WW1 - Oversimplified (Part 1)
PART 2 HERE:
MERCH:
If you would like to see more OverSimplified on a more regular basis, please consider supporting me on Patreon:
Want to know how I make these videos? I use Adobe After Effects and Photoshop. Get them here -
Content inspired by Dan Carlin's Hardcore History podcast, check it out if you want to learn about WW1 in more detail!
Bill Wurtz made me want to make this, kudos to him! (Link to his channel:
(I've not been endorsed by either of them!)
Copyright disclaimer - We do not give anyone permission to translate and/or reupload our videos or designs on YouTube or other social media platforms.
--Attributions--
Images:
World Map
NASA Goddard Space Flight Center Image by Reto Stöckli (land surface, shallow water, clouds). Enhancements by Robert Simmon (ocean color, compositing, 3D globes, animation). Data and technical support: MODIS Land Group; MODIS Science Data Support Team; MODIS Atmosphere Group; MODIS Ocean Group Additional data: USGS EROS Data Center (topography); USGS Terrestrial Remote Sensing Flagstaff Field Center (Antarctica); Defense Meteorological Satellite Program (city lights).
Pfefferpotthast by Oliver Hallmann (Creative Commons)
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Music:
Bird in Hand - Audionautix (attribution)
“Bird In Hand by Audionautix is licensed under a Creative Commons Attribution licence (
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Covert Affair - Film Noire by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Accralate - The Dark Contenent by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Expeditionary by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Disco Sting by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Faceoff by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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First Call by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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I Knew a Guy by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Artist:
Who Likes to Party Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
WW1 - Oversimplified (Part 2)
PART 1 HERE:
MERCH:
WW1 Explained!
If you would like to see more OverSimplified on a more regular basis, please consider supporting me on Patreon:
Want to know how I make these videos? I use Adobe After Effects and Photoshop. Get them here -
Inspired by Dan Carlin's Hardcore History podcast, check it out if you want to learn about WW1 in more detail!
Bill Wurtz made me want to make this, kudos to him! (Link to his channel:
(I've not been endorsed by either of them!)
Copyright disclaimer - We do not give anyone permission to translate and/or reupload our videos or designs on YouTube or other social media platforms.
--Attributions--
Sound Effects:
Till With Bell by Benboncan (Creative Commons)
License: (
Source:
Music:
Bird in Hand - Audionautix (attribution)
“Bird In Hand by Audionautix is licensed under a Creative Commons Attribution licence (
Artist:
Accralate - The Dark Contenent by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
Source:
Artist:
Desert City by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
Source:
Artist:
I Knew a Guy by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Artist:
Minima by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Artist:
Marty Gots a Plan by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Artist:
Expeditionary by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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For the Fallen by Kevin MacLeod is licensed under a Creative Commons Attribution licence (
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Artist:
Waterline et Higlhine en Normandie
Waterline sous le pont de la république à Virey (50) et Highline sur le site de l'aiguille à Mortain (50)
Waterline: L=25m
Highline: L=17m et H=20m
The Fall Of John Kuckian: pt. 0
John Kuckian seems to have a history of lying and manipulating but is it true? Evidence is stacking against him so after researching the most recent drama I thought it best to give a neutral perspective ☕
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Subscribe Today! ▶️
(∩｀-´)⊃━━☆ﾟ.*･｡ﾟ
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On the Run from the CIA: The Experiences of a Central Intelligence Agency Case Officer
Agee stated that his Roman Catholic social conscience had made him increasingly uncomfortable with his work by the late 1960s leading to his disillusionment with the CIA and its support for authoritarian governments across Latin America. About the book:
He and other dissidents took encouragement in their stand from the Church Committee (1975-76), which cast a critical light on the role of the CIA in assassinations, domestic espionage, and other illegal activities.
In the book Agee condemned the 1968 Tlatelolco massacre in Mexico City and wrote that this was the immediate event precipitating his leaving the agency.
While Agee claimed that the CIA was very pleased with his work, offered him another promotion and his superior was startled when Agee told him about his plans to resign, the anti-communist journalist John Barron claims that Agee's resignation was forced for a variety of reasons, including his irresponsible drinking, continuous and vulgar propositioning of embassy wives, and inability to manage his finances.
Agee was accused by U.S. President George H. W. Bush of being responsible for the death of Richard Welch, a Harvard-educated classicist who was murdered by the Revolutionary Organization 17 November while heading the CIA Station in Athens. Bush had directed the CIA from 1976 to 1977.
Inside the Company identified 250 alleged CIA officers and agents. The officers and agents, all personally known to Agee, are listed in an appendix to the book. While written as a diary, it is actually a reconstruction of events based on Agee's memory and his subsequent research.
Agee writes that his first overseas assignment was in 1960 to Ecuador where his primary mission was to force a diplomatic break between Ecuador and Cuba, no matter what the cost to Ecuador's shaky stability, using bribery, intimidation, bugging, and forgery. Agee spent four years in Ecuador penetrating Ecuadorian politics. He states that his actions subverted and destroyed the political fabric of Ecuador.
Agee helped bug the United Arab Republic code room in Montevideo, Uruguay, with two contact microphones placed on the ceiling of the room below.
On December 12, 1965 Agee explains how he visited senior Uruguayan military and police officers at a Montevideo police headquarters. He realized that the screaming he heard from a nearby cell was the torturing of a Uruguayan, whose name he had given to the police as someone to watch. The Uruguayan senior officers simply turned up a radio report of a soccer game to drown out the screams.
Agee also ran CIA operations within the 1968 Mexico City Olympic Games and he witnessed the events of the Tlatelolco massacre.
Agee stated that President José Figueres Ferrer of Costa Rica, President Luis Echeverría Álvarez (1970--1976) of Mexico and President Alfonso López Michelsen (1974--1978) of Colombia were CIA collaborators or agents.
Following this he details how he resigned from the CIA and began writing the book, conducting research in Cuba, London and Paris. During this time he alleges he was being spied on by the CIA.
Magicians assisted by Jinns and Demons - Multi Language - Paradigm Shifter
So in the rumors of researching the Illuminati, we sometimes hear faint whisperings of celebrities who sell their souls for fame and fortune.
Magicians do pretty much the same thing and this video provide about 3 hours of evidence.
What secret is so big you have to form multiple secret societies to cover it up?
How come no matter where you start researching the Illuminati, whether it be from JFK to the Moon Landing to Ley Lines to UFOs,
you'll always arrive at the richest most powerful people in world wearing robes and worshipping an owl.
Are they just dumb?
Nope. You're dumb if you think the worlds richest and most powerful are dumb. They know exactly what their doing and after watching this video you will too.
From Manly P. Hall's words himself.
This movie is not to be missed. It's very educational.
Subscribe here:
freetruthproductions.com
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Dragnet: Homicide / The Werewolf / Homicide
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.
The Great Gildersleeve: Leroy's School Play / Tom Sawyer Raft / Fiscal Report Due
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Marjorie's Boy Troubles / Meet Craig Bullard / Investing a Windfall
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.