pelliculage.
sensoprint.com
Alain Resnais
Alain Resnais was a French film director whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog, an influential documentary about the Nazi concentration camps.
Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour, Last Year at Marienbad, and Muriel, all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave, though Resnais did not regard himself as being fully part of that movement. He had closer links to the Left Bank group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg.
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le gang de demon de limoges
le réalisateur (Charef.Romuald.Muhammet.Brandon.Kainda.Alexis.Jérôme)
Dupas Jean 約翰度魄 (1882-1964) Art Nouveau Art Deco French
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Jean Theodore Dupas 約翰度魄 (21 February 1882 – 1964) was a French painter, artist, designer, poster artist, and decorator whose work is considered the utmost example of Art Nouveau and Art Deco visual arts.
Dupas was born in Bordeaux. He won the prix de Rome in 1910. His personal style ranges from academic and/or neoclassicism. Dupas has worked in various exponents of the Nouveau and Deco areas, such as the fashion magazine Vogue and Harper's Bazaar. In 1925 at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, he showed Les Perruches, one of his most famous oil on canvas. In 1927, with the aide of the famous French printing house Draeger, he conceived one of the masterpieces of printed advertising, a catalogue for the fur company Max.
In the 1930s, Dupas was commissioned by Frank Pick to produce the artwork for a series of posters for the underground network of London Transport.
Dupas expressed his predilection for large-scale projects: "The greater is my work, the happy I am." Thus his collaboration in the decor of famous steamships during the 1930s, emphasizing the Art Deco mode of the time. Among these works, the SS Île-de-France and the SS Liberté were among the first. But in 1935, with the help of glass master Champigneulle, he decorated the grand salon of the Normandie, in more than 400 square meters of painted and frosted glass.
He became a member of the Academie des Beaux-Arts in 1941.
Jean Theodore Dupas 約翰度魄 One of the leading artists of the Art Deco period, Jean Theodore Dupas was the son of a merchant marine captain and began his adult life as a merchant seaman. Poor health meant that he had to abandon this career and he enrolled in art school instead, first in his native Bordeaux and later in Paris. He won the Prix de Rome in the category of painting in 1910 and studied at the Académie de France in Rome, from where he sent several paintings to the Paris Salons, although his studies were interrupted by the outbreak of war. Dupas’s work came to public prominence on the occasion of the seminal Exposition des Arts Décoratifs in Paris in 1925. He was chosen by the furniture designer Jacques-Emile Ruhlmann to provide paintings for the latter’s Maison d’un collectionneur, alongside furniture by Ruhlmann and objects by many of the leading Art Deco craftsmen of the day, while other paintings by Dupas were also displayed to great effect elsewhere in the Exposition.
In the late 1920’s and 1930’s Dupas won a number of important and prestigious commissions. In 1926 he worked alongside Ruhlmann and the sculptor Alfred Jeanniot on the decoration of the tearoom of the ocean liner Ile-de-France; the first of the grand transatlantic ships to be built in France after the First World War. By this time Dupas had firmly established his reputation. Writing in 1927, his fellow artist George Barbier could already note that ‘Few artists have at such an early age attained such a degree of success, or gathered around them such swarms of imitators and disciples.’
Dupas reached the height of his fame in the mid 1930’s, and in 1934 he received his most important commission to date; a series of large glass murals for the Grand Salon of the new French ocean liner, the Normandie. He was also commissioned to provide murals to decorate the Salon de l’Argenterie in the Royal Palace in Bucharest, but the work was only partly completed, and the outbreak of World War II meant that it was never installed. In 1940 Dupas was named curator of the Musée Marmottan in Paris, and the following year was admitted to the Académie des Beaux-Arts and appointed a professor of painting at the Ecole des Beaux-Arts. He ended his career as the Director of the Musée Marmottan.
As Edward Lucie-Smith has noted of Dupas and such fellow Art Deco artists as Robert Pougheon and Raphael Delorme, who were known collectively as the School of Bordeaux, ‘During the 1920s and 1930s their work had a particular appeal to the patrons who were also enthusiasts for the more extreme manifestations of the style in the applied arts…the style they practised, though apparently coherent, has roots in many different places. For example, Dupas and his colleagues can be thought of as the last descendants of early nineteenth-century neo-classicism…Another, quite different, influence upon the Art Deco painting of the Bordeaux School is to be found in Italian Mannerism.’ Dupas was also strongly influenced by contemporary sculpture, and in particular that of Antoine-Emile Bourdelle and, as Lucie-Smith points out, ‘A number of monochrome works by Dupas have the air of being either designs for, or imitations of, relief sculpture.’
FFMC 87/ LIMOGES 2012
FFMC 87/ LIMOGES 2012
Le Duff, Le Duff... Le Duff is ON FIRE!
Christelle le Duff wins the plate semi-final for France with this last-gasp try against Spain at the #Amsterdam7s!
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