Woodstock - Sarah Fimm - Live at the Bearsville Theater, Woodstock, NY
Woodstock written by Joni Mitchell
Performed by Sarah Fimm
Live at the Bearsville Theater in Woodstock, NY
For the Ladies Of The Valley Benefit Concert for Family of Woodstock 11.9.2014
Sound: Robert Frazza
Video Editing - Poetess Sabrina Miller
It was very powerful to see a community pulled together with the songs of women as a thread to bind them. Family of Woodstock Inc is an organization that has helped many people I know, and I am sure that with the talent of the musicians, the generosity of this sold-out audience, and the history at work, they will continue to selflessly serve the people of our community. For this, I am grateful.
My warm thanks to all who made it possible for us to gather together and make a difference through music and celebration. Simi Stone, Elizabeth Littleton, Amy Helm, Lindsey Webster, Pal Shazar , Donna Lewis, Olivia Gabriel, Maralina Gabriel, Cally Mansfield, Lisa Green, Storey Littleton, Kate Pierson from the B52s, April Traum, Natalie Merchant( who surprised us all) Tamara Cooper, Lu Ann Bielawa and all the amazing staff from Family! Elliott Landy! Alexander Storm and Robert Frazza for sound! The boys Connor Kennedy, Lee Falco, Brandon Morrison, David Baron, Will Bryant, Daniel Littleton, Keith Slattery, Ed Bielawa, Inanna King and the list goes on and on.
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Alf Evers: An Audio Tour of the Byrdcliffe Art Colony
Woodstock historian Alf Evers (1905-2004) takes listeners on a tour of the second longest continuously operating artists colony in the United States. Recorded in 1981.
NY's GHOST HOTEL= Abandoned Ruins in the Catskills
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Derek Deek Diedricksen treks (5 miles round trip) up Woodstock, NY's Lookout Mountain to film the ruins of the once magnificent 300+ room hotel- The Outlook Mountain House in Woodstock, NY. The hotel on this site burned down THREE times in its history, and was finally rebuilt starting in 1928 out of concrete (when it burned down again). The concrete usage is the only reason the ruins of this hotel, its rear family-mansion, and various other foundations around it still exist. Being TOO remote, this hotel was never as successful as its other region's counterparts such as The Catskill Mountain House. This hotel also stands as one of the very last remaining (even in ruins) of the heyday of the Catskill NY resort boom (which saw its slow death in the 1930s).
Be warned- its a fairly strenuous hike, and this is a region with many rattlesnake habitats. The building is also crumbling and in various states of decay and collapse- so enter at your own risk- or not at all!
The Doors - Roadhouse Blues, BEST version (live in N.Y. 1970) [music video]
I´ve made a fantasy cut for the ultimate roadhouse blues version :)) - lyrics:
Hi, how you doin' there? Y-e-ah. Looking good. Everything is fucked up as usual... you know...
WHOOOOOAAAAAAOOOO - C´MON!
A-keep your eyes on the road, your hands upon the wheel
A-keep your eyes on the road, your hands upon the wheel
Come to the Roadhouse, gonna have a real, a good time.
Yeah, at the back of the Roadhouse they got some bungalows.
Ah, at the back of the Roadhouse they got some bungalows.
That's for the people... like to go down slow.
Let it roll, baby, roll,
Let it roll, baby, roll,
Let it roll, baby, roll,
Let it roll — all night long.
Ashen lady, Ashen lady,
Give up your vows,
Give up your vows.
Save our city, save our city
Right now!
Yeah, I woke up this morning, I got myself a beer.
Well, I woke up this morning, I got myself a beer.
Future's uncertain and the end is always near.
Let it roll, baby, roll,
Let it roll, baby, roll,
Let it roll, baby, roll,
Let it roll — all night long.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these materials. I realize no profit, monetary or otherwise, from the exhibition of these videos.
Pete Fornatale: Back to the Garden - The Story of Woodstock and how it changed a generation
April 6, 2011
New York Radio Icon Pete Fornatale addresses his oral history book, Back to the Garden: The Story of Woodstock at Queensborough Community College on Wednesday, April 6, 2011 in the Medical Arts Building, Room M-136. This is an opportunity for people of all ages and backgrounds to learn about a fascinating time in the history of this country, said Michael Cesarano, Assistant Professor of Speech, Communication and Theatre Arts. And who better to enthrall an audience on this topic than a legendary disc jockey who was at the dawn of his career at the time.
Первый рок-фест в СССР / First rock festival in Soviet Union
Бесплатное вводное занятие в Skyeng —
Промокод на 2 урока в подарок при первой оплате: ВДУДЬ
Бесплатный личный план по изучению английского языка —
«30 лет назад Джон Бон Джови, Оззи Осборн и много других иностранных артистов пережили одно из самых удивительных приключений в своей жизни.
Все закрутилось в 80-е в Америке: топовый музыкальный менеджер Док Макги оказался причастен к транспортировке 18 тонн марихуаны. Чтобы избежать тюрьмы, ему пришлось очень усердно и очень щедро ввязаться в благотворительность. Одним из результатов этой благотворительности стал первый рок-фестиваль в истории СССР.
Хотя уже вовсю шумела перестройка, железный занавес был поднят не до конца. Но люди, которые жили в Советском Союзе, уже давно обожали рок-музло. В августе тех, кого обожали, они впервые увидели живьем.
В ближайшие полтора часа - про то, что наши родители, а у кого-то – бабушки и дедушки, тоже умели угорать.
Про то, что нет музыки глобальнее, чем рок-н-ролл.
Про то, что даже посреди застоя, серости и безнадеги иногда происходят чудеса.
Главное – эти чудеса не пропускать. Еще лучше – принимать в них участие».
Герои выпуска:
Бах
Барабанов
Док Макги
Маршал
Намин
Стрельников
Дудь
must-see! “Stand by Me” Cover Story （Acapella Soul） Wonderful！New York Central Park
* Please watch headphones. You can listen to a base with a sense of weight
2017 8.21 Cover Story Acapella Soul Stand by Me NY Central Park
Why Not Peace with Hitler? Anti-War Protest in NYC, July 7 1941
Anti-War Protesters with Peace with Hitler signs in front of Public Library, 5th Avenue: Arm Britain and Prolong the War; Stay out of South America, of Europe, of War; Lend-Lease Lose-Lives; Hitler has not attacked us, why attack Hitler?; Why Not Peace with Hitler?; Europe for Europeans. America for Americans; Stay out of Europe; The Only Fight Worth Fighting is the Fight for Peace; Fight the Draft, Conscription in Tyranny; No Loans to England. No Arms to Anyone; American Union for Organization Against War; The Army and Navy are Hotbeds for Fascism; Protest Any Extension for Army Service.
Wild Motorcycle Road Rage Fight Caught on Camera [RAW VIDEO]
A motorcyclist and driver shouted at one another and drove into oncoming traffic at high speed.
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Black Coffee @ Salle Wagram for Cercle
Black Coffee playing a DJ set in Paris' oldest ballroom: Salle Wagram for Cercle.
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☞ Black Coffee
Thanks to our partners: Trax Magazine, Villa Schweppes, Radio FG, Mr. After Party, Jack, Ville de Paris, TECH-MINIMAL SOUND, We Are Pulse, Techno Perfect, Techno Moves, Real Clubbers, A NOUS Paris and special thanks to Solidarité Sida.
____
Video credits:
Artist: Black Coffee
Venue: Salle Wagram
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Directed by: Derek Barbolla
1st assistant: Pol Souchier
Live Editor: Pol Souchier
Directors of photography: Jérémie Tridard & Anatole Vaillant
Sound Engineer: Timothée Renard & Aurélien Moisan
Light Engineer: Yves Blachere
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Amity Shlaes | Great Society: A New History
Amity Shlaes is the author of four New York Times bestsellers: The Forgotten Man: A New History of the Great Depression, The Forgotten Man Graphic Edition, Coolidge, and The Greedy Hand: How Taxes Drive Americans Crazy. She chairs the board of the Calvin Coolidge Presidential Foundation and the Manhattan Institute's Hayek Book Prize, and serves as a scholar at The King's College. A former member of the Wall Street Journal's editorial board, she published a weekly syndicated column for more than a decade, appearing first in the Financial Times, then in Bloomberg.
James Brown performs Night Train on the TAMI Show (Live)
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James Brown performs and dances to Night Train to a live audience on TAMI Show.
James Brown recorded Night Train with his band in 1961. His performance replaced the original lyrics of the song with a shouted list of cities on his East Coast touring itinerary. The song became a hit, charting #5 R&B and #35 Pop.
The TAMI Show is a 1964 concert that included performances by numerous popular rock and roll and R&B musicians from the United States and England. TAMI stood for both Teenage Awards Music International and Teen Age Music International.
The concert was held at the Santa Monica Civic Auditorium on October 28 and 29, 1964. Free tickets were distributed to local high school students. The best footage from each of the two concert dates was edited into the film, which was released on December 29, 1964. The TAMI Show is particularly well known for James Brown's performance featuring his legendary dance moves and explosive energy.
Video transcript:
I want, I want. A night train. Got it good. I got it good. I got it good. Let me be. What are we going to do now. Baltimore, Maryland, Philadelphia, New York City. Take it home. New Orleans. The home of the blues. One more time for the night train. Are you ready for the night train? Are you ready for the night train? Are you ready for the night train? Are you ready for the night train? Night, night, night, night, night, night, night, night. One more time for the night train. Are you ready for the night train? Night, night, night, night, night, night, train.
Want more James Brown, go to Shout Factory:
Are You Offended By The N-Word?
Gina Rodriguez has released a second apology for her use of the N-word after her first one was widely criticized. The Jane the Virgin alum, who is of Puerto Rican descent, posted a video to social media showing herself singing along to the 1996 Fugees track “Ready or Not,” including the line, “Fronting n****s give me heebie-jeebies.” Rodriguez, who previously faced accusations about being “anti-black,” faced immediate backlash, so she deleted the video and issued an apology. But that apology — “I am sorry if I offended anyone by singing along to The Fugees, to a song I love that I grew up on” — wasn’t well-received. She was slammed for not actually apologizing for using the slur. The apology was called “weak,” “patronizing” and “disingenuous.”
So early Wednesday, Rodriguez apologized again in a statement shared on Instagram. In it, she wrote she was “deeply sorry for the pain I caused.” She also acknowledged, “The word I sang carries with it a legacy of hurt and pain that I cannot imagine.” And added, “I have serious learning and growing to do.”
Story
THE STAR REPORT is hosted by Troi Torain aka STAR. Torain rose up through the ranks of WEA (Warner Elektra Atlantic) as a Marketing Rep. Torain was also a contracted writer for the SOURCE Magazine and hosted the Beat Suite on MTV. His popular radio show Star & Buc Wild is often given credit for inspiring todays podcast generation. In 2011 STAR was inducted into News Ones Top 20 greatest radio personalities of all time.
Super Chat with STAR
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Juma Sultan, Aboriginal Virtuoso: From Woodstock to the Jazz Loft Scene
In this interactive program multi-instrumentalist and artistic impresario Juma Sultan will guide audience members down a winding, philosophical and spiritual path that explores his engagement with Jimi Hendrix and Woodstock in the 1960s, and later collaborations with the largely African American New York jazz loft scene of the 1970s.
88th Winter Meeting: Plenary Breakfast Honoring Leadership in the Arts & An Introduction to Esports
How To Make Clickable SVG Map HTML & CSS
Clickable SVG Map HTML & CSS
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The Temptations - Live In Concert
The Temptations are an American vocal group who formed in Detroit, Michigan in 1960. They were known for their success in the 60s and 70s at Motown Records. The group's repertoire has included, during its five-decade career, R&B, doo-wop, funk, disco and soul music. Known for their recognizable choreography, distinct harmonies, and flashy onstage suits, the Temptations have been said to be as influential to soul as The Beatles are to pop and rock. Having sold tens of millions of albums, The Temptations are one of the most successful groups in music history. As of 2010, the Temptations continue to perform and record for Universal Records with its one living original member, Otis Williams, still in its lineup.
The Temptations helped put Motown Records on the map in 1964, with their song The Way You Do The Things You Do rising to the top of the charts. They were the first Motown act to earn a Grammy Award. Three classic Temptations songs, My Girl, Just My Imagination (Running Away with Me), and Papa Was a Rollin' Stone, are among The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
Recorded live at Harrah's Atlantic City in 1983
Directed by Gary Legon
Track list:
1. Superstar
2. Masterpieces
3. Get Ready
4. the Way You Do the Things You Do
5. Ain't too Proud to Beg
6. Beauty is Only Skin Deep
7. I Wish It Would Rain
8. Cloud Nine
9. Psychedelic Shack
10. Runaway Child, Runaway Wild
11. Old Man River
12. Eye of the Tiger
13. My Girl
14. I Can't Get Next to You
15. Just My Imagination (Running Away with Me)
16. Papa Was a Rolling Stone
17. Love on My Mind Tonight
18. Surface Thrills
19. What a Way to Put It
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Sonic Futures: The Music of Afrofuturism
Three musical giants who have made monumental contributions to Afrofuturism as we know it today, George Clinton, Nona Hendryx, and Vernon Reid, in conversation with world-renowned scholar and critic Alondra Nelson. The panelists discuss Afrofuturism – where it came from, where it is going, and what it has to offer us. Featuring opening remarks by Gus Casely-Hayford, Director of the Smithsonian's National Museum of African Art.
Panelists:
Nona Hendryx:
In the spirit of two-fisted political singer songwriters such as Nina Simone, and Joni Mitchell, Nona Hendryx tackles social issues, love and politics with a smoky vocal tessitura somewhere between funk and the end of the stratosphere. Hendryx’s legendary career spans decades of sound and style evolution. Fans know her as a founding member of the group who morphed from Patti Labelle and The Bluebells, into the Rock & Funk Glam Diva's 'Labelle' with the #1 record, Lady Marmalade. Nona Hendryx emerged as the chief songwriter of the group’s socially conscious and illuminating message songs.
George Clinton
George Clinton is one of the foremost innovators of funk music and was the mastermind behind the bands Parliament and Funkadelic. Clinton has become recognized as the godfather of modern urban music. Beats, loops, and samples of P-Funk have appeared on albums by OutKast, Dr. Dre, Snoop Dogg, Busta Rhymes, Missy Elliot, De La Soul, Fishbone, and many others. As Clinton has said, funk is the DNA of hip-hop and rap. In 1997, Clinton and Parliament-Funkadelic were inducted into the Rock and Roll Hall of Fame, Guitar Center's Hollywood Rock Walk, and earned a Lifetime Achievement Award at the NAACP Image Awards.
Vernon Reid
London-born American guitarist, founder of Living Colour and a co-founder of the Black Rock Coalition, Vernon Reid has done a great deal to undermine stereotypical expectations of what kinds of music black artists ought to play; his rampant eclecticism encompasses everything from hard rock and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become a hallmark. In 1980, he joined Ronald Shannon Jackson's Decoding Society, and over the course of the decade, Reid went on to work with a wide variety of experimental musicians including Defunkt, Bill Frisell, John Zorn, Arto Lindsay, and Public Enemy. Vernon has also composed for noted film-makers Charles Stone 3rd, Shola Lynch, Gabri Christa, Brad Lichtenstein, Kasi Lemmons, Laurence Fishburn, & Thomas Allan Harris.
Moderator:
Dr. Alondra Nelson
Alondra Nelson, President of the Social Science Research Council and Harold F. Linder Professor of Social Science at the Institute for Advanced Study in Princeton, is an acclaimed researcher and author, who explores questions of science, technology, and social inequality. Her books include Body and Soul: The Black Panther Party and the Fight Against Medical Discrimination, The Social Life of DNA: Race, Reparations, and Reconciliation after the Genome and Technicolor: Race, Technology and Everyday Life. In 2002, Nelson edited “Afrofuturism,” an influential special issue of the journal Social Text, drawing together contributions from scholars and artists, who were members of a synonymous online community she established in 1998.
James Atlas, Claudia Roth Pierpont, David Remnick, Judith Thurman on Remembering Roth, April 3, 2019
James Atlas on Remembering Roth, in conversation with Claudia Roth Pierpont, David Remnick, Judith Thurman on Remembering Roth, April 3, 2019, sponsored by the Leon Levy Center for Biography, the Graduate Center, CUNY
Pete Jolly Interview by Monk Rowe - 2/15/1999 - Los Angeles, CA
Pete Jolly reminisces about playing gigs on the accordion in his youth, and subsequently entering the jazz and studio scene in Los Angeles as a pianist. He talks about his associations with a diverse group of musicians, including Shorty Rodgers, Herb Alpert, and Frank Zappa.
Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.
Visit the Fillius Jazz Archive Website