Royal Palace, Genoa, Liguria, Italy, Europe
The royal palace or mansion Stefano Balbi is one of the most historic buildings in Genoa entered 13 July 2006 on the list of the 42 palaces enrolled to the Rolli of Genoa have become at that time a world heritage site by UNESCO. It is a museum complex consists of the historic house, the annexed garden and the art gallery, the gallery of the Royal Palace, which is one of the major collections towns. Located in Via Balbi 10, a short distance from the university and the train station Genova Piazza Principe, is part of an important architectural complex six-eighteenth century which are preserved intact the internal representation, from frescoes to stucco, from paintings to furniture. The construction of the building began in 1618 and 1620 by Stefano Balbi and Gio Francesco Balbi II, whose powerful family - that of Balbi - was already involved in the planning and construction of other buildings in the way that would bring their name. Between 1643 and 1655 began the second phase of construction by the architects Pier Francesco and Michele Moncino Canton, with a central square and two side wings that were extended towards the sea. In 1645 Francesco Maria Balbi took charge of the project, built the garden, renovated the lower floor and the frescoes commissioned to decorate the rooms and with his cousin Giovanni Battista Balbi it finished construction. In 1677 the family sold the mansion to the family Balbi Durazzo who enlarged with the incorporation of a nearby building (1685) and raised (in 1694) and in 1705 the building was completely transformed by Carlo Fontana, the Ticino architect who modified the portal, entrance hall and staircases, added the courtyard and roof garden overlooking via Prè and the basin of the Old Port, creating a set of great scenic value. And always in those years he was also built the theater of Falcone, active for several years. In 1823 the heirs sold it to the king of the House of Savoy who used it at the official residence and in 1842 the royal family commissioned production designer Michele Genovese Canzio to transform some environments, such as the salt of the Throne and the Audience and lounge Ballroom, to fit the new needs of representation. In 1919 he became state property. The palace, in the sea, had an appendix, that the Genoese called Royal Bridge, that bypassing the driveway (now Via Gramsci) directly connected with the building the pier of the port. This part of the building was demolished in 1964 during the construction of the causeway. The royal palace is the original furniture from throughout its long history and includes Genoese furniture, Piedmont and the French half of the seventeenth century until the early twentieth century. Among the frescoes are the most important to note Fame Balbi Valerio Castello and Andrea Seghizzi, The spring that pushes away the winter of Angelo Michele Colonna and Agostino Mitelli and Jupiter sends righteousness on earth Giovanni Battista Carlone. With over two hundred paintings on display in the two main floors are works by the greatest artists of the seventeenth century as a Genoese Bernardo Strozzi, Grechetto, Giovanni Battista Gaulli said Baciccio, Domenico Fiasella along with masterpieces by Bassano, Tintoretto, Luca Giordano, Anthony Van Dyck, Simon Vouet and Guercino. Also you can see a collection of ancient and modern sculptures: among these outstanding works of Filippo Parodi, one of the greatest exponents of Baroque sculpture Genoese.
Best Restaurant in Vercelli, Italy
Vercelli Food Guide. MUST WATCH. We have sorted the list of Best Restaurant in Vercelli for you. With the help of this list you can try Best Local Food in Vercelli. You can select best Bar in Vercelli.
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Ristorante Cinzia Christian & Manuel
Bislakko - cioccoristoreria
Ristorantiino del Cin Cin
Locanda del Bue Rosso
Trattoria Paolino
Giardinetto
Hosteria Capel Rosso
Bar La Voglia
Acquapazza Ristorante e Pizzeria
Ristorante Vecchia Brenta
Best Restaurants in Alessandria, Italy
Alessandria Food Guide. MUST WATCH. We have sorted the list of Best Restaurant in Alessandria for you. With the help of this list you can try Best Local Food in Alessandria. You can select best Bar in Alessandria.
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List of Best Restaurants in Alessandria
Caffe Dei Parodi
Tom & Ann
La Fermata Resort
Ristorante Duomo
Il Vicoletto
La Chiacchierata
Dragut Churrascaria
Elio's Burgers & Grill
Swagat Indian Restaurant
I Due Buoi
Basilica of Saint Anthony of Padua, Padua, Veneto, Italy, Europe
The Pontifical Basilica of Saint Anthony of Padua is a Roman Catholic church and minor basilica in Padua, northern Italy. Although the Basilica is visited as a place of pilgrimage by people from all over the world, it is not the titular cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as il Santo. It is one of the eight international shrines recognized by the Holy See. Sant'Antonio is a giant edifice without a precise architectural style. Over the centuries, it has grown under a variety of different influences as shown by the exterior details. The new basilica was begun as a single-naved church, like that of St Francis of Assisi, with an apsidal chancel, broad transepts and two square nave bays roofed with hemispherical domes like that of San Marco, Venice. The exterior style is a mixing of mainly Romanesque and Byzantine elements, with some Gothic features. Later in the 13th century, the aisles were added in a more Gothic style, the length of each nave bay being divided into two aisle bays with pointed arches and quadripartite vaults. The eastern apse was also extended in the Gothic style, receiving a ribbed vault and nine radiating chapels in the French manner. Later also, the Treasury chapel was built in 1691 in the Baroque style by Filippo Parodi, a pupil of Bernini. Externally, the brick facade has a Romanesque central section which was extended outwards when the aisles were built, acquiring in the process four deep Gothic recesses and an elegant arcaded balcony which stretches across the broad front of the building. The facade gable shows little differentiation between the nave and aisle, screening the very large buttresses that have the same profile and form a richly sculptural feature when the building is viewed from the side. The domes, like the domes of St. Mark's Basilica, were raised in height externally, giving a Byzantine appearance to the building, while the multitude of small belfries which accompany the domes recall Turkish minarets. Externally, at the main roof line each section of the building is marked by a low gable decorated with blind arcading in brick. These gables combine with the domes, the broad buttresses and the little towers to create a massive sculptural form, both diverse and unified in its conglomeration of features. As a work of architecture the building is particularly effective when viewed from the north west, an extra dimension being added to the facade by the huge plinth and dynamic equestrian monument of the Condottiero Gattamelata by Donatello. The interior of the church contains numerous funerary monuments, some of noteworthy artistic value. The Chapel of the Holy Sacrament (Cappella del Santissimo Sacramento, also known as Cappella Gattamelata), in the right aisle, houses the tomb of the famous condottiero Gattamelata and of his son Giannantonio. The bronze tabernacle is made by Girolamo Campagna. This chapel, with its broad bands of polychrome and carved Gothic details, has had many stages of decoration, the final stage being the creation of an atmospheric mosaic in the tall rear niche representing the Holy Spirit with rays of golden light descending against a background of intensely blue sky. This highly theatrical work was created by Lodovico Pogliaghi between 1927–36.
Relics of St Anthony are to be found in the ornate baroque Treasury Chapel (begun in 1691). The body of the saint, which was in the Madonna Mora Chapel, has, from 1350, lain in a separate transept chapel, the Chapel of St Anthony, the interior decoration being attributed to Tullio Lombardo, who also provided the sixth and seventh reliefs depicting the miracles of St Anthony (Miracle of the stingy man's heart, Miracle of the repentant man). The third relief Saint bringing back to life a man who had been murdered is a masterpiece by Girolamo Campagna. The late-16th century statues are by Tiziano Aspetti. The Basilica contains several important images of the Madonna. The Madonna Mora is a statue of the Madonna with the Christ Child by the French sculptor Rainaldino di Puy-l'Evéque, dating from 1396. Her name refers to her black hair and olive skin tone, being interpreted as swarthy. The Madonna del Pilastro is a mid-14th-century fresco by Stefano da Ferrara, located on the pier adjacent the left aisle. Among other sculptural work is the magnificent Easter candelabrum in the apse, finished in 1515 by Andrea Briosco and considered his masterwork. The most famous and striking features of the high altar area are however the bronze Madonna with Child and six statues of Saints by Donatello, who also executed four reliefs with episodes of life of St. Anthony.