Tripping on Hallucinogenic Frogs (Part 1/3)
VICE heads to the Amazon on a hunt for its most hallucinogenic tree frogs.
Watch the rest here:
There is an Amazonian frog called Phyllomedusa Bicolor or the Sapo which I have been reading about for years. It is totally different from the psychedelic toads found in North America. The Sapo's venom produces an effect much closer to morphine than LSD, but really it's not like either of those things. It's a distinctly vomitous dissociative experience unlike anything else I've ever encountered.
There has been a lot written about the chemistry of the venom, and it has been said to have a diverse array of effects. Some people think it's a miracle opioid which will yield new non-addictive painkillers. Others think it's a super-potent stimulant and appetite suppressant, and even a strange psychedelic capable of tuning hunters on to the mindset of their prey. In the 80s researchers found one of the constituents of Sapo venom in the urine of autistic children, and developed an entire theory of autism around it.
I had to find out what this frog really does, but supposedly it cannot produce its venom in captivity. The only way to experience its unique trip is to travel down the Amazon River and catch one yourself, which is exactly what I did.
— VICE Correspondent Hamilton Morris
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Una PSP CINESE (X6) con i Giochi del GAME BOY ADVANCE e la Musica di GIGI D'AGOSTINO... FANTASTICO!
MITOS Y LEYENDAS 11: Mitología vasca, navarra, gallega, asturiana y cántabra
PONTE SAN NICOLO' ABBATTE LE BARRIERE
E' stato illustrato a Ponte San Nicolò (Pd), il progetto di abbattimento delle barriere architettoniche degli eserciz... [continua a leggere su :
Raphael Fellmer Ohne Geld leben! Eine junge Familie auf neuen Wegen (30min. SWR Reportage)
/// English description below the German one ///
Ein Film von Susanne Bausch, aus der Reihe: Menschen unter uns beim SWR (Erstaustrahlung am 10.3.2013) über Raphael Fellmer und Nieves Palmer
Mehr Informationen über den Geldstreik, wie jede(r) seinen ökologischen Fußabdruck minimieren kann, über die Reise von Holland bis nach Mexiko uvm. gibt es hier:
Das Buch Glücklich ohne Geld! sowie Veranstaltungen, findest Du hier:
Wenn Du selber auch Lebensmittel retten willst:
(alles zu den LebensmittelretterInnen)
(die Lebensmittelverschenkplattform)
Für alle die Lust auf die Vegane Öko Community haben, hier gibts unsere Träume die vielleicht ja auch Deine Träume sind in Worten:
eotopia.org
Möchtest Du helfen diese Reportage oder Artikel von unser Website in anderen Sprache zu übersetzen? Wir freuen uns über Deine Unterstützung, schreib uns einfach an mail@raphaelfellmer.de Vielen Dank Dir!
Oder übersetze dieses Video ganz kinderleicht selbst in Deine Muttersprache:
Wir bedanken uns bei Dir für Dein Interesse und Anteilnahme.
Alles Liebe Eure Alma Lucia, Nieves und Raphael
////////////////////////////////////////////////////////////
A film by Susanne Bausch, from SWR (First aired on 10.3.2013) about Raphael Fellmer and Nieves Palmer
More information about the money strike, how to reduce ones carbon footprint and the moneyless journey from The Netherlands to Mexico and much more you can find here:
For everyone dreaming as well of a Vegan Eco Community:
eotopia.org
If you want to help us translating the documentary in other languages please write us an email: mail@raphaelfellmer.de or translate this video directly into your mother tongue:
Thanks so much in advance
Thanks so much for sharing and caring, we appreciate that a lot and wish good vibes, believe in your dreams and lets create together the world we want to live in:
Love to you yours Alma Lucia, Nieves and Raphael
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LICHTSTEINER BESTEMMIA: DIO CANE, PORCO DIO, 7 arbitri e il giudice sportivo non l'hanno sentito?
LICHTSTEINER BESTEMMIA, 7 arbitri e il giudice sportivo questo non l'hanno sentito
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Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.
210th Knowledge Seekers Workshop - Feb 8, 2018
This weekly on-going public series of Knowledge Seekers Workshops brings us new teachings, universal knowledge and new understandings of true space technology to everyone on Earth direct from the Keshe Foundation Spaceship Institute. Each Thursday, at 9 am Central European Summer Time, we broadcast live, the latest news, developments, and M.T. Keshe teachings on our zoom channel and other public channels. (see below for channel links)
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Become a student at the world's first Spaceship Institute! For only 100 euros, you get a full calendar year of access to live and recorded private teachings. There are thousands of hours of extended Private Teachings stored in our private portal at the Keshe Foundation Spaceship Institute (KF SSI) that you have access to, and we teach Live classes six days a week in English, plus we also have live classes 7 days a week in 18+ languages. Apply today to become a student at the KF SSI. More information is at our website
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Suspense: Wet Saturday - August Heat
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
Meet Corliss Archer: Beauty Contest / Mr. Archer's Client Suing / Corliss Decides Dexter's Future
Meet Corliss Archer, a program from radio's Golden Age, ran from January 7, 1943 to September 30, 1956.
Priscilla Lyon and Janet Waldo successively portrayed 15-year-old Corliss on radio. Lugene Sanders also played Corliss briefly on radio and in the Meet Corliss Archer television show.
Perpetually perky, breathless and well-intentioned, Corliss is constantly at the side of her next-door neighbor and boyfriend, Dexter Franklin (Bill Christy, Sam Edwards). Clumsy, nerdy Dexter, a sweet but constant bungler with a nasal voice, is best remembered for his trademark phrase, Holy cow! and his braying call, Heyyyy, Corrrrrliiiiiss!--frequently delivered from the hedge separating their houses.
Harry Archer, Corliss' father, is a lawyer who tolerates Dexter only when he wants to use him to prove the superiority of the male gender. Gruff but gentle, he was played by both Fred Shields and Frank Martin. Janet Archer, Corliss' mother, was played by Irene Tedrow, Monty Margetts, and Gloria Holden. She is calm and understanding with her daughter and her husband, both of whom sometimes try her patience. Other frequent characters include Mildred Ames, a good friend of Corliss (played by Bebe Young and Barbara Whiting); Mildred's irritating younger brother Raymond (Tommy Bernard, Kenny Godkin); and Corliss' rival, Betty Cameron (Delores Crane).
Meet Corliss Archer was written by F. Hugh Herbert, who first introduced the character and her friends in the magazine story A Private Affair, the first of a series of stories. Kiss and Tell was a 1943 play that was adapted for a 1945 film starring Shirley Temple. The 1949 sequel, A Kiss For Corliss, was re-released in 1954.